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Ararat Rugs Mamluk Wagireh Rug with Jerrehian Border Design Egypt Revival Carpet
$320
$40020% Off
£242.81
£303.5120% Off
€277.63
€347.0420% Off
CA$446.95
CA$558.6920% Off
A$496.95
A$621.1920% Off
CHF 259.48
CHF 324.3520% Off
MX$6,049.11
MX$7,561.3820% Off
NOK 3,310.86
NOK 4,138.5720% Off
SEK 3,102.12
SEK 3,877.6420% Off
DKK 2,072
DKK 2,59020% Off
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About the Item
The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. The interpreted design is composed of Jerrehian rug's border motifs lattice, covering the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces the size of a scatter rug or mat. Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton. Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and soft colors are used for this rug.
Color summary: 4 colors in total;
Yellow Green 419 (Henna - Indigo)
Imperial Red 426 (Madder Root)
Cadet Blue 26 (Spurge - Indigo)
Sunray Color 405 (Henna)
Group: Islamic Rugs Family
Area: Mamluk
Material of Pile: Natural Dyed Hand-spun Wool
Material Warp / Weft: Wool on Wool
Structure: Symmetrical knot on depressed warp inclining to the right
Knots Density: 39x39
Production Place: Igdir University
Weight: 0.90kg
Location: Tokyo
(ART106)
Dimensions:
1 ft 8 in x 1 ft 10 in ( 52cm x 56cm )
- Creator:Ararat Rugs (Manufacturer)
- Dimensions:Width: 20.48 in (52 cm)Length: 22.05 in (56 cm)
- Style:Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2023
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Tokyo, JP
- Reference Number:Seller: C501061stDibs: LU8206242515992
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
About the Seller
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The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...
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Ararat Rugs Mamluk Wagireh Rug with Jerrehian Border Design Egypt Revival Carpet
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Located in Tokyo, JP
The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...
Category
21st Century and Contemporary Turkish Revival Turkish Rugs
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Ararat Rugs Mamluk Wagireh Rug with Lattice Pattern Design Egypt Revival Carpet
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This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces of the size of a scatter rug or mat.
Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton.
Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and soft colors are used for this rug.
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