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Rare Early Rosewood Rocking Chair by Sam Maloof

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Early and Rare Armoire by Vladimir Kagan
By Vladimir Kagan
Located in Atlanta, GA
Dated from 1950s, designed by Vladimir Kagan and manufactured by Kagan-Dreyfuss Inc, New York, this rarely seen model of armoire features an elegant bleached mahogany exterior with metal legs and an fitted interior with shelves and drawers. The simple form was punctuated by the use of a pair of oversized pulls...
Category

Vintage 1950s American Mid-Century Modern Cabinets

Materials

Stainless Steel

Brazilian Rosewood Lounge Chair by Jorge Zalszupin
By Jorge Zalszupin
Located in Atlanta, GA
A rare piece of Brazilian modern design, the "presidencial" lounge chair with arms was designed by Jorge Zalszupin (b. 1922) for L'Atelier, circa 1960s. Constructed with Brazilian ro...
Category

Vintage 1960s Brazilian Mid-Century Modern Lounge Chairs

Materials

Steel, Chrome

Pair of Tonico Rosewood Chairs by Sergio Rodrigues
By Sergio Rodrigues
Located in Atlanta, GA
A pair of vintage rosewood lounge chairs designed by Sergio Rodrigues, made by Oca for Meia Pateca in Brazil, circa 1963. Modeled as "Tonico", these chairs were constructed with soli...
Category

Vintage 1960s Brazilian Mid-Century Modern Lounge Chairs

Materials

Fabric, Rosewood

Photograph Self-Portrait by Sam Taylor-Wood
Located in Atlanta, GA
A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...
Category

Early 2000s English Modern Photography

Materials

Paper

Rare Chinese Scholar Rock Wuling Stone on Stand
Located in Atlanta, GA
An unusual Chinese scholar stone originated from Wuling Mountains, Hunan Province in central China. A type of geological wonder, formed through wind erosion and polishing by the elem...
Category

20th Century Chinese Chinese Export Scholar's Objects

Materials

Stone

Rare Pair of Walnut Captain Chair by Wharton Esherick
By Wharton Esherick
Located in Atlanta, GA
Handmade in his studio in Paoli PA in 1951, by one of the most celebrated American artist and woodworker Wharton Esherick (1887-1970), the pair of "Captain's Chairs" manifests the be...
Category

Vintage 1950s American Mid-Century Modern Armchairs

Materials

Leather, Walnut

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Double Rocking Chair by Sam Maloof
By Sam Maloof
Located in New York, NY
Double rocking chair by Sam Maloof, circa 1980's signed Sam Maloof f.A.C.C./©, dated 1988 and numbered No. 9. Literature Jo Lauria, Craft in America: ...
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Vintage 1980s American Modern Rocking Chairs

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Wood, Walnut

Sam Maloof Style 'Evans' Rocking Chair
By Sam Maloof
Located in Los Angeles, CA
Stephen Malm Rocking Chair made with Black Walnut Wood Hand-Crafted & Created by the Artist Featuring Extra Long Rocking Legs Height: 46" Width: 25.25" Depth: ...
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Large Sam Maloof Style Fruitwood Sculptural Rocking Chair
By Sam Maloof
Located in Fort Collins, CO
Sam Maloof was an American furniture designer, known for his trademark sculptural style and utilization of the utmost quality in materials. He was a prolific designer, with works still showcased in galleries and museum across the country, but perhaps his most iconic design is his rocking chair. Jimmy Carter once referred to him as his "woodworking hero." Characterized by its dramatic lines and highly sculptural form, Maloof’s rocking chairs...
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Antique 1880s American Mid-Century Modern Rocking Chairs

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Sam Maloof Style Sculptural Rocking Chair 1979 American Walnut Arts & Crafts
By Wharton Esherick, Sam Maloof
Located in Miami, FL
Sculptural handcrafted Walnut Rocking Chair by Artist Wharton Esherick attributed to Sam Maloof made in America circa early 1980s. Featuring very long sleigh legs, dark Walnut Wood c...
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Late 20th Century American American Colonial Rocking Chairs

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Donald Gordon Rocking Chair Kauri Wood Oak Sam Maloof New Zealand
By Sam Maloof
Located in Munster, NRW
Donald Gordon, rocking chair in Kauri wood This rocking chair, made by Donald Gordon in the early 2000s, is a special object, a unique piece of furniture, the fantastic combination ...
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Artisan-Made Spindle Back Rocking Chair In The Style Of Sam Maloof
By Sam Maloof
Located in Brooklyn, NY
This stunning artisan-made rocking chair is hand-crafted in the style of acclaimed American furniture maker and woodworker Sam Maloof who is considered a central figure of the post-w...
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Late 20th Century American American Craftsman Rocking Chairs

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