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Ararat Rugs the Simonetti Mamluk Carpet 16th Century Revival Rug, Natural Dyed
$13,700
£10,395.24
€11,886.03
CA$19,135.19
A$21,275.72
CHF 11,109.01
MX$258,977.35
NOK 141,746.11
SEK 132,809.33
DKK 88,707.65
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About the Item
The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was designed in the early 16th century by Mamluk Sultane of Cairo, Egypt. It is exhibited at The Metropolitan Museum of Art, New York as The ‘Simonetti’ Carpet. The conventional practice of naming Islamic carpets either after the place they were found (“Nigde Carpet”) or after a previous owner (“Anhalt Carpet”) in this case memorializes the former Italian owner of this magnificent example of fifteenth-century Cairene weaving under the Burji Mamluk dynasty (1382–1517). The Simonetti Carpet is commonly called a “five-color Mamluk carpet” because of its color palette. The materials (most notably S-spun, or clockwise-spun, wool), dyestuffs (a limited range of colors including a purple-red made from the lac insect), and distinctive repertoire of geometric designs are all characteristic of Mamluk carpets from the period. The width, about ninety-four inches (239 cm), is typical for contemporaneous carpets woven in Cairo. A roller-bar loom was used to make the carpet: the unwoven warps were unwound from a rotating cylindrical wood roller at the top of the loom, and the finished carpet was then wound up around a similar roller at the bottom. This method allowed the same loom to be employed to weave both very long and relatively short carpets of the same width. The Simonetti displays three of the geometric medallion designs usually seen in short Mamluk carpets (two of them repeated, combined in A-B-C-B-A sequence) in one very long, impressive work of art.
Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton.
Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers with one central star, and soft colors are used for this rug.
Color summary: 4 colors in total;
Rare Grey 105 (Specially Washed)
Natural Wool Color 37 (Specially Washed)
Dark Brown 316 (No Dye – Sheep’s Own Color)
Bamboo Beige 99 (Specially Washed)
Group: Islamic Rugs Family
Area: Mamluk
Material of Pile: Natural Dyed Hand-spun Wool
Material Warp / Weft: Wool on Wool
Structure: Symmetrical knot on depressed warp inclining to the right
Knots Density: 39x39
Production Place: Southeastern Anatolia – Adiyaman Province
Stock Location: Tokyo
Size (EU): 237 X 246cm
Size (US): 7'9" X 8'0"
Area (EU): 5.8m²
Area (US): 62.8ft²
- Creator:Ararat Rugs (Manufacturer)
- Dimensions:Width: 93.31 in (237 cm)Length: 96.86 in (246 cm)
- Style:Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2021
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Tokyo, JP
- Reference Number:1stDibs: LU8206233203992
ARARAT RUGS
We know and believe that the geography we come from, our past, and our lifestyle are the most important bond between us to carry the oriental carpet art and culture to the next generations along with our core values in our ongoing growth journey.
We are aware that the way to achieve this goal and carry this priceless art and culture to the future depends on a lot of work with all our people every day while adhering to our core values.
For us, art is meaningful in the sense that it brings together various cultures around the world. It is an honor for us that oriental carpet art and culture have been instrumental in this for centuries and that we are a part of this business.
We are tirelessly keeping an eye on auction house information around the world about carpets. New York's Metropolitan, London's Victoria & Albert Museums, and other famous art museums, as well as small specialized museums that house private collections, and books about oriental carpets to collect information on outstanding carpet designs and patterns from around the world. It's our Self-improving and Self-developing culture.
As Turkish Culture of Hospitality, the Kurdish Culture of Generosity, and as Japanese Culture of Business Punctuality; are the most important values that this multicultural background has taught and bequeathed to us. It is essential and valuable for us that you feel this feeling not only by looking at our oriental carpets but from the moment you contact us.
About the Seller
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The source of carpet comes from the book how to Rread – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was ...
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The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...
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$18,450
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Ararat Rugs the Simonetti Mamluk Carpet 16th Century Revival Rug, Natural Dyed
By Ararat Rugs
Located in Tokyo, JP
The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...
Category
21st Century and Contemporary Turkish Revival Turkish Rugs
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Ararat Rugs Mamluk Carpet with Cup Motif, Antique Revival Rug, Natural Dyed
By Ararat Rugs
Located in Tokyo, JP
The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This is a rug with a cup motif design late 15th-century rug from the Mamluk Sultanate of Cairo, Egypt. It is exhibited at the Washington, D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight-stemmed cups placed between the polygons. The triangles in the corners bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art...
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The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. As its impressive size, materials, and design quality suggest, the carpet is a product of an accomplished court workshop and likely dates from the late period of the last Mamluk dynasty. The quantity of the colors used speaks for an earlier date around 1500; the delicate vegetal border with leaf tendrils and the characteristic umbrella leaves...
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Ararat Rugs the Simonetti Mamluk Carpet 16th Century Revival Rug, Natural Dyed
By Ararat Rugs
Located in Tokyo, JP
The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...
Category
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