Erberto Carboni for Arflex, Italy, 1955, Delfino Armchair

Pendant light, model no. 2079, by Gino Sarfatti, design 1955, manufactured by Arteluce, Italy. Micro perforated lacquered aluminium shade over an opaline glass diffuser. Completely...

Gino Sarfatti, Model 205 Wall Light, designed 1955 and manufactured by Arteluce, Italy. This rare model is illustrated in the Sarfatti catalogue raisonée. Constructed from an opali...

Stilnovo, Italy, circa 1955. A floor lamp with marble foot supporting an angled upright stem with large red uplighter on top and a pivoting brass arm terminating in a yellow enamelle...

Jorgen Kastholm and Preben Fabricius for Ivan Schlechter, Denmark, 1962. A pair of Scimitar chairs, steel bases with original chocolate brown leather. E...

Pair of armchairs by Erberto Carboni model "Delfino" for Arflex, Italy, 1950s (designed in 1954) Recently reupholstered with a nice plum velvet.

"Delfino" armchair by Erberto Carboni for Arflex.

This Italian "Delfino" armchair was designed by Erberto Carboni in the 1950s and manufactured by Arflex. The piece of furniture is upholstered in original dark blue cord velvet and h...

Erberto Carboni 'Delfino' Lounge Chair designed in 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair is available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...