Islamic Furniture

Extra large 10 x 14 foot handwoven genuine Persian rug. Some fringe loss along the edge, but easily covered with furniture. This beautiful vintage rug is heavy, handmade, and perfect...

This exceptional large agate Persian/Islamic piece is surrounded by 48 pieces of sapphire. The calligraphy and the design is very skillful and beautiful. The size is 45mm x 51mm x 9....

Persian rust and blue velvet table cover with border and geometric center

Persian style (19/20th Century) rust velvet table cover with border and blue and beige geometric center.

A beautiful pair of French gilt bronze mounted black amethyst crystal lamps. Each is beautifully hand blown out of black amethyst crystal and further adorned with 24-karat gilt decor...

Add a touch of luxury to your space with this 10'x13' Overdyed Area Rug from Iran. Its exquisite craftsmanship and rich colors make it a true statement piece. Exact Size: 10'0" x 12...

Senna rugs are woven in northwest Persia and have a distinctive single-weft construction. The fine weaves found in these rugs promotes the creation of intric...

:: Allover covered field of repeating botehs in alternating direction rows, each bearing their own interior germinating seed design motif reminiscent of a partial Cintimani design el...

Antique distressed Persian Kurdish with medallion design in muted colors rug EMB-9661-P13590, Keivan Woven Arts / country of origin / type: Iran / Kurdish, circa 1900. Measures:...

Jules Vieillard & Co, Bordeaux, Large Islamic style charger, France 1895, Sitting at a large 21" in diameter, this table top shows intricate geometric an...

Designs found in contemporary rugs from Isfahan in central Iran are based on those seen during the Safavid period (1501 - 1736 AD). The most popular pattern has a central circular m...

Traditional antique circa 1940s Clectible women face veil from the Sinai Bedouin Desert Garment Nikab framed in a lucite box. Museum quality well preserved Middle Eastern Bedouin women face veil, from the Bedouin tribes of the Sinai Desert. * Dimensions: Height: 25 in (63.5 cm)Width: 15.25 in (38.74 cm)Depth: 3.75 in (9.53 cm) Face veil for a Bedouin Women, North Sinai Egypt or Palestine Mid 20th C. An amazing Niqab, Negev Bedouin veil from Palestine or Egypt. Worked on a base of thin red silk and cotton embroidery with antique Ottoman nickel silver coins, glass beads, wo, embroidered, stones, carnelians, glass, and amber. Mid 20th century, circa 1940-50s typical Middle Eastern traditional Arabian Bedouin, Egyptian, Palestinian face mask, garment, head dress, tribal jewelry, bridal veil. Showing heavily decorated in the bottom with silver nickel hands amets for the Evil Eye protection and early textiles (wo and silk) and tassels hanging down. Face coverings were worn for centuries by the women of various nomadic tribal groups of North Africa and the Middle East. In the western desert of Egypt, Berber women living in Bedouin societies sometimes wear masks or veils called niqab. The veils serve mtiple functions, including protecting the women’s face from sun damage, filtering dust from the air, displaying adornment, and demonstrating wealth or status. The niqab worn by Bedouin women on special occasions are sometimes elaborately decorated with coins and beads, like this one. Such masks are not for everyday use; they wod be too hot and heavy. They are worn during special events, such as weddings and feasts. Face veil: 12" W x 19" L, circa 1915-1930. Last pictures are references from the book: "Traditional Palestinian Embroidery...

Placido Zuloaga, An extremely rare Spanish gold and silver damascened window frame, in the Alhambra / Islamic taste, circa 1880. The interior is lined and fitted with an orientalist artwork throughout. Signed PZ on the reverse. Placido Zuloaga was a renowned Spanish metalworker and damascene artist known for his exceptional skills in working with gold and silver and for creating intricate and ornate designs on metal surfaces using a technique called damascening. One of Zuloaga's works is this rare gold and silver damascened frame that he created in the late 19th century. The frame is decorated with intricate designs in silver and gold, creating a stunning contrast that is characteristic of Zuloaga's work. The frame is a remarkable example of Zuloaga's artistry and skill, as well as his mastery of the damascening technique. The technique involves inlaying silver or gold wire into the surface of the metal, creating intricate and detailed designs that are both beautiful and durable. Zuloaga's work was highly sought after during his lifetime and is still highly valued today. His pieces are considered to be some of the finest examples of damascene artistry in the world, and his legacy continues to inspire and influence metalworkers and artists today. His works are in private collections and in museums worldwide. Comparative Literature: James D. Lavin, The Art and Tradition of the Zuloagas, Spanish Damascene...