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Børge Mogensen Drop-Leaf Writing Table in Teak and Oak

About

Børge Mogensen, writing table, teak and oak, Denmark, 1960s.  This oval drop-leaf table by Danish Designer Børge Mogensen. The table consist of an X-shaped base with two legs and an oval top with drop-leafs. Under the top are two drawers that are executed in teak. This dining table shows beautiful woodworking, as seen on the cross-connections of the legs and the combination of the teak details with the oak frame. The top and drawers are made of teak, the legs and edges of the top from beech. The brown teak nicely blends with the blond oak. Børge Mogensen (1914-1972) was a Danish designer. His designs are defined by being high-quality, simple and functional. Mogensen can be seen as a democratic and idealistic designer. He aimed to solve basic problems in residential living. This meant that he designed for the middle-class and everyday use instead of for the more exclusive costumer. Contrary to his contemporaries in other countries such as Le Corbusier, Mogensen did not work with new modern materials such as steel and glass. Instead he chose to work with tested materials such as leather and wood. Being trained by Kaare Klint, he was very focussed on the human body and his ideal was to create comfortable furniture, not furniture that would end up in a museum. His designs are therefore honest, functional, simple and production friendly. Mogensen was extremely productive: hundreds of his designs went into production in his lifetime.  

Details

  • Condition
    Good.
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 29.34 in. x W 83.67 in. x D 34.85 in.

    H 74.5 cm x W 212.5 cm x D 88.5 cm

  • Seller location
    Waalwijk, NL
  • Reference number
    LU93319504991

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About Børge Mogensen (Designer)

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

     Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 “Spokeback Sofa,” with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s “Shell chair,” designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

     Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s “Hunting chair” (1950) and “Spanish chair” (1959) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues. As you will see from the furnishings on these pages, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

About the Seller

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Located in Waalwijk, NL
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