C F A Voysey for Liberty & Co. a Rare 'Glenmure' Donegal Rug with Rich Colors

Long before Liberty became one of London’s most iconic luxury department stores, shoppers of the late 19th century knew it as Liberty & Co. — purveyors of fine silverware designed in the Art Nouveau style, Arts and Crafts-style furniture and an eclectic assortment of ornaments, fabrics, fashion and other goods from around the world.

British merchant Arthur Lasenby Liberty founded Liberty & Co. in 1875. Liberty dreamed of selling an assortment of fine wares he obtained in the Far East from a ship docked in the middle of one of London’s busiest shopping thoroughfares. However, he could only manage to borrow £2,000 from his father-in-law, so he settled for a small shop on Regent Street.

What began as a modest business grew exponentially over the next few years, and, by 1890, Liberty & Co. occupied most of Regent Street. Meanwhile, Liberty forged relationships with many British Art Nouveau artists and designers who were keen to work with one of the most prestigious retailers in London.

In 1899, Liberty & Co. hosted an exhibition showcasing a collection of silver pieces designed by notable silversmiths like Oliver Barker, Albert Edward Jones and Bernard Cuzner. A line of silverware called Cymric also debuted and was produced in partnership with silversmith W. H. Haseler of Birmingham and Liberty & Co.’s chief designer, Manx artist Archibald Knox. The innovative Cymric collection featured a blend of Art Nouveau with traditional Celtic style, including such pieces as candlesticks, spoons, bowls, tableware and jewelry.

Liberty & Co. also had a furniture workshop in Archway, London, run by Lawrence Turner and which employed carpenters to produce handcrafted, Arts and Crafts-style armchairs, stools, bookcases, cabinets, side tables and other furniture. Most of these high-quality and durable pieces were made of solid wood such as oak, mahogany and walnut. In addition to their own in-house creations, Liberty & Co. also sold furniture by other designers, including chairs by German architect Richard Riemerschmid.

Liberty died in 1917, and Liberty & Co. became Liberty of London after relocating to their iconic location on Great Marlborough Street in 1924. Ironically, the imposing Tudor Revival building is constructed from the timbers of two decommissioned British Navy ships — realizing Liberty’s original “ship-store” dream. 

On 1stDibs, discover a range of antique and vintage Liberty & Co. serveware, seating and decorative objects.

The Yorkshire, England-born Charles Francis Annesley Voysey is considered a pioneer of modern architecture — and the Arts and Crafts designer is as well known for his fabrics, carpets, wallpaper and other furnishings as he is for his celebrated building projects. 

The son of a reverend who founded the Theistic Church in London, Voysey was the third of 10 children. Inspired by his father's teachings, Voysey adhered to principles of simplicity and reliability in all of his work, principles that defined the Arts and Crafts movement in Britain to which the architect would one day be linked.

C.F.A. Voysey received his education at home and subsequently studied for a time at Dulwich College. He didn't consider himself an intellectual and chose the field of architecture because it was the only profession where he didn't have to pass any examinations. After completing his education, Voysey went on to apprentice under Gothic Revivalist architect John Pollard Seddon.

In his mid-20s, Voysey established his architectural practice and was securing design commissions for modest residences. He was meanwhile beginning to design wallpaper and rugs that featured decorative floral motifs for the likes of textiles manufacturers such as Turnbull & Stockdale and wallpaper producers Jeffrey & Company. 

Rather than embellishing his textiles with depictions of realist scenes, Voysey favored stylized patterns that drew on the natural world — the large-scale flowers, birds and forest creatures that populated his works undoubtedly influenced the Art Nouveau movement.

Voysey also produced uncomplicated furniture such as sideboards with oak finishes and Shaker-style doors and panels. In every area of design, he favored minimalism — Voysey found inspiration in the work of William Morris and became friendly with Arts and Crafts architect Edward Schroeder Prior. Voysey worked in limited colors and avoided the ornamental excess that was associated with Victorian furnishings and interiors. 

By 1890, Voysey's architectural practice had begun to flourish, and after 1900, he insisted on creating every aspect of the homes he was designing, such as interiors and furnishings, an attribute he shared with Frank Lloyd Wright. He produced carpets for Alexander Morton & Co. in Donegal — Gustav Stickley, founder of the American Craftsman style, sold these carpets in his catalogs — and became well known for his design of country homes, which harkened back to the days of simple, thatch-roofed cottages. A number of Voysey’s furnishings and textiles are held in the collection of the Victoria and Albert Museum.

Find antique Charles F.A. Voysey furniture on 1stDibs.