Rare Rattan Lounge Chair by Tove Kindt-Larsen, Wengler, Denmark 1940s

PALLE SUENSON & FRITZ HANSEN - SCANDINAVIAN MODERN Sculptural and rare easy chair with stained beech legs, designed by Palle Suenson and manufactured in 1940's by Fritz Hansen. A unique sourced piece of design, first exhibited at the renowned "Snedkerlaugets Møbeludstilling", Kunstindustrimuseet, now Design Museum Denmark. A "design inspired by the comfort of the automobile seating and at the same time costumed the requirements of a modern home" Source: Snedkerlaugets Møbeludstilling. The armchair have been reupholstered professionally in cream coloured shearling and cognac coloured buttons. Very comfortable and a beautiful attribution to both modern and classic interiors. A collector's item. PALLE SUENSON: Palle Suenson (1904-1987) is one of Denmark’s most sought after modernistic architects of the 20th century and his pieces are sold by prominent Philips Auctions...

POUL HENNINGSEN & LOUIS POULSEN SCANDINAVIAN MODERN Rare and sculptural set of The Elongated Lamps by Poul Henningsen (PH) designed in 1931 and manufa...

Set of early edition rattan lounge chairs designed by Tove Lindt-Larsen and made by Wengler, Copenhagen in the 1940s. Wonderful cushions with floral motifs. One chair retains original brass plaquette from Wengler, Copenhagen, Tove Kindt-Larsen (née Reddersen, 1906-1994) was one of the first female designers to emerge during Denmark’s ‘Golden Era’ in the mid-twentieth century. She is well-known for working with her husband, Edvard Kindt-Larsen (1901- 1982), but her own influence should not be underestimated. Her furniture was characterized by a fine sense of quality and a design language that responded to evolving tastes of the time. She was an early pioneer in rattan chairs and the use of molded plywood and well as moving away from designing room sets and instead conceiving individual pieces of furniture so that homeowners could curate their own spaces. An architect by training, with several years of furniture design under her belt, she embarked on a furniture design course at the Royal Danish Academy of Fine Arts in Copenhagen, under the ‘godfather of Danish design’ Kaare Klint, where she met her husband. Edvard had already gained recognition for a grand-scale hotel project by the lakes of Copenhagen and, during their studies, the pair discovered their collaborative spirit and shared affinity for high-quality natural materials and complementary contrasts. They married in 1937 and established a joint design studio in 1945. Together, they broke the connection with Victorian furniture and designed everything from furniture to silverware, jewelry, rugs, textiles, wallpaper and even exhibitions and buildings, with a focus on functionalism throughout. Examples of their furniture include the Fireplace Chair (1939), the Pagoda Sofa...

A teak framed armchair with a dramatically angled triangular back and arms, retaining its original burnt orange wool upholstery. Measures: 22" a...