Greek Revival Furniture

78433 Antique Greek Islands Composite Panel, 03'08 x 03'11. Relaxed familiarity meets rugged beauty in this antique Greek Islands composite panel. It was made by using recycled embroidered fragments from the Greek Islands (Ottoman Empire). The methodical design and vibrant earthy colorway woven into this piece work together to bring forth an effortlessly inviting and well-traveled ambiance. Reflecting elements of Wabi-Sabi and well-balanced asymmetry, this perfectly imperfect antique Greek Islands textile...

Classic and elegant Klismos customizable dining chairs with saber legs, black lacquered wood and leather seats. Available in other colors and upholstery. Italian artisanal production by Pescetta Home Decoration...

A pair of opposing Grecian inspired carved wood parcel gilt wall panels circa 1920. Scenes depict Athena with her bow, arrows, and a spear riding a chariot pulled by two stags. Two n...

Circa 1910 French Terra Cotta Bust After Venus De Milo. Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Dating from the 1960s, this spectacular mosaic wall panel depicts King of ancient Greek mythology Tereus confronted with the head of his son, Itys. It is beautifully made in Roman st...

Greek Revival Bronze and Black Onyx Floor Table Lamp stands 53" tall to the top of the socket. 16" in diameter, and 23" tall to the top of the onyx table top. It is in good working o...

A Wedgwood Queensware bowl designed by Daisy Makeig-Jones in the Istria pattern after an ancient Greek vase from Sir William Hamilton’s collection. This ‘Istria’ pattern bowl by Wed...

Vintage (mid-century) center or large side table in the Greek style, finely crafted with ebonized and partially gilt wooden frame and octagonal shaped black marble top, supported by ...

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...

Beautifully modeled, cast and finished, this high-relief plaque of a nude male figure followed by a four-horse chariot driven by a robed female figure was produced the famous Barbedi...

A Greek revival Statuary marble chimneypiece with caryatid female figures, shown in contemplation, support the Potoro under frieze. With fine carvings of alternating Greek ornament p...

A Czechoslovakian glazed earthenware pitcher by Amphora, circa 1918-1939, incised enameled pottery blue background and floral stylized decorated. Opposite curve handle and spout, the...

Fun and fancy Roman style draped crystal beads adorn this gold painted 6 light candlestick chandelier.

Iconic Gianni Versace Large Round Sterling Silver Photograph / Photo / Picture Frame, with Greek Key engraved border and gilt metal Versace Medusa mask to the top, blue fabric to the...

A Pair of French Porcelain Greek-Revival Style Vases Each of campana form, the neck painted with stylized anthemion and fret-pattern, the body with classical figures above fruiting ...

Klismos customizable armchairs with saber legs, black lacquered wood and black plain leather seats. Available in other colors and different upholstery. Italian artisanal production b...

Beautiful table lamp, Wonderful Arabic pattern in Green Gold and Purple colors. Bronze pierced base and top, comes complete with shade .One large E26 b...

Beautiful neo-Greek chandelier designed by H. Cahieux, in patinated bronze with golden highlights with sixteen lights. The central shaft, composed of a basin decorated with palmette...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Klismos walnut wood customizable dining chairs Italian production, black velvet upholstery capitone ( with buttons). Other colors and upholstery are available. Italian artisanal prod...

Rare pair of Greek style floor lamps made in patinated bronze attributed to G. Servant, each surmounted of a frosted glass globe engraved of stars and a Greek motif frieze. The body of the vase, decorated with Greek style patterns such as palmets, Greek motif frieze and water leaves, stands on a shaft decorated with deer heads. Fine chains are connected to a delicate butterfly. The set is based on tripod legs with lion claw feet alternating large palmets. Height : 183 cm (72 in.) ; 213 cm (83 3/4 in.) with glass shades ; Diameter : 43 cm (19 2/3in.) Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Pair of very fine quality Neoclassical bronze Vases in Form of Greek Hydra Water Jars on slate bases.

This vase was executed by the Baccarat manufacture, which presented several pieces with similar decoration at the 1867 World’s Fair; it can therefore be dated to this period. Founde...

Pair of patinated and gilded bronze turntable pedestals with for each of them, three paw feet, headed by stylized lion muzzles, ornated with beaded chains and joined by a fine foliate stretcher. The belt is adorned by a banded frieze cast in low-relief representing an ancient scene : “The Battle of the Lapithes and the Centaurs”. These pedestals can be associated with the "Vases de Bacchus", presented by G. Servant at the 1867 Exposition Universelle, on which the similar ornamentation is applied. (Reproduced in « Merveilles de l'Exposition Universelle de 1867 », Jules Mesnard, p°167) Biography : Georges Emile Henri Servant...

Klismos customizable armchairs with saber legs, black lacquered wood and black plain leather seats. Available in other colors and different upholstery. Italian artisanal production by Pescetta Home Decoration. Walnut wood armchairs with deep and large seat and back wraparound feeling backrest. These armchairs are made in Italy. They are realized according to the historical model named "Klismos" which is a type of ancient Greek chair, very often depicted on ancient furniture or on painted pottery and in bas-reliefs from the mid-5th century BCE onwards. The simple and elegant lines of the saber legs have been proposed and reconsidered several times during the home decoration history, making it a chair without age and never out of fashion. The long and elegant curve for the backrest is quite difficult to be created and it is obtained from a single piece of wood. They are extremely comfortable and wraparound, the seat is large and deep allowing them to be suitable in a meeting room, as well in the dining room or used as desk chairs. Since we realize both chairs and armchairs you can mix chairs...

Signed Machauld et Eug. Cornu – G. Viot et Cie Fondeurs Bust of a Greek goddess, made entirely of silvered bronze and gilded bronze. The tiara and collar necklace ornating the bust are finely decorated with stylized floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made in red griotte marble. The sculptor Eugène Cornu (1827-1899), installed in Paris at N.29 rue Popincourt, after having worked as a designer and then director for the renowned company Tahan, worked closely with the « Compagnie des Marbres Onyx...

Pair of very fine quality French 19 centuryGreek Revival /neocllasical Porcelain Vases Mounted as Table Lamps

This large and substantial cast bronze sculpture is unsigned, but presumed to have been made in circa 1880 for the Grand Tour. The sculpture depicts the Greek god Hermes...

Rare set including a console and a mirror in blackened, gilded and painted wood of antique inspiration. The console, topped with molded Italian Portor marble, is decorated with three portraits in bronze medallions alternating with two painted friezes...

This pair of antique candlesticks are hallmarked by an unknown maker, and presumed to originate from England and date to approximately 1920 and done in a Greek Revival style. The can...

Pair of vintage brass and sterling silver trinket dishes by Ilias Lalaounis, Greece. A sterling silver Greek coin (replica) is set in the middle of each...

Measures : Height without globe: 188,5 cm (74,2 in.) ; Base : 45 x 45 cm (17,7 x 17,7 in.) Pedestal height : 136 cm (53,5 in.) Lamp height : 52 cm (20,4 in.) Beautiful pair of neo-G...

Rare cigar humidor made in wood, with a front flap, discovering five sliding cane trays. Beautiful bronze and silver electroplated brass ornaments, such as the central niche decorated with a winged creature, surmounted on top of the cabinet with a feline. Resting on four tall legs joined by a stretcher decorated with a silvered pierced bronze incense burner. The central relief of that cellarette for cigars, with that fantasy creature, is directly inspired from the one designed by J. Brandely for the front door of the Merovingian Cabinet made by Diehl in 1867, and now preserved at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see « Les ébénistes du XIXème siècle »,D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see « l’Art en France sous le Second Empire », Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active between 1867 and 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book « Les Merveilles de l’Exposition Universal de 1867 » (vol. II, pp. 133 & 149). He writes of a table of which « the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love » (p. 133) and a jewelry case where « The head in fine Grecian style makes up the essential part of the fine gilt bronze ornementation » (p. 149). For this Universal Exhibition of 1867, Diehl also formed a partnership with two famous sculptors : Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

A Regency period Greek Revival Statuary marble fireplace, early nineteenth century, with laurel-wreath corner blocks and plain pilaster jambs. One of a near pair, see 1stDibs stock r...

Pair of patinated and gilded bronze high guéridon attributed to L.C Sevin and F. Barbedienne, with for each of them, three paw feet joined by X shaped stretche...

Superb pair of torchieres, brass and bronze, high quality sconces One light, 100 watts max bulb. US wire and in Working condition. Totally restored and refinished.

Rare pair of Greek style candelabras made in patinated bronze and gilded bronze, attributed to G. Servant. Each with ten light arms topped by a heron shaped extinguisher. Decorated with various Greek style motifs such palmets, pine cones ans water leaves. Standing on a small triangular architecture presenting a theatre mask and reposing on a tripod base formed with lion paw feet. Georges Emile Henri Servant (circa 1828-1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a Gold Medal for his neo-Greek and Egyptian works (Les Merveilles...

Pair of large French 19 century Greek Revival patinated bronze candelabra with gilt highlights on Rouge marble bases. Wired as lamps. Signed F. Barbedienne Fondeur.

This is a large Greek style repousse oval metal plaque depicting a scene of a Spartan warrior trying to defend himself against two nudes warriors from another tribe. There are two shields standing at each side of them. There are also a Spartan helmet...

Pair of sterling silver candlesticks, depicting Hercules holding the world. The figure of Hercules and the candle holder are in 925 silver while the world and the base are in rutinia...

Customizable dining chairs with saber legs, shiny natural color walnut wood and brown woven leather seats. Available in other colors and upholstery. Italian artisanal production by Pescetta Home Decoration. They are walnut wood chairs with deep and large seat and back wraparound feeling backrest. These chairs are made in Italy. They are realized according to the historical model named "Klismos" which is a type of ancient Greek chair...

Hallmarked in London in 1847 by Joseph Angell I & Joseph Angell II, this stylish, Victorian, Antique Sterling Silver Cream Jug, is modelled to resemble an Oenochoe, a key form used i...

Walnut wood armchairs with saber legs, shiny lacquered wood and brown woven leather seats. Available in other colors and different upholstery. Italian artisanal production by Pescett...

Klismos customizable dining chairs with saber legs, black lacquered wood and black woven leather seats. Available in other colors and upholstery. Italian artisanal production by Pesc...

Klismos customizable dining chairs with saber legs, black lacquered wood and black woven leather seats. Available in other colors and upholstery. Italian artisanal production by Pesc...

Set of Four 19th Century Half-Columns in Red Verona Marble and Vincenza Stone Or sold by pair at 18 000€.

This unique design of 2 inch thick acrylic top and elegant tapered legs, finished with vintage bronze lion claw feet. These are incredibly unique.

An antique Statuary and Portoro marble fireplace in the English Regency Greek revival style The white statuary marble corner blocks carved with stylised lotus and acanthus leafs. ...

A rare and most unique pair of French 19th century Neo-Greek st. Patinated Bronze, Ormolu and Arabescato marble side tables/floor lamps. Each impressive side table/floor lamp is rais...

A similar model presented at the 1855 Paris Universal Exhibition Total height : 154 cm (60 5/8 in.) ; Width : 33 x 33 cm (13 x 13 in.) Cup : height 17 cm (6 ¾ in.) Beautiful pair of bronze stands also named Bamboo candelabra. Each rests on three claw feet adorned with lion heads and separated with palms. A bamboo shaped shaft arises from this tripod and is topped with three buds supporting a circular red griotte marble top on which stands a cup in the Ancient style decorated with ivy. The sobriety of the decoration enhances the quality of the bronze cast and the patina shades. The small chains falling from the top animates this work of a sleek design. The model : The design of these stands, inspired from Ancient tripods, is a well-known model in Ferdinand Barbedienne’s production as it was reused many times by the bronze-caster. Designed by the head-decorator Henri Cahieux, this model was edited by the Barbedienne Company as soon as 1855, named Ancient candelabra lamp-holder h. 1m35 and was sold 440 francs. From 1875, these stands were commercialised under the name Bamboo candelabra, tripod, lamp-holder and were offered in three heights : 1m90, 1m70 and 1m35. This model of stand could then be found in all catalogues of the Barbedienne Company. This pair of candelabras allows us to see how F. Barbedienne offered during decades a range of furniture from the designs of his decorator. This type of stand could be seen in different interior decorations of the Second Empire A model similar to ours was presented by the Barbedienne Company at the 1855 Universal Exhibition. For this occasion Empress Eugénie bought it for her toilet at Saint-Cloud Castle. A watercolor by Fortuné de Fournier made in 1860 shows them, set on both sides of a cheval mirror made by the Fourdinois Company. (see photo attached) This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoirs at Compiègne and Fontainebleau Palaces. Otherwise similar stands took place in the Pompeiian house built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoléon. Several pictures and engravings of this house show us these candelabras used...

Klismos walnut wood customizable dining chairs Italian production, black velvet upholstery capitone ( with buttons). Other colors and upholstery are available. Italian artisanal prod...

Dial signed H. Houdebine, Fabricant de Bronzes, Rue de Turenne 64, Paris and clockwork signed Japy Frères & Cie – Médaille d’Honneur A very fine neo-Greek style clock set made up of...

A Regency Statuary Marble Greek Revival fireplace, or architectural form, with laurel-wreath corner blocks and pilaster jambs, on shallow block feet. One of a near pair. Dimensions...

This large vase in Greek style, produced in France around the 1970s, is a decorative piece designed to evoke the classical elegance of ancient Greek pottery. During the 1970s, there ...

Klismos customizable dining chairs with saber legs, black lacquered wood and black woven leather seats. Available in other colors and upholstery. Italian artisanal production by Pesc...

19th Century Bronze Full Body Greek Revival Caryatid Candlestick pair. These candlesticks exude timeless elegance, inspired by the Greek Revival period. Meticulously crafted from hig...

A custom ceiling lantern featuring darkened bronze Greek fret motifs and ornate frieze comprising the frame, with hand blown glass bell and dish, fitted wit...

A Large 19th Century French Onyx, Silvered, and Gilt-Bronze Vase Attributed to Charpentier & Cie. The vase consists of an onyx body with a flared, slightly everted rim and a taperin...

Klismos walnut black woven leather Bench, Customizable Upholstery and Wood. Other colors and upholstery are available. Italian artisanal production by Pescetta Home Decoration...

Exceptional pair of neo-Greek style pedestals, made in blackened pearwood, gilded galvanic bronze and glazed earthenware. The sheath-shaped shaft is decorated with rectangular plates...