Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton

Presenting a lovely 19C Aquatint Engraving of the Quay at Waterford in Waterford city in Ireland. This engraving has been hand embellished with aquatint color(s) and is from Ireland circa 1820-40. It features a scene of the Quay or Port of Waterford from circa 1820. We are basing this upon the attire of the figures in the engraving and the tall ships. It features Reginald’s Tower (still located at the Waterford Quay to this day). Georgian Quay buildings, a number of moored tall ships and row boats, barrels, horses and carts, women and British soldiers. The engraving was professionally reframed and matted in Dallas in the 1980’s and the rear of the frame says that it was “Museum Mounted and Matted”. The frame has a lovely Grecian pattern around the front. If you are Irish...

Presenting a lovely 19C engraving of Lake Gaube in the Pyrenees by T Allom. From circa 1850. Besautiful depiction of Lake Gaube or Lac de Gaube in the F...

Presenting a fabulous and very rare, original early-19th century Chromolithograph Engraving after a painting by John Frederick Herring Snr, engraved by Cha...

PRESENTING a STUNNING 19C Irish Georgian Style Secretary Bookcase. From circa 1850-60 and most definitely, “IRISH”. Made of gorgeous flamed Cuban mahogany which would have been imported from the British Colonies at the end of the 18th Century and early 19th Century. This piece of is of IMPRESSIVE PROPORTIONS ….. it is a real STATEMENT piece and EXTREMELY HIGH QUALITY ! It has a very ‘Regency Style’ pelmet or crown with egg and dart moldings under a very straight line crown. The top section consists of a 4 door bookcase, each with 3 shelving areas. It appears to retain it’s original glass, but it could likewise have been replaced at some time during it’s long life, as it is very rare to find pieces that have not suffered breakages over 150+ years. Each bookcase door still retains the original moldings to the front with a star shape above and below a central circular viewing panel. Each section is separated by a carved and fluted roman column/pillar. The bookcase section rests on top of the base, which consists of a beautiful central secretaire desk accessed by drop down front with working lock and key and rests on 2 pull out rests on either side. The secretary portion has a central tabernacle, with an inlaid oval satinwood medallion above another scallop shell drawer. It has 6 smaller drawers and 8 cubbies. The 2 pillars on either side of the central tabernacle are secret drawers and pull out. The curved crowns above the cubbies on either side are likewise secret drawers and pull out. Either side of the secretary there are 2 drawers (4 total) with a press or cupboard underneath. Under the secretary there are 4 large central drawers. The brasses and hardware are all original to the piece (save 2 extra hinges that have been attached to the drop down secretary to give it more support and stability. Again, each section is separated by a turned and fluted column/pillar which replicates the 2 side pillars to the central tabernacle of the secretary. The piece sits on 8 curved feet. This was an extremely high quality piece when made. This is also supported by the fact that the secondary woods are also mahogany and not pine or oak for slightly lesser quality pieces of the era. This piece is specifically identifiable as an Irish Georgian Style piece by virtue of the scallop shell moldings on the base side presses (see photos). Irish Georgian furniture...

Presenting a fabulous and very rare set of original mid-19th century Chromolithograph Engravings by John Frederick Herring Snr from circa 1850. The exci...

Presenting a fabulous 19C set of 6 Irish Chippendale style ribbon back dining chairs. Irish made circa 1840-60. We know that these are Irish due to the signature ‘hairy paw’ feet which is synonymous with Irish Georgian furniture that were made in the Chippendale Style. These are hand crafted chairs, made of mahogany, and have fabulously detailed ‘Ribbon’ backs splats with tassel, acanthus floral and bow details. All 6 have been re-upholstered by us in a gorgeous tan/light gold silk damask fabric which is beautifully sympathetic to the style and period. We are confident that these are Early to Mid 19th Century chairs for a number of reasons: (1) The are hand crafted, (2) the color/patina is what you would expect with natural aging, (3) they have evidence of historic repairs, wear and tear consistent with age, (4) when we removed the old upholstery fabric, which looked like it was done in the 1980’s, we discovered the original ‘horse hair’ cushion filling … this practice stopped in the early 20th Century. The seat webbing was also much older and needed replacing. Fabulous acanthus carving on the knees of the front legs, with curved legs leading down to the fabulously carved hairy paws. Nice indented decoration on the front of the seat. The rear legs are undecorated and curve outwards for additional support and stability. Unsigned and unmarked but undoubtedly made by a top Irish furniture maker. probably in Dublin. Condition: Each chair has been newly re-upholstered and seat webbing replaced. The original horse hair cushion filling was cleaned and incorporated into the new cushion with modern foam to create a more comfortable and uniform seat cushion, but still retaining originality. Each chair has signs of historic repairs to the ribbon back splats over the generations. This is not unusual due to the somewhat delicate nature of these types of back splats. Also, it is an indicator of true age. The chair to the back left in the main photos has had the most repairs and much more recently performed (by us) as the back splaty was broken in 2 places (but we had the original pieces) and the chair needed the insertion of metal pins to secure the repaired sections. We have provided a couple of photos of this back splat which you can see evidence of the repairs. The repairs are very professionally done and the chair is now fully functionable and usable and the repairs are not very noticeable. These repairs are reflected in the pricing, as, if these chairs were ‘mint’ they would be very valuable and expensive ! Irish furniture can be recognised by certain features, which differentiate it from its European counterparts. The Irish style of furniture is said to have been lagging behind in fashion compared to English equivalent by a number of years, in both its design and manner by which the furniture was manufactured. A defining feature of the mid-eighteenth-century furniture is the carving on different parts of the furniture such as the aprons, blanket chests, bottle-stands and such objects. The carvings included foliated details, baskets of flowers and scallop shells, which are some of the most prominent carvings that are represented on Irish furniture at this time. A few of the Irish makers of these objects were James Hicks, Arthur Jones, William Moore, Mack & Gibton and Robert Strahan. All though individuals would have been the most prominent at the time of the 18th century and early 19th century but there are any other cabinet makers as well. Not all Irish furniture was detailed with such wonderful carvings and some might have been seen to be rather plain. One of the most identifiable items that are described as plain is the Irish Hunt Table, its simple elegance comprising of with straight plain legs. It was most commonly used in the dining room of a rural house such as a agents house or large house of a land holder. Another very popular and simply designed piece was the Irish Silver table, its design is very elegant and yet individual partially owing to the shell motive. Other examples of such Irish tables are side tables which have a distinctive double scrolled leg. Usually legs are carved with acanthus and have paw feet which are quite popular in Ireland but more rare in England. Other features are the inside leg which is carved with elongated C-scroll. The triple scroll on the leg was common place. Some cabinet makers and creativity was really captured with their side tables in how the carving was done. This carving may include Jupiters eagle or Lion mask and flanked Swags of flowers. In other furniture such as chairs, the H-shaped serpentine stretcher was popular in the 18th century in Ireland and when English chairs had moved forward in their design the Irish makers were still using the H-shaped serpentine. There was certainly an overlap between Irish and English furniture, one can see that Irish cabinet makers used English pattern books but used Irish features such as the carvings as the shell, baskets of flowers and foliated details. Another unique feature in Irish cabinet making was Killarney ware...

Captain James Cook, depicted in a period-style coat with a cravat. His hair is styled in a manner typical of the late 18th century, combed back and ...

This is a set two framed French engraved art prints. The first one is titled “La Conversation Interessante”. It depicts an 18th century group of lover’...

Set of 6 original antique prints of golf scenes originating from 'Mr. Punch’s Golf Stories'. Mr. Punch's Golf Stories includes an array of delightful short ...

Set of 5 original antique prints of golf scenes originating from 'Mr. Punch’s Golf Stories'. Mr. Punch's Golf Stories includes an array of delightful short ...

Set of 3 original antique prints of golf scenes originating from 'Mr. Punch’s Golf Stories'. Mr. Punch's Golf Stories includes an array of delightful short stories and poems on the r...

In original condition. Page 33, 'The History of London from its Foundation by the Romans to the Present Time', by William Maitland, published in 1739....