Georgian Furniture

20th Century Kindel Winterthur Collection Georgian Carved Solid Mahogany and zebra Upholtered seat Side Chair. Extremely well-built chairs that will last many lifetimes. Measures 22"...

A handsome George III sideboard in mahogany with bowed front and square tapered legs ending in spade feet, with central frieze drawer flanked by two cellarette drawers. Top is compos...

18th century English oak house keepers cupboard circa 1770. 2 part solid oak house keepers cupboard. Top section with fielded panel double doors which open to reveal 3 shelves on ea...

Fine George III mahogany Pembroke table, the vividly grained oval top with molded edge, over single shaped drawer retaining original hardware and standing on square tapered legs endi...

Early 19th Century Welsh oak cricket table. Circular oak plank top over a triangular tier base on three square tapering legs. Rich colour and overall patina. Solid construction wit...

An elegant Georgian style tea and coffee set in hand chiseled sterling silver by the Italian silversmith Argenteria Auge. Composed of 4 objects: one teapot, one coffee pot, one suga...

Circa 1780-1800 George III corner cabinet, English. Mahogany. A handsome example with reeded astragal diamond glazed upper doors & flat paneled lower doors. Well figured flame mahoga...

This pair of European 19th Century Mahogany Open Barley Twist Candlesticks is a stunning set and would be a wonderful addition to a sideboard, fireplace mantel, or European dining ta...

A fine English writing table or desk of mahogany from the Edwardian Era, featuring a rectangular top with inlay along the front edge, over a frieze of two drawers - each with brass h...

A gorgeous Georgian, Regency, or Queen Anne style solid cherry wood double pedestal extension dining table By Stickley USA, Late 20th Century Measures: 68"W x 44.75"D x 29.5"H. Ex...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely pair of vintage circa 1960's, Chesterfield Cigar brown leather, fully restored wingback armchair...

A gorgeous Georgian or Chippendale style carved cherry wood framed tri-fold triple mirror By Harden Furniture USA, Late 20th Century Measures: 56"W x 1.75"D x 47.75"H. Very good ...

Fine Art, Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream. Charles born in England, the son of a German decorative painter started his career helping his father painting clock faces and snuff boxes and became renowned in his own right for his animal paintings, later being appointed by George III and George IV. Exhibiting at the Royal Academy between 1809 and 1814. His works can be found at - Temple Newsam House, Lotherton Hall, York Museum trust, National Trust, Florence Court, Leeds City Museum and Galleries, The Ferens Art Gallery and Newstead Abbey...

Rare Scottish George III corporation treasury box, dated 1772, of caddy form, the lid with cove molded edge, the front with polychrome decoration commemorating the Edinburgh Corporat...

Royal House Antiques We are delighted to offer this stunning suite of museum quality, George III style Thomas Chippendale Chinese Pagoda to...

A Regulator clock by William Chisholm, London. Baillie has no record of the maker but by the design of its original case, we believe it to be late 18th century circa 1790. The 8 day ...

A fine antique English porcelain desert plate. By Spode. In the "Pink Ducks" pattern. Depicting a chinoiserie scene of two mandarin d...

English New Hall Porcelain Part Service, Pattern 1707, Twenty-nine pieces, Circa 1825s The set has a light blue ground with molded border with birds and vases and scrolling leavy vi...

A very fine Antique English early 19th century Geo. IV period pierced brass fireplace fender with traditional "ivy" pierced motif and a nice gadroon or rope type central bolster. Ima...

Rectangular table box with rounded corners in 925/1000 sterling silver gold plated with two-tone translucent fired enamels with guillochè stripes and hand-engraved motifs. George V E...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original, circa 1800 hand carved Mahogany ships captains chair depicting a Royal Crown and Anchor...

A rare Georgian pearlware pottery jug commemorating the Treaty of Paris on 30th May, 1814. The Treaty of Paris ended the Napoleonic wars between France and Great Britain, Russia, A...

Heading : Pair of Georgian silver candlesticks – Cast Date : Hallmarked in London in 1742 – makers mark rubbed Period : George II ...

Early 19th century mahogany demi lune console table, having a lovely figured top above a deep frieze supported on square tapering legs, lovely colour and in excellent condition. circ...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

18th century Georgian wall clock by Robert Salmon circa 1790. Rare Georgian wall clock by Robert Salmon, who is recorded working a number 49, strand, london from 1790-1794. 12" sil...

A large English Georgian period Sheffield silver on copper epergne centerpiece with a large centered cut glass bowl and four smaller surrounding bowls. Beautiful quality and presence...

This is an antique side table. An English, mahogany occasional table in Chippendale taste, dating to the Georgian period, circa 1800. Fine distinction to the fascinating relief car...

Georgian, sterling silver, footed, two-handled "sweetmeats" dish with liner, London, 1784, Thos. Daniell - maker. Measures: 8" wide (from handle to handle; 5 1/2" wide not measuring...

An early-18th century English walnut secrétaire kneehole desk. George I-period (1714-1727), circa 1720. Of exceptional waxed honey colour and lovely old patina, with well-matched veneers. With a quarter-veneered top. Six short drawers below a hinged fall revealing a writing section, all surrounding a central recessed cupboard. There is a small, shaped pull-out drawer fitted in the apron. All finely inlaid with herringbone lines. Raised on its original bracket feet. Swan-neck handles probably fitted later in the 18th century. Locks and keys are mostly original. Walnut veneered and crossbanded sides. Nb. Having a fitted secrétaire (secretaire) drawer distinguishes this antique walnut kneehole desk...

Set of six 1930s refinished Lyre-Back mahogany and upholstered dining chairs. Newer upholstery. Beautiful hand rub finish appearance. Measure 17" in width, 18" in depth, 33.5" in hei...

Antique George III quality satinwood inlaid freestanding champagne/wine cooler having a quality satinwood inlaid freestanding champagne cooler with pretty satinwood inlaid shells, or...

A fine early 19th Century Regency period campana-shaped figured mahogany Cellarette/Jardiniere in the manner of Gillows of Lancaster constructed in solid end grain section, raised on...

A fine Scottish inlaid mahogany tall clock by Eben (Ebenezer) Anderson, Auchtermuchty, with a swans neck split pediment top with brass rosettes and ball & spire finial, and pierced f...

We are delighted to this very rare pair of Thomas Chippendale era circa 1760 Library chairs with period embroidered upholstery These are a very rare and highly collectible pair of Library chairs, they were made in the Chippendale era and closely after his designs, the fret work carving, ornate legs, all very finely executed by a master craftsman The upholstery is all original embroidery, the colours are very much of the period and not seen on later reproduction pieces. These are an exceptional example and would be highly prized in any collection The chairs have been lightly restored to include some work to the carvings, the timber has been sympathetically French polished to ensure none of the original charm and patina has been lost A period pair of Chippendales by the great man himself (which these could be) would retail for the high hundreds of thousands, however alas Chippendales are only originals if they come with iron clad provenance, a difficult thing to keep hold of for nearly 250 years. One of the chairs has a plaque to the base for Charles Tozer of 25 Brook street London, Mr Tozer was a very well respected Antiques dealer in the early 20th to mid 20th century that specialised in 18th century furniture Dimensions: Height 97cm Width 64cm Depth 65cm Please note all measurements are taken at the widest point Thomas Chippendale (1718–1779) was born in Otley in the West Riding of Yorkshire, England in June 1718. He became a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker's Director, upon which success he became renowned. The designs are regarded as representing the current British fashion for furniture of that period and are now reproduced globally. He was buried 16 November 1779, according to the records of St Martin-in-the-Fields, in the cemetery since built upon by the National Gallery. Chippendale furniture is much valued; a padouk cabinet that was offered for auction during 2008 sold for £2,729,250. Life "A Design for a State Bed" from the Director, 1762. Chippendale was born the only child of John Chippendale (1690–1768), joiner, and his first wife Mary (née Drake) (1693–1729). He received an elementary education at Prince Henry's Grammar School. The Chippendale family had long been involved with the wood working trades and so he probably received his basic training from his father, though it is believed that he was also trained by Richard Wood in York, before he relocated to London. Wood later ordered eight copies of the Director. On 19 May 1748 he married Catherine Redshaw at St George's Chapel, Mayfair and they had five sons and four daughters. During 1749 Chippendale rented a modest house in Conduit Court, near Covent Garden. In 1752 he relocated to Somerset Court, off the Strand. In 1754 Chippendale relocated to 60–62 St Martin's Lane in London, where for the next 60 years the family business operated, until 1813 when his son, Thomas Chippendale (Junior), was evicted for bankruptcy. During 1754 he also began a partnership with James Rannie, a wealthy Scottish merchant, who put money into the business at the same time as Chippendale produced the first edition of the Director. Rannie and his bookkeeper, Thomas Haig, probably cared for the finances of the business. His wife, Catherine, died during 1772. After James Rannie died in 1766, Thomas Haig seems to have borrowed £2,000 from Rannie's widow, which he used to become Chippendale's partner. One of Rannie's executors, Henry Ferguson...

An English Georgian figured mahogany corner cabinet, the upper section with an astragal glazed door enclosing lights and three glass adjustable shelve...

A wonderful, antique figural bird form Battersea or South Staffordshire enamel bonbonniere. The lid is decorated with a bird on a branch in a lan...

A beautiful Georgian or Chippendale style bureau with drop front secretary desk and bookcase hutch top USA, Late 20th Century Gorgeous carved solid cherry wood, with original brass...

Antique George III mahogany inlaid Pembroke table having an attractive mahogany top, two drop leaves, one boxwood inlaid frieze drawer with original brass handles and standing on fou...

Gorgeous hand turned sycamore bowl from England. The wood is in its natural color and has appropriate wear for age and use. These bowls were heavily used on farms and dairies for g...

We are delighted to offer for sale this stunning vintage flamed mahogany demi lune console tables with single drawer A good looking well made and decorative table, it has one good...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

A blue on white, stoneware Staffordshire ‘Coronation’ pattern, well and tree platter by Ralph & James Clews, 1814–1834, Cobridge, Staffordshire, England. 19th Century. A well-and-tr...

Edwardian Walnut and Marquetry Writing Table, early 20th century, the rectangular inset leather top with gallery and writing compartment above a central frieze drawer, on square tape...

Theodore Alexander Style Walnut Two-Drawer Commode. Measures 34" in width x 14" in depth x 32" in height. Drawers inside are 27.5" in width x 10" in depth x 6" in height.

We are delighted to offer for sale this stunning very rare original George III circa 1780 walnut twin pedestal double sided partner desk with period handles and green leather surface...

This is an early 19th century porcelain Plate or desert dish with a molded wavy edge to the rim, made by one of the quality Staffordshire, English potteries and dating from the George 111rd period, circa 1820 to 1830. This piece is unmarked to the base but it is very well hand painted and we believe it is from one of the high quality English makers such as Coalport, Davenport or Samuel Alcock. Either way this piece is a beautifully hand decorated with a striking, bold and very colourful pattern. Overall a beautifully hand painted early English porcelain...

This is a rare Mason's ironstone miniature Teapot in the bold Fence Japan gilded pattern, which we date to circa 1820. Miniature or toy items of Masons ...

An exceptional, fine and impressive pair of antique Georgian English sterling silver goblets; an addition to our range of wine and drink related silverware. These exceptional antique George III English sterling silver goblets have a plain circular bell shaped form to a waisted pedestal onto a circular foot and square foot. The upper rim of each body is embellished with a bright cut engraved band of floral and foliate ornamentation. The circular feet are ornamented with bands of tooled decoration. Each square foot is accented with a simplified pin struck border. Condition These antique goblets...

Quality craftsmanship with a broken bonnet and fine carved eagle with spread wings standing on a tripod pedestal for the finial. Two top doors open to one custom later made adjustabl...

Our Stock # 24868 This is an antique fold over tea table. An English, mahogany occasional or card table in the Chippendale manner, dating to the mid Georgian period, circa 1750. Be...

A very fine Georgian chest on chest in figured bookmatched flame mahogany having two short over four long drawers in top section and three drawers in the lower section, with the top ...

36 English Hotel Silver coffee/tea pots,Nice Weight And Quality. Priced Per Pot. These came out of a very prestigious hotel and are in pristiine c...

PRESENTING A FABULOUS AND RARE Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton. Set of 6 VERY RARE AND VALUABLE engraved prints of Dublin, Ireland scenes. These were printed by ‘Cahill Printers Ltd.’ circa 1880-1900. ‘Cahill Printers Ltd’ have been in existence since 1866 and acquired the rights to print these copies of the original watercolors by James Malton (1761 – 1803). Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton These scenes are: (in order): Rotunda & New Rooms, Great Court Yard Dublin Castle...

This is made-to-order round traditional mahogany dining table made in the Leighton Hall shop. It features a field of reverse-slip-matched West African swirly crotch mahogany which gi...

English Sheffield tea urn with floral finial, hand chased feather banding, flanking scrolled ebonized side handles, floral medallion with dolphin hea...

Pretty early 19th century English regency faux bamboo two drawer side table. 1820 30-inches to worktop. Code: 8911 Dimensions: W: 36" (91.4 cm) H: 35" (88.9 cm) D: 20" (50.8 cm)

Burr Walnut Reverse Serpentine Two Door Batchelor's Drinks Cabinet With Single Drawer & Brass Bat Wing Handles in the Georgian Style. Would work as a great ...

A George I Gesso Table with Breche de Vendome Marble Top The frieze with acanthus leaf carving, with carved cabriole legs on pad feet. Width: 105 cm...

A very fine quality George III period mahogany cheval Dressing mirror having extremely elegant turned supports Enclosing swing frame with replaced mirror plate flanked By ormolu cand...