Revival Furniture

Antique French Gothic Revival Carved walnut mirrored credence cupboard or cabinet~~versatile size~~c. 1880s Charming antique cabinet in popular French Gothic Revival style~~upper...

19th-Century French Gothic Revival Hall Chair Steeped in history and artistry, this 19th-century French Gothic Revival hall chair is a true collector’s piece. Crafted from rich oak...

This is a table top only no base is provided. This is a gorgeous table top, featuring superb inlaid birds, flora and fauna and grapes and beautiful leaves. The top is perfect for a...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

This tea set is made by renown craftsmen Maciel of Mexico. It was made in sterling silver with embellished fluted lobed decoration. The set contains 6 pieces and all of them are hall...

A fine & large antique Russian Orthodox icon, circa 1820. This large antique Russian icon painted with egg tempera on wooden panel, depicts the "True Cross" to the center with Saint...

The mirror is made by F.C Mailand Hansen, a well known glazier from Copenhagen, Denmark. The mirror is dated to between 1900-1910. It is in neoclassical Revival style, and has an ama...

A rustic antique Italian country Neoclassical style walnut side cabinet with beautifully aged patina. Hand-crafted in Italy in the 19th century, most likely Tuscan region of Cent...

Vintage Egyptian Revival carved wood sculpture depicting a pair of reclining goats / rams facing opposite directions, decorated with intricate necklaces and beards, finished in black...

Pair of nineteenth century columnar form candlesticks from the revered Portuguese maker, Topazio, with silverplated square, stepped bases, molded glass fluted columns surmounted by s...

19th century, Italian. A fine quality Grand Tour Brooch. Featuring a high relief carved lava stone with large central putti figure adorned with grape vines and roses. An intriguing ...

Large antique American Gothic Revival throne chair, circa 1870s. Made from walnut with a pierced cathedral back featuring arches and a cen...

Transport yourself back to the sleek and sophisticated 19th Century with this exquisite hand crafted, sculpted and painted wardrobe storage cabinet. The ultra rare wardrobe gives an ...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

Superb highly carved late 19th century antique oak round entry, coffee, sofa, center, parlor or end table ~~Victorian Era Renaissance Revival ~~c. 1890s T...

An elegant French Empire style wall hanging or over mantel mirror by Harden Furniture, circa 1980s. Made from solid cherry with tapered columns, Neoclassical ormolu mounts and bevel...

This lovely Rosenthal Studio LIne Germany porcelain 2 part round box was designed by the Versace Home Collection and has the fabulous Medusa head and from the Medusa collection. It i...

GORGEOUS Antique PETITE English carved oak desk or writing table with Drawer~~ Green Leather Top~~Double Barley Twist Stretcher~~HIGHLY CARVED. ~~cir...

Beautiful carved oak Antique Italian Renaissance revival bench or settee with lift top seat~~c. 1880s Highly carved~~these benches are always in high demand Versatile piece wit...

A good antique French carved mahogany Baroque Revival dining table, circa 1900. The table has a sliding top that receives two extra leaves, when fully extended the table is very stab...

Very finely carved 19 century Italian Marble Sculpture of Pauline Bonaparte / Borghese as Venus Victrix After Antonio Canova.

Italian Pietra Dura Inlaid Marble Top Coffee Table with design of birds and floral. Nice Gilt Wood Base.

A French 19th/20th Century Empire Revival Style Mahogany and Gilt-Bronze Mounted Three-Piece Study or Office Suite, comprising of a desk with leather top, a horse-shoe-shaped armchai...

A monumental set of Renaissance Revival figural leaded stained glass French / double doors of the highest quality. Features a nobleman courting a lady. Both are poised on top of a Do...

19th century Spanish antique walnut chest of four drawers and original iron hardware. You can use like a commode or chest of drawers or large nightstand. This elegant console was cra...

Italian Medieval / Renaissance-style metal life size suit of armor with etched sunburst breast plate on a square wooden base. Condition: (Base is 20 inches w x 24 inches d x 10 inch...

French "Cleopatra" Patinated and Gilt Bronze Sculpture, late 19th century, Egyptianesque, the seated queen holding a fan, on a Portoro marble plinth. 12.5" H x 14.5" W x 6" D.

Baker large round single pedestal base three extension boards dining table MINT! three table leaves measuring 18'' in width.

A fine & remarkable carved walnut Renaissance Revival Italian Curule chair, carved with Dragons & Knights, circa 1880. The chair having a very finely carved top crest with a pair of winged dragons with their claws resting on a shield draped with a carved chain with a dragons tooth, the dragons flank a knight's helmet, to each side are 'grotesques' carved as the head of monks. The back having an upholstered head rest with stylized acanthus leaf carving with a carved mask to the center, the chair is upholstered in a high quality gold fabric with a scrolling leafy pattern. The curved arms terminate with carved dragon's claws resting on grotesque heads with ram's horns, the seat is of X-frame or Curule shape, the lower front of the seat having a carved knight's helmet flanked with a pair of halberds or battle axes. The curved legs joined with a 'H' frame stretcher with rounded stretcher bars carved with acanthus leaves, the chair is raised on substantial carved paw feet. Condition is excellent the chair is very sturdy & comfortable, the upholstery & fabric are in great condition, the chair exemplifies the carver's art & ability, this truly is a rare & spectacular carved antique Italian Renaissance Revival chair...

Tall case Amsterdam clock. Signed Pieter Verlaer, Dutch, circa 1840-1860. walnut and burled walnut. Clock has an amazing dial with three ships that mov...

Gorgeous 1900's Spanish Renaissance Style, Carved Oak, Vintage Dining Chairs, Set of Six! Chairs, Dining, Spanish Renaissance Style, Set of Six, Carved Oak, Vintage, 1900, 20th Ce...

EGYPTIAN REVIVAL STYLE ROSEWOOD AND LEATHER WRITING DESK Baker, United States with original silver plaque inside drawer late 20th/early 21st century Item # 407ENV09Q A lovely exam...

Incredible pair of silk tufted Dorothy Draper style benches or ottomans. These stools are painted in a lively lemon yellow with a complimentary yellow silk pillow...

A Fine Early 20th Century 152 Piece Austrian Dinnerware Flatware Set by Berndorfer Metallwaaren-Fabrik, stamped 'Berndorf Alpacca', The Neoclassical Revival style set of Alpacca flatware comprising of: 12 Fish knives 12 Salad forks 12 Salad knives 12 Pasta spoons 12 Dessert spoons 12 Coffee spoons 12 Tea spoons 12 Ice-cream spoons 1 Ice thong 1 Soup ladle 1 Serving spoon 1 Salad spoon 1 Sauce/Gravy ladle 1 Meat carving knife 1 Meat carving fork 1 Salad fork All inside its original lined wooden storage-traveling cabinet. (See all images). Circa: Vienna, 1900-1930. The Alpacca alloy was developed in 1823 by the German chemist Dr. Ernst August Geitner (1783-1852). It was very similar in its appearance to silver, therefore, this new alloy was first called "Argentan". It consisted of 20% nickel, 55% copper and 25% zinc. The new silver-imitating alloy soon became very popular. The Gebrueder Henninger (Henninger Bros.) proposed a similar alloy (5-30% nickel, 45-70% copper and 8-45% zinc with trace amounts of lead, tin and iron) which they called "Neusilber". Later both Argentan and Neusilber were used under the trade name of Alpacca (or Alpakka). The great advantage of the use of Alpacca alloy as the base metal for silver plating is that the appearance of the objects does not change significantly with the wearing away of the silver layer and, unlike sterling silver, it does not require frequent polishing or cleaning due to tarnishing. The earliest known Berndorf Alpacca mark (No.1) was introduced around 1880 and used until 1891. I found it on the bottom of a 30 cl teapot bearing the inscription KRIEAU, which corresponds to the "Wiener Krieau", the famous race course in Vienna. The mark No.1 represents an oval of 3.0 x 3.6 mm size bearing the lettering "BMF ALPACCA" (which means Berndorfer Metallwaaren Fabrik or Berndorf Metalware Factory) with the "M" and "F" letters being fused. Inside the oval there is a profile of a walking bear looking down. This mark is quite rare. BIBLIOGRAPHY - Ingrid Haslinger, Tafelkultur Marke Berndorf, Das Niederoesterreichische Erfolgsunternehmen Arthur Krupps (Ketterl Verlag, Wien, 1998), pp.1-174, (in German). - Dedo von Kerssenbrock-Krosigk and Claudia Kanowski, Modern Art of Metallwork (Berlin: Broehan Museum, 2001), 1-598. - Musterbuch ueber Tafelgeraete in Alpacca-Silber I, Alpacca-Silber II und Alpacca, Unversilbert (Berndorfer Haus, Berlin, 1928), pp.1-53, (in German). - Waltraud Neuwirth, Bluehender Jugendstil Oesterreich, Band 2: Firmen und Marken [Art Nouveau in Blossom - Austria, Vol. 2: Companies and Marks]. Vienna: Selbstverlag Dr. Waltraud Neuwirth, 1991, 1-288 (in German). - David N. Nikogosyan, 2008, Marks of Silverplated Hollowware...

Substantial cowhide bag with brass hardware and closure. Used a travel bag for physicians to play tools and prescriptions in. Perfect as a purse or for tra...

A Pair of Egyptian Revival Parcel Gilt Black Basalt Porcelain Figural Griffin Form Candlestick Lamps, mid 20th Century. Each modeled as a seated griffin having a gold medallion with ...

Vintage sculptural pair of antique brass candle holders features an open barley twist design and round tiered bases. The design is a 20th century version of historical Jacobean Revival style that was quite popular in early 20th century. The candlesticks are marked on the bottoms with stamped Peerage England. Similar open barley twist candlesticks were created by several English manufacturers, such as Coseley and Nestor of Birmingham. We are offering a pair of barley twist candle sticks by Coseley England in separate listing. Peerage Brass...

This antique Castle pattern sterling silver table box was made by The Loring Andrews Company of Cincinnati, Ohio. The hinged box is quite ornate and bears highly detailed all-over r...

Massive Victorian Era Renaissance Revival hall tree and umbrella stand, circa 1870s. Made from walnut with a large glass plate pier mirr...

This mirror is reminiscent of the finest Italian Carved Florentine or Rococo carved pine mirror. The carving is very detailed and precise and yet the selection of pine as the materia...

Standout mid century writing desk having a tessellated marble top on a case with two drawers and brass borders over four dramatic bronze Egyptian style cat legs. Signed Maitland-Smit...

A very fine French Empire style 19th century Napoleon III giltwood and gesso carved figural mirror frame, flanked by a pair of sitting winged sphinxes, with carved scrolls, garlands ...

A Tall Pair of Empire Revival Style Gilt-Metal Six-Light Candelabra, after a model by Pierre-Philippe Thomire (1751–1843). Each gilt-leaf finished candelabra with a fluted center ste...

Grand Antique Italian Neoclassical ~ Baroque Painted Console ~ Buffet is an amazing combination of classical elegance inspired by the ancient Greek and Roman civilizations, melded wi...

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

Set of 13 Meissen porcelain cups and saucers from the opulent Golden Baroque series handmade in Germany. The cups and saucers have a white glaze ...

Embossing & chasing techniques are highlighted in the Rococo motifs of this gilt bronze inkwell. The inkwells are shaped as garlic domes. The exaggerated rocaille shaped tray with la...

Condition: Original Vintage Condition Materials: Iron, Removable Plastic Bin This vintage Spanish Revival-style wrought iron planter from the 1970s adds rustic elegance to any spac...

An exquisite French Renaissance Revival Bibliotheque, Linen press or display cabinet. Circa mid 19th cenutry. A large rectangular oak case centered by original 3/4 length glass between turned and fluted columns. Lower side of doors features an inset baroque cartouche with fruit basket and foliate motif within an arched deisgn. Upper molding is stylized with a dentil molding over acanthus frieze. Opens to four adjustable shelves. Case is supported by bun feet. The phrase Knock-down referes to the ability for these pieces to be easily disassembled and re-assembled. This allowed for these massive...

An English Egyptian Revival bamboo Thebes stool from the early 1900s, with slatted curving seat and root bamboo legs.

An impressive Napoleon III Empire Revival mahogany, marble, gilt bronze and patinated-bronze-mounted credenza buffet, after Pierre-Philippe Thomire (1751–1843). The large mahogany an...

Set of 11 Meissen handmade porcelain dessert plates from the opulent Golden Baroque series. The plates have a white glaze finish with ornamental relief designs featuring grape leaf ...

An impressive pair of Napoleon III Empire Revival mahogany, gilt-bronze and patinated bronze-mounted server buffets, after Pierre-Philippe Thomir...

Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1945. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marke...

Antique French Console Side Table Renaissance PETITE Gothic Carved Oak c1880. Direct from France, a very elegant, and quite petite, antique French carved console or side table! Incr...

Vintage Egyptian Horus falcon sculpture by Lloyd Bryan, circa 1978. The falcon is made of cast plaster and measure 4.W x 8.5"D x 16.5"H. Very nice, wel...

19th Century French Renaissance Buffet in Stripped Oak is a magnificent example of the genre, executed on a diminutive scale making it perfect for a cozy spot, a work space, or any e...

Antique Dovetailed Inlaid Carved Walnut Marble Top SideBoard Server Buffet MINT!