Renaissance Revival Furniture

This large dish, fashioned by the great ceramist Théodore Deck and painted by Eugène Gluck, was created in 1866. Entirely decorative, our piece presents a scene worthy of a paintin...

Pair of two patina bronze, brown and gold, Renaissance style firedogs standing on two lion paws. Scotie shape firedogs’s body lower part adorned with a three ends banner and framed ...

Pair of walnut Renaissance Revival cabinets from a convent in Lucca, Italy. Hand painted interior of top section.

Carved walnut seating ensemble from the 19th century, with gilded decor. The pieces are in good, restaured condition. (H/W/D) Canape: 128 x 173 x 73 cm Armchairs: 117 x 70 x 66 cm (...

This unusual table stands on a heavy shaped tripod base .The turned baluster stem is vase-shaped and supported by three long-legged birds. The base and stem are extensively modelled...

Antique French Renaissance Revival walnut table, circa 1890.

Pair of Italian Renaissance-style (19th Century) floral metal filigree containers / umbrella stands with 5 sides, spherical feet, and mulberry-shaped finials. (Priced as pair).

A pair of Renaissance Revival part-silvered bronze candlesticks, France, 19th century.

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

Antique 19th century Austrian Renaissance revival solid silver enameled lidded bowl / trinket box, the body supported by four scroll feet, beautifully enamelled throughout dipicting ...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

Pair of Renaissance Revival gilt brass candlesticks each with pierced and cast decoration with lion masks female faces and scrolling acanthus. The tapering stems are raised on cir...