1970s Living Room Sets

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This lounge chair features a chocolate brown alpaca velvet upho...

An exceptional pair of 2-seater sofas (designed in 1966) by Afra & Tobia Scarpa, manufactured by C&B Italia, the predecessor of B&B Italia. The high-quality cognac-colored leather bo...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a two-seater sofa and two armchairs. It features...

Beautiful rattan set made of a sofa and 2 large armchairs. High quality, good condition, rare. Sofa 137x80x90 h cm Armchairs 80x80x90 h cm

A complete "Cubo" living room suite by Jorge Zalszupin consisting of a sofa, pair of chairs, side table and coffee table. All upholstered in white le...

The sectional sofa with Lucite supporting legs features three units, a right arm section, a middle corner return and an ottoman. Plush cushions and all upholstered body. One of the i...

Set of 2 armchairs and 2 seater sofa designed by Vico Magistretti for Cassina, 1973. The project won the Compasso d' Oro in 1979 and is one of the most widely sold pieces of Italian design. "With Maralunga...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features black leather upholstery and a chrome tubular cage as s...

ara angular armchair model "baia", design Antonio Citterio and Paolo Nava for b & b Italia, 1970s polyurethane structure with padded fabric cover a...

Rare set of two small croissant sofas by Raphaël Raffel for Maison Honoré Paris made in the mid 1970s. The sofas have been fully resto...

Vivai Del Sud 1970 Bamboo Living Room Set With original Cushions Product Details Bench + pair of chairs + table with a leather-covered top. Bench dimensions 97 W x 90.5 H x 51 D cm C...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 7 elements: - 4 armchairs ( cm 71 H x ...

This De Sede five-piece sectional sofa set in softly worn brown leather offers multiple arrangement possibilities. Versatile and classic, this ensemble is perfect for accommodating v...

Set of four original chairs from the 70s, made in the style of Pierre Cardin, entirely in wood with upholstery on the seat and back Avion blue color, polychrome fabric. They me...

A set of elegant, leather sofas was manufactured in Denmark during the 1960s. This project was made according to the model 2212 designed by Børge Mogensen for Fredericia. This classi...

Rare Italian design modular sofa, 1970s in brown velvet. The sofa is modular and made up of four armchairs. Busnelli brand present on each armchair. The measurements indicated are fo...

Mid-Century Soriana Seating Set by Tobia & Afra Scarpa for Cassina, 1970s

Italian Country Living Room Set in Solid Oak with new Bouclé Upholstery, 1970s Beautiful set in country style, consisting of 2 lounge armchairs with two matching ottomans, which can...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

This absolute unique and gorgeous modular sectional sofa from the 70ties is manufactured by LÜBKE & ROLF from Rheda in Germany ( later was the Name LÜBKE KG). From the same family...

This incredible set was purchased new in Glasgow, Scotland in 1970. We acquired from the original owners who kept them in pristine condition. Designed by K.M. Wilkins for G-Plan of England, this line is appropriately named the "Tulip Group". Wilkins also designed the the well known Housemaster Chair...

Mid-Century Modern French armchair with original velvet fabric by Gérard Guermonprez, 1970s. Wear consistent with age and use (see photos attached). This armchair can become a set ...

Rare two-seat sofa and easy chair model DS-47 designed by design team at De Sede. Produced by De Sede in Switzerland.

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

Dining or center table, marble, Italy, 1960s This exceptional dining table, crafted in Italy during the 1960s or 1970s, is a testament to the era's dedication to pure, timeless desi...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

Mario Bellini “Le Bambole” sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping bag contain...

Mid-Century Modern Sofa Set by Ellekær & Norell for Coja Sweden, 1970s. Pair of Scandinavian Modern Coja sofas. This set consists of a three-seater and a two-seater/loveseat sofa. T...

Mid-Century Modern Italian B&B "Alanda" two-and-a-half-seat white leather sofa by Paolo Piva with adjustable back pillows and armrests, 1970s. The sofa shows wear due to age and use...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 8 elements: - 5 armchairs (cm 71H x 65...

Discover the ultimate in seating comfort with our Ivory Bouclé Modular Lounge Chairs "Velasquez", straight from the 1970s. This set of two lounge chairs, produced by Mimo Padova in Italy, offers a unique combination of vintage charm and contemporary comfort. The chairs have been carefully reupholstered in a stylish ivory-colored bouclé fabric, which provides a soft and luxurious seating experience. The polished chrome outer frame adds an elegant, modern touch to the whole. Whether you place them separately or together as a compact sofa, these modular chairs are an enrichment for any interior. Advantages: Unique modular design from the 70s Reupholstered with high-quality ivory-colored bouclé fabric Flexible in arrangement: as separate chairs or together as a sofa Elegant chrome-plated outer frame for a modern look Good to know These lounge chairs have been reupholstered by hand and may show slight variations, making each pair unique. The chrome frame is polished for a mirror shine that will stand the test of time. Resume Vintage design meets modern comfort in these Ivory Bouclé lounge...

Mario Bellini "Le Bambole" living room set for B&B Italia, sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for upholstered fu...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a two-seater sofa and two armchairs. It features...

Introducing our stunning Vagues sofa, crafted by renowned designer Company Roche Bobois and featuring a ravishing ribbled, coral-colored fabric. This masterpiece of design is compos...

Maison Regain Style Sofa/living room set in Elm and bouclé Fabric, France, 1970s This is a beautiful Mid-Century Modern Solid Elm Wood Sofa/living room set that was manufactured a...

Burke Maurice design years '60 for Arkana British prod. set of four chairs tulip good vintage condition for the entire set and no every cushions for all material is metal, acryl...

Italian white bamboo set composed by two round armchairs and a round shape coffe table with clear glass top. The armchairs have peculiar cushions in original fabric naif motif in pin...

L'ensemble conçu par Boris Tabacoff dans les années 1970 est un parfait exemple de la fusion entre élégance et modernité. Composé d'une table à plateau en marbre veiné blanc et crème...

Mario Bellini 7-Piece Bambole Chairs/ Modular Sofa Set for B&B Italia 1970s This is a set of seven original production 'Le Bambole' lounge chairs or mod...

Børge Mogensen freestanding two seater sofa mounted on walnut legs. Sides, back and loose cushions upholstered with natural tanned leather. Manufactured by Fredericia Furniture in 1974.

This amazing living room set with a 3-seater Sofa and 2x lounge chairs model DS31 were designed in the 1960s by the De Sede design team and produced by De Sede in Switzerland in the ...

Vintage living room, club style, consisting of 3-seater sofa and 2 armchairs, 1970s Very good conditions Manufactured from orange fabric, embellished with hexagonal patterns in ...

CONE CHAIRS by Verner Panton for Gebrüder Nehl with the original fabric in pink and a stainless steel base. The seats have been reupholstered and covered with a high-quality fabric i...

This set of two armchairs was manufactured by the German Thonet manufacture during the 1970s. The frame is made of chrome-plated tubular steel. The chairs are made by plywood and covered with black synthetic leather. The minimalist form adds elegance, and the contoured seat improves comfort during use. Both pieces have manufactory labels. Thonet is the oldest existing furniture company in the world. It began its long business in 1819 when the carpenter Michael Thonet founded a furniture workshop in Boppard, Germany. A supporter of the Biedermeier style, he specialized in chairs, tables and cabinets characterized by clean lines, reduced ornamentation and an emphasis on the principles of functionalism. In the 1930s, Thonet's experiments with glued and steam-bent wood furniture...

The Walter Knoll Fabricius Armchair and Sofa Model 710-10 are a design by Preben Fabricius. This originally Danish designer designed the Fabricius Model 710-10 set as early as 1972. ...

Illum Wikkelsø for CFC Silkeborg, pair of lounge chairs with ottoman and side table, leather, lacquered wood, metal, Denmark, 1970s Exiting and rare to come by modular sitting set d...

High quality leather design sofa set with thick black leather cushions. Attractive curvy design with black tubular metal bases at the front. Very comfortable sofas in good conditio...

Rare Soriana chaise longue by Afra & Tobia Scarpa for Cassina, Italy, 1969 It's reupholstered in a beautiful plum textured fabric. The original foam is in very good condition and s...

original living room complete of the 70s, consisting of sofa and pair of armchairs with patterned velvet textile upholstery in beige, white and brown Measures: The sofa measures ...

A five piece modular sofa by Mario Bellini for B&B Italia. Italy, c1970s, not a contemporary edition. Infamous 'Camaleonda' model. The modular nature of the sofa allows f...

Vintage Brutalist three seater sofa with matching armchair in oak and black leather. The sofa's are very comfortable and have a nice brutalist design. Good condition. 1970s ...

- Two tables - One two-seat sofa - Three chairs - Very practical a and comfortable.

Very beautiful vintage living room set from the 70s Brazilian brutalist style in leather and oak composed of a 3-seater living room and two armchairs. G...

A suite of sofas and armchairs by Italian Designer Vico Magistretti for Cassina. Italy, designed in 1970s, this model likely c1990-2000s. Original leather, which has some signs of light aging but remains in good condition. A unique headrest solution from the designer to these chairs is that it can be 'unfurled' to a taller position for comfort. Price is for the set. Two three...

Mario Marenco and Tarcisio Colzani “Laser” living room set for Mobilgirgi, wood and leather, Italy 1970, set of three. The "Laser" armchair and coffee table set is an example of the...

This rare and striking set, crafted by Brazilian designer José Zanine Caldas in the 1970s, features two sculptural lounge chairs and a stunning coffee table made from richly grained ...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Never used, only unpacked and put together - Textile (canvas) - Dimensions of table: 62 x 28 x 57 cm.

Splendid lounge complete with Poltrona Frau, "poppy" model, designed by Tito Agnoli in 1974 Composed of a three-seater sofa and a pair of armchairs in black leather, with quilted ...

Absolut traumhafte Sitzgruppe bestehend aus einem 3-Sitzer Sofa und einem Lounge Sessel mit hoher und etwas verstellbarer Lehne in wunderschönem, dunkel gemastertem, massivem Esche H...