Goat Hair Lounge Chairs

One of the most iconic chair designs of the 20th century, Eero Saarinen designed this lounge chair for Florence Knoll at the request of “a chair that was like a basket full of pillow...

An exceptional Mid-Century Modern womb lounge chair and ottoman Designed by Eero Saarinen USA, Circa Late 20th Century Measures: Chair: 37.5"W x 39"D x 35"H. Seat Height: 17". Ar...

Eero Saarinen for Knoll Womb Chair. Ready for it's make-over! We can help with Upholstery! About 1500 to redo by my guy who is excellent! Solid Chair just needs new fabric and foam!

Relax and unwind in this beautifully comfortable original Eero Saarinen Womb Chair and ottoman set. The chair is accompanied by an ottoman of which both are fully reupholstered in hi...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

An original Womb Chair and Ottoman Manufactured by Knoll C.1975 Original Upholstery Labeled ottoman- 24" x 20" x 15"

Relax and unwind in this beautifully comfortable original Eero Saarinen Womb Chair and ottoman set. The chair is accompanied by an ottoman of which both are fully reupholstered in hi...

A rare early production Eero Saarinen womb chairsand ottoman, made by Knoll, USA, 1950s. Fibreglass, black enameled steel frames and first edition feet / glides. Newly upholstered i...

Eero Saarinen for Knoll Womb chair and ottoman. Custom Ordered “Puff” Mocha color upholstery "Nick Cave" and Manufactured by Knoll Textiles. Literally Brand new!! Woman ordered new f...

A wonderfully redone vintage 1960’s Eero Saarinen for Knoll Womb chair and ottoman. It has been reupholstered in a beautiful Knoll fabric designed by Nick Cave called Garden Vert. Fr...

Wonderful vintage “womb” bouclé chair and ottoman designed by Eero Saarinen for Knoll in the United States, early 1940s. This chair has a modern design and could be considered even a...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in fuchsia or blue faux fur. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The "Blocco" seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...