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Ararat Rugs Mamluk Rug with Cusped Medallion Antique Revival Carpet Natural Dyed

$5,300
£4,021.52
€4,598.25
CA$7,402.66
A$8,230.75
CHF 4,297.65
MX$100,188.32
NOK 54,836.09
SEK 51,378.79
DKK 34,317.56
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About the Item

The source of rug comes from the David Collection, Copenhagen. This rug with the Cusped Medallion was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. Once in the Hirth Collection, and later with Ulrich Schürmann in 1965, this piece now belongs to the David Collection, Copenhagen. It is like the Berlin “Lagerfeld” piece, its medallion rests on a field strewn with para-Mamluk elements. Many of the most elegant Mamluk carpets employ the cusped, or scalloped medallion form. It perhaps arrived in Egypt from the Turkmen areas controlled by the Ak-Koyunlu, and later the Safavids; or it may have traveled East from Egypt. The elements characteristic of the para-Mamluk group are chiefly found on carpets with large roundels; two exceptions are the Eskenazi carpet, and the Unger Endre, which is a category of its own. The forms were probably created for the Hapsburg 3-medallion carpet in the MAK Vienna, which exhibits them in their most perfect form. Attempting to read early carpets produced in workshops in Cairo provides an entirely different set of challenges. Cairene carpets, distinguished by their limited color palette, symmetrical knotting, and unusual construction of S-spun wool (Z-spun wool being the norm almost everywhere in the Islamic world), underwent a sudden change in design sometime after the Ottoman Turks conquered the Mamluk empire in 1517. The Simonetti Carpet was probably woven after the conquest but exhibits the “old” fifteenth-century style of the Mamluks. Long and narrow, it was woven on a standard-sized Egyptian roller-beam loom, capable of producing carpets of varying lengths. It consists of five major focal areas of design in an A-B-C-B-A pattern, meaning the first and fifth and the second and fourth areas are paired, while the middle is unique. We can easily term these five focal areas medallions, but they are geometric in both layout and detail, and their style (as opposed to the actual date of the weaving) predates the carpet design revolution that gave rise to the medallion format. We can surmise that the designs and colors of Mamluk carpets, with their unusual combination of insect-derived red, blue, green, and sometimes yellow, with virtually no undyed white at all, constitute an effort to create a recognizable brand in the early modern market, especially in Europe, where Mamluk carpets such as this, with their subtle coloration, incredibly detailed design, and mosaic-like layout of small and intricately patterned geometric motifs, constituted an appealing alternative to the more coarsely woven and brightly colored carpets from Anatolia, such as Ushak medallion carpets. While the weaving of carpets in the traditional geometric Mamluk designs apparently continued well into the seventeenth century, sometime around the mid-sixteenth century, Cairene weavers began to create an entirely new kind of carpet, using their traditional Mamluk materials, technique, and coloration but reflecting the latest styles then being created at the court of the Ottoman sultans in Istanbul. Our designers interpret the design of the rug, and soft colors are chosen for this rug. Color summary: 7 colors in total, most used 4 colors are; Natural Wool Color 320 (Specially Washed) Turquoise 330 (Spurge – Madder Root – Indigo – Walnut Husk) Pale Green 439 (Chamomile – Indigo) Charleston Green 50 (Spurge – Indigo) Group: Islamic Rugs Family Area: Mamluk Material of Pile: Natural Dyed Hand-spun Wool Material Warp / Weft: Wool on Wool Structure: Symmetrical knot Knots Density: 39x39 Production Place: Southeastern Anatolia – Diyarbakir Stock Location: Tokyo Size (EU): 201 X 153cm Size (US): 6.7" X 5.0" Area (EU): 3.1m² Area (US): 33.1ft²
  • Creator:
    Ararat Rugs (Manufacturer)
  • Dimensions:
    Width: 60.24 in (153 cm)Length: 79.14 in (201 cm)
  • Style:
    Revival (In the Style Of)
  • Materials and Techniques:
    Natural Fiber,Organic Material,Wool,Hand-Knotted,Hand-Woven,Vegetable Dyed
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2022
  • Production Type:
    New & Custom(One of a Kind)
  • Estimated Production Time:
    Available Now
  • Condition:
  • Seller Location:
    Tokyo, JP
  • Reference Number:
    Seller: 003391stDibs: LU8206233062502

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The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This a rug with a cup motif design late 15th-century rug from Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washington D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight stemmed cups placed between the polygons. The triangles in the corner bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art...
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Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons probably created in Istanbul and sent to Cairo at that time. The source of carpet comes from the book Seven Hundred of Oriental Carpets, Hanna Erdmann, University of California Press, 1971 fig.165. The model of this rug comes from Berlin Museum, Inv. Nr. I 10. Ottoman Carpet, Cairo about 1540-5. Acquired in 1905 as a gift from von Dirksen. Carpets of this sort, of course, are preserved in great numbers, but the Berlin piece was the most beautiful. Mamluk details of design which have persisted in the central medallion prove that it belonged to the earliest examples of this group, which about 1540 replaced the Mamluk carpets made in Cairo up to that time. The design of the rug is interpreted by our designers with four corners floral medallions, and soft colors are used for this rug. Color summary: 5 colors in total, most used 4 colors are; Natural Wool Color 320 (Specially Washed) Moss Green 27 (Spurge – Indigo) Midnight Blue 347 (Spurge – Madder Root – Indigo) Lucario Blue 342 (Spurge – Madder Root – Indigo) Group: Islamic Rugs...
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The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.160. This unusual shape of a central octagon and cross-shaped hooks in the diamond design 17th-century rug from the Central Anatolia area, Turkey. This rug’s design is contrary and unusual because it is made by the village weaver who had never learned the theoretical structure of the classical 2-1-2 composition design. Among specialists, Anatolian carpets and kilims are believed to record symbols of ancient values and ideas. This tradition dates back several millennia and was only displaced during the industrial age. The Anatolian kilim design tradition probably owes its lucky survival to the fact that pile-woven carpets look more precious and would already have had a higher prestige value several millennia ago. Kilim weaving was, therefore, able to survive undisturbed within an intact cultural context for a long period of time. Our designers interpret the design of this rug and vivid colors are chosen for this rug. Color summary: 9 colors in total, most used 4 colors are; Burlywood 135 (Spurge – Madder Root) Natural Wool Color 320 (Specially Washed) Black Chocolate 434 (Pomegranate – Spurge – Madder Root) Charleston Green...
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