Late 20th Century Living Room Sets

This vintage living room set is a typical example of European furniture design of the 1970/1980´s. It was made by the famous UP Závody company in the 1980´s. The furniture is very c...

An exceptional pair of 2-seater sofas (designed in 1966) by Afra & Tobia Scarpa, manufactured by C&B Italia, the predecessor of B&B Italia. The high-quality cognac-colored leather bo...

This gorgeous living room set consist of two very rare lounge chairs and matching coffee table. The set was produced in late 1980s by Stol Kamnik. Its modern look is still fashionabl...

Zanotta Modell Onda. Design in 1985 from De Pas, D'Urbino, Lomazzi. A italian Classic. It consists a 2seater sofa and 2 armchairs in blue leather. Frame made in Chrom and tubular...

A complete "Cubo" living room suite by Jorge Zalszupin consisting of a sofa, pair of chairs, side table and coffee table. All upholstered in white le...

This is a vintage seating group fully restored in a sturdy woven fabric. These have a unique curved structure with a sculptural look that seem to float...

"Terry" Chairs _ Set of 4 Luigi Saccardo Arrmet Italy, 1970 Metal Chrome Frame and Black Leather Rare Set Very Good Condiction Publication on Magazine Arredorama n. 75

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features black leather upholstery and a chrome tubular cage as s...

Splendid set of 4 "irma" model chairs, design achille castiglioni for Zanotta, 1970s made of black lacquered metal, with seat and back in light brown leather they measure 90 cm...

Mario Bellini “Le Bambole” sofa for B&B Italia, brown Nabuk, Italy, 1971. This is a timeless Postmodern design icon. The starting point was a shopping bag containing formless materi...

MASSIVE GREY/BLUE LEATHER "DS-18" SECTIONAL CORNER SOFA BY DE SEDE DESIGN TEAM, SWITZERLAND 1980S Looking for a statement piece that combines luxury and history? Look no further tha...

Rare Italian design modular sofa, 1970s in brown velvet. The sofa is modular and made up of four armchairs. Busnelli brand present on each armchair. The measurements indicated are fo...

Modular two-seater sofa, "Baia system" model, designed by Antonio Citterio and Paolo Nava for B&B Italia, 1970s Structure in polyurethane and upholstery in padded and completely r...

These magnificent frames are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and ready for upholstery. This seatin...

Discover the ultimate in seating comfort with our Ivory Bouclé Modular Lounge Chairs "Velasquez", straight from the 1970s. This set of two lounge chairs, produced by Mimo Padova in Italy, offers a unique combination of vintage charm and contemporary comfort. The chairs have been carefully reupholstered in a stylish ivory-colored bouclé fabric, which provides a soft and luxurious seating experience. The polished chrome outer frame adds an elegant, modern touch to the whole. Whether you place them separately or together as a compact sofa, these modular chairs are an enrichment for any interior. Advantages: Unique modular design from the 70s Reupholstered with high-quality ivory-colored bouclé fabric Flexible in arrangement: as separate chairs or together as a sofa Elegant chrome-plated outer frame for a modern look Good to know These lounge chairs have been reupholstered by hand and may show slight variations, making each pair unique. The chrome frame is polished for a mirror shine that will stand the test of time. Resume Vintage design meets modern comfort in these Ivory Bouclé lounge...

Maison Regain Elm living room set upholstered in original olive green fabric, France, 1970s. Enhance your living space with the exquisite Maison Regain living room set from 1970s Fr...

Stylish and comfortable lounge chairs, ready to be enjoyed. The combination of the mid-century design and the quality materials makes this pair extra stylish and they will look pe...

Lc2 two-seater sofa, with black tubular structure with satin finish and completely removable cover in white cotton fabric. Designed by Le Corbusier, Jeanneret and Perriand for Cassi...

Børge Mogensen freestanding two seater sofa mounted on walnut legs. Sides, back and loose cushions upholstered with natural tanned leather. Manufactured by Fredericia Furniture in 1974.

A single Robert Venturi matching leather Grandma Sofa manufactured by Knoll, 1980s. Very good original condition. No tears or scuffs to the leather. Light signs of use. Minimal hone...

Very nice rounded and curved "Onda" set of one 3-seat sofa and one fauteuil. The set is designed by De Pas, D’Urbino and Lomazzi and fabricated by Zanotta, Italy, 1985. The expressive curves of the sofa is emphasized by the vibrant color of the green leather. The structured and bend tubular chrome makes the piece look nice in a freestanding place. Because of the soft leather, it is comfortable to sit in. The original green leather is in good used condition with some normal traces of use (see the pictures). Jonathan De Pas, Donato D’Urbino and Paolo Lomazzi are three Milanese designers, born in the 1930s. Around 1960, they started working together. With their designs, they wanted to bring forward a new Italian design, contrasting with the international style...

Lloyd Loom flat arm 4 piece rattan seating ensemble consisting of 3 seat sofa, 2 matching arm chairs and a small round matching occasional table. All seating have generous proportion...

Rare Soriana chaise longue by Afra & Tobia Scarpa for Cassina, Italy, 1969 It's reupholstered in a beautiful plum textured fabric. The original foam is in very good condition and s...

Mid-Century Modern Italian B&B "Alanda" two-and-a-half-seat white leather sofa by Paolo Piva with adjustable back pillows and armrests, 1970s. The sofa shows wear due to age and use...

Extrem Chairs by Terje Ekstrom upholstered in a burgundy wool by Loro Piana. Both sculptural and comfortable these Norwegian chairs are designed with ergonomics to provide back suppo...

This beautiful pair of vintage lounge chairs feature plush leopard print upholstery and walnut legs. A uniquely designed backrest that features a wood top with a cutout space underne...

Mario Bellini 7-Piece Bambole Chairs/ Modular Sofa Set for B&B Italia 1970s This is a set of seven original production 'Le Bambole' lounge chairs or mod...

This four-seater, designed in the early 1980s by Luigi Sormani and Casabella Miami for a line of maxi-furniture destined to the United States is a comfortable one-block sofa for a luxury villa. The structure is in a warm gray leather and the fabric was especially made for this series called "Intrigue": a special very light grey silk fabric interwoven with burgundy leather threads. All cushions have grey leather inlays, entirely hand sewn. Julio Iglesias...

Burke Maurice design years '60 for Arkana British prod. set of four chairs tulip good vintage condition for the entire set and no every cushions for all material is metal, acryl...

ara angular armchair model "baia", design Antonio Citterio and Paolo Nava for b & b Italia, 1970s polyurethane structure with padded fabric cover a...

Mario Bellini “Le Bambole” sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping bag contain...

CONE CHAIRS by Verner Panton for Gebrüder Nehl with the original fabric in pink and a stainless steel base. The seats have been reupholstered and covered with a high-quality fabric i...

Sofa with asymmetrical arm- and backrests, upholstered in a beige, tightly woven boucle fabric. Model "Koala". Sofa: Height: 43” back, 17” Seat Width: 64” Depth: 33”  

- Czechoslovakia, around 1970s - beautiful space age design - dimensiosn of chairs : height: 80cm, depth: 67, width: 63cm - the set is predestined to be newly upholstered in new tex...

This unique and gorgeous modular sectional sofa from the 70ties is manufactured in germany. It has slightly curved design. The Sling shape is made of vegetal leather with fine deta...

Set of eight chairs model Cobra with chromed tubular steel structure and seat in black padded leather, designed by Giotto Stoppino, in the 1970s. This set perfectly fits with our Gi...

Those chairs were produced by Drevopodnik Holesov in the 1970s in former Czechoslovakia. Frame made of oak veneered bent plywood. Woodwork is kept in original, good condition. Uphols...

This is a very rare opportunity to buy the couch and chair for a fraction of the price because the set is missing the original cushions. The frames are complete with original strappi...

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

A wonderful two-piece set of sitting consisting of a loveseat and a single lounge chair by Gerard Van Den Berg (b. 1947). The beautiful chairs are of the rock series designed by Gerard Van Den Berg for Montis designed in 1981. With their low profile and slightly upturned corners, these two whimsical chairs can be arranged in different positions to create a very chic space, like between two rocks in the forest. The loveseat measures 56.5" W x 45" H x 36" D. The slip chair...

Pair of splendid "kiitos" model seats, production of Giuseppe Rossi di Albizzate on a design by Tittina Ammannati & Gia...

Beautiful rattan set made of a sofa and 2 large armchairs. High quality, good condition, rare. Sofa 137x80x90 h cm Armchairs 80x80x90 h cm

The cube sofa was designed by Jorge Zalszupin (1922-2020) in the 1970s. The elegance, a feature of Zalszupin designs, on this piece does not come from sculpted wood details or the...

Experience the fusion of wood and fabric from the 1970s, with this exclusive living room set by Mobilgirgi. The set is composed of 1 sofa (depth: 83cm x width: 210cm x height: 80cm) ...

Set of four original chairs from the 70s, made in the style of Pierre Cardin, entirely in wood with upholstery on the seat and back Avion blue color, polychrome fabric. They me...

Mid-Century Soriana Seating Set by Tobia & Afra Scarpa for Cassina, 1970s

Four Quadrio seating elements from the 1980s, the Memphis period as can be seen from the style. Michael McCoy designed these playful seating elements in 1985 and they can be arranged...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 8 elements: - 5 armchairs (cm 71H x 65...

Dining or center table, marble, Italy, 1960s This exceptional dining table, crafted in Italy during the 1960s or 1970s, is a testament to the era's dedication to pure, timeless desi...

This set of two armchairs was manufactured by the German Thonet manufacture during the 1970s. The frame is made of chrome-plated tubular steel. The chairs are made by plywood and covered with black synthetic leather. The minimalist form adds elegance, and the contoured seat improves comfort during use. Both pieces have manufactory labels. Thonet is the oldest existing furniture company in the world. It began its long business in 1819 when the carpenter Michael Thonet founded a furniture workshop in Boppard, Germany. A supporter of the Biedermeier style, he specialized in chairs, tables and cabinets characterized by clean lines, reduced ornamentation and an emphasis on the principles of functionalism. In the 1930s, Thonet's experiments with glued and steam-bent wood furniture...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

This living room set is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. The furniture is very comfortable. It consists of one sofa and two arm...

Here is a handsome De Sede DS 66 natural leather loveseat with two matching DS 66 single lounge chairs. This set showcases a thick dark brown leather wit...

High quality leather design sofa set with thick black leather cushions. Attractive curvy design with black tubular metal bases at the front. Very comfortable sofas in good conditio...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 7 elements: - 4 armchairs ( cm 71 H x ...

Six piece living room seating group and table set in the style of Milo Baughman and Harvey Probber upholstered in luxurious burgundy tufted velvet on recessed chrome clad plinths. Ta...

Stunning 6 band bamboo 4-piece sectional. Art Deco style, bamboo in amazing original condition, recently reupholstered reversible loose cushions, extreme...