Axel Einar Hjorth Swedish Grace Rattan Du Barry chair, 1928

Swedish furniture designer Axel Einar Hjorth created tables, chairs, cabinets and other pieces that were as elegant as they were functional, and he frequently worked in references to a litany of inspirations including French Art Deco, Gustavian style and modernism. Ahead of his time, his style was refined and daringly simple.

Born in Krokek, Sweden, Hjorth grew up in a foster family and at 20 moved to Stockholm where he studied architecture and design at the Högre Konstindustriella Skolan (now the University of Arts, Crafts & Design). Although he dropped out when his foster father died, he went on to work for some of the largest furniture manufacturers in Sweden during the 1920s. 

Hjorth’s work was featured in the 1923 Gothenburg Exhibition world’s fair, and he exhibited a birch and cherry cabinet in the 1927 “Swedish Contemporary Decorative Arts” exhibition at the Metropolitan Museum of Art in New York. His role as the head of the furniture department at Nordiska Kompaniet (NK), an upscale department store in Stockholm, from 1927 to 1938, further brought his designs to widespread acclaim, including pieces exhibited at the 1929 Barcelona International Exposition.

At the 1930 Stockholm Exhibition, an influential event in the emergence of functionalism in Swedish design, Hjorth exhibited a dozen room settings that featured examples of sportstugemöbler. These furniture lines were named for islands in Sweden’s archipelago — Utö, Blidö and Torö — with designs intended for cabins and vacation homes. The use of solid Swedish pine in these pieces revealed a love of traditional rustic furniture while the simple forms boldly looked to the future. He also brought his eclectic influences to armchairs formed from tubular metal, blocky case pieces made from birch and upholstered sofas with neoclassical details, each exuberantly mixing form and function.

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Since its inception, luxury retailer Nordiska Kompaniet, known affectionately to its customers as “NK,” has offered an influential platform for innovators in furniture design. Its department stores in Stockholm and Gothenburg, Sweden, have been home to many of the top names in mid-century modern design and in Scandinavian modernism. Admired for its production of high-quality pieces, it continues to support forward-looking designers.

Nordiska Kompaniet was founded in 1902 through the merger of the companies K.M. Lundberg and Joseph Leja. Its founder, Josef Sachs, envisioned a department store as a cultural arena that would rival the luxury stores of Paris. He opened a flagship store in Stockholm in 1915. Early on, the brand set its sights on quality furniture making, bringing on master cabinetmaker Axel Einar Hjorth, who headed its production from 1927 to 1938. 

The Stockholm Exhibition of 1930 was pivotal for both Nordiska Kompaniet and the world of design as a whole. NK’s installation, designed by Sven Markelius, positioned the artist as a key influencer and force majeure of Swedish functionalism.

Nordiska Kompaniet has continued to hire renowned designers throughout its operations, including such luminaries as Carl Bergsten, David Rosen and Gio Ponti. Many iconic sofas, lounge chairs, bookcases and dining room tables from the mid-century modern period originated in its furniture shop. The brand has also been at the forefront of textile, ceramic and wallpaper design, with artists Berndt Friberg, Josef Frank, Stig Lindberg and Elsa Gullberg among those who have contributed to NK’s brand legacy.

To cater to its growing customer base, Nordiska Kompaniet opened a second store in Gothenburg in 1971. Today, NK continues to provide patronage to top designers, remaining a leader in high-end furniture production. 

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