Wood Dining Room Sets

Thomasville Dining Room Set featuring 8 high back chairs with matching marble table. Each chair features a tall 50" back with tarped wood ...

A set of table and four chairs manufactured in the British Mclntosh manufacture in the 1960s. Chairs fitted into the edge of the table. Furniture after a comprehensive carpentry and ...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

Dining room sets in Louis XV Style with a set of 4 chairs & a Louis XV dining room table is designed by the renowned designer Paul Mathieu. He chose the name “Louise” when he created his more feminine version of Louis XV furniture and this elegant dining room sets. The characteristic cabriole leg, curving outward at the knee and inward towards the foot in an "S" shape was born during Louis XV period. It is during the same era that English furniture makers produced the Queen Anne and Chippendale styles. The dining room sets are inspired from the style of 18th-century French furniture which was guided by the court. When Louis XV, who reigned from 1715–74, focused royal life on the smaller salons of Versailles rather than its grand chambers, it transformed the aesthetics away from the imposing and angular furniture that characterised the style of Louis XIV. A broader focus on comfort and more delicate forms define antique Louis XV furniture dining room sets, with nature-inspired carvings, wood inlays, curved cabriole legs, asymmetrical shapes and rounded oval seat backs. The furnishings changed throughout the king’s life, as he ascended to the throne as a child and then grew to establish his own tastes. The dining room sets are made with great precision by our master craftsmen and hand carvers. This dining room set is more than just a dining room set as it is a true piece of art! Pieces like the bergère, an upholstered armchair with a wide cushion that fit the flowing dresses in fashion at the time, reflected this more informal court. Introduced at the start of Louis XV’s reign, bergère chairs in this style were deeper and broader than other chairs of the period. Louis XV tapestries and carpets tended to be floral and colourful, and design elements were borrowed from Asia. Dutch-born cabinetmaker Bernard van Risenburgh brought lacquer techniques influenced by Japan and China into his luxuriously made furniture. Along with its fine details, the furniture of the era also featured new innovations including mechanical devices. Jean François Oeben, a royal cabinetmaker, created such intricate pieces as a mechanical table for Madame de Pompadour, Louis XV’s mistress. It involved a sliding top and a writing surface that extended from its marquetry panels. During the later years of Louis XV’s reign, there was a shift from the ostentatious rocaille style, part of the exuberantly decorative Rococo movement in Europe for which designers such as Nicolas Pineau and Juste-Aurèle Meissonier are known. The style under Louis XVI would return to boxier forms, but with a neoclassical touch inspired by the ancient world. For the dining room sets the curved legs and side arms of this exceptionally elegant chair are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the chair in a skin of copper or purest silver (assayed at 96% purity, beyond sterling at 92.5%). The metal finishes will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original lustre. For the dining room sets the curved legs and side rails of this exceptionally elegant table are handcarved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the table from thick sheets of copper or silver. Once the table is joined together, it is meticulously encased in a tight-fitting skin of copper or purest silver. The silver used was assayed at 96% purity, which exceeds the minimum standard for sterling of 92.5%. Available options for the metal skins are White Bronze, Antiqued Bronze, Brass, Silver and Copper. Both silver and copper will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original finish. Dining room sets include: Set of 4 chairs Louis XV style in white bronze clad, club chair by Paul Mathieu...

This geometric solid teak picnic table and bench is made to order and can be customized to meet your needs. Made of solid sustainable teak wood, this benc...

This is a beautiful trestle dining table with matching benches by Gerald McCabe for Orange Crate Modern. This table retains its original finish over soli...

An original Belgian Art Deco dining table featuring a parquetry inlaid table top defined by expert woodworking and a curved double pedestal base with polished aluminum decorative acc...

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

Mobichalet, set of table, chair, and stool, oak, beech, Belgium, 1950s This rustic set will come forward nicely in a relaxing atmosphere, like a patio or a studio space. The brutali...

Brutalist sculptural dining table and 4 chairs, by De Puydt. Belgium. Heavy pieces. Highback chairs. Set is made of solid oak wood and constructed with visibl...

Exceptional Danish Modern dining set having four chairs and a table. Designed by Nanna Ditzel, made in Denmark by Frederica Stolefabrik circa 1993. Very rare to find a set still in...

Hansen Sorensen Dining room table with 6 chairs, 1970 Denmark The Hansen Sorensen dining room table with 6 chairs from 1970 is a beautiful additio...

We are proud to offer this exceptional piece of American Studio Craft history by acclaimed woodworker and artist Richard Rothbard. A one-of-a-kind, book-matched walnut slab dining ta...

Inspired by Mies Van der Rohe's iconic Barcelona Pavillion, the Rivington Dining Table is a striking ode to European 20th-century design through its bold use of asymmetric shapes and contrasting materials. The smooth curvature of the pedestals is complimented by an angular table top, distinguishing itself as a minimalist and contemporary counterpart to some of Davidson's classic designs. The Barcelona Pavillion is a harmonic exploration of contrasting shapes and colours, echoed here through the similar contrast between Sycamore Silk and Sycamore Black wood finishes. Able to accommodate any number of guests, this handcrafted dining table is available as an 8, 10 or 12-seater. Elegant and innovative, the Rivington Dining Table sets the aesthetic tone for a design-forward and luxurious dining room.

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

Mid Century Modern Atomic Space Age Richard McCarthy for Selrite Style Forged Wrought-Iron and Oak Captain Chairs & Pedestal Base Glass Top Table ...

Exceptional rationalist set including: - a sideboard with mirror H99.5X243Xp53 mirror H152. - bar sideboard with riser H99.5X202Xp53 with riser H.120. - a table H80.5X191X91 - 4 Chai...

French dining room set (table and chairs): - This stunning 1930s dining table, inspired by the renowned designer Jules Leleu, features exquisite diamond-shaped marquetry crafted. T...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

This Set Includes a 240 cms x 100 cms Teoca Dinning Table , 2 Xitle ArmChairs and 4 Xitle Chairs.

Vintage Oak Dining Table Set From France, Circa 1960. Solid burl wood construction with light wear and use.

Wir bieten einen wunderschönen Esstisch von Janua (Modell SC 41) mit passender Sitzbank zum Verkauf an. Die in der Länge durchgängig massive Nussbaumplatte wird von zwei eleganten Wa...

Foldable winemaker's table in solid oak Wear consistent with age and use. Circa 1940s - Rustic - Nice patina Measures : Ø 110,5cm H:70,5cm Material : Wood

Dawn on the Battlefield The battle has been going on for more than the first hour. This is an important battle. A battle between you and your enemy. You have expended much energy. Th...

Dining Set by Goons Dimensions:   Table: W 130 x D 50 x  H 74 cm Chair: 35 x 40 x 95 cm Materials: Wood. Goons is located in Paris, France. All of their designs are made out of wood.

Art Deco table with clean, rational lines. The rosewood base gives way on the front to green aniline-stained maple. The top is made of rosewood feather laid open. The piece showcases...

Designed by Gijs Bakker in the early 1970s for Dutch manufacturer Castelijn, the “Strip” dining set is an iconic expression of radical minimalism and postmodern sculptural form. Comp...

1950s Dunbar, designer Edward Wormley extention dining table with 2 leaves model 5462 with 6 chairs model 5480. Rare Mid-Century Modern 1950s Edward Wormley extension dining table...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Maison Jansen Style Triple Pedestal Ebony Dining Table. Part of our extensive collection of over forty dining tables and chair sets as seen on this site, thus why we are referred to ...

Dining Table in Rosewood by Ole Wanscher, 1945 Additional Information: Material: Rosewood Style: Mid century, Scandinavian Produced by cabinetmaker A.J. Iversen in Denmark Dimension...

400 Volta Rectangular Dining Table by Wentz Dimensions: D 120 x W 400 x H 75 cm Materials: Wood, Plywood, MDF, Natural Wood Veneer, Steel. Also available in different colors: Oak, Wa...

Set of Antique Rajasthan Courtyard Door Dining Table with 6 Spanish Oak and Leather Chairs This is a large antique Indian dining table from the 19th...

Elegantly described as the bastion of Portuguese luxury, the sophisticated Cortez Dining Table exhales the splendor of the uniqueness of the kings ...

Art Deco Paul Frankl for Johnson Furniture mahogany and cork dining set - 9 piece set. An exquisite, iconic and truly timeless and unparalleled classic dining set...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

Discover the Cranston Dining Table from Davidson London - an Art Deco-influenced dining table with a contemporary twist. The Cranston takes inspiration from 1930s celebrated furn...

A very imposing and good quality Regency period Mahogany triple pedestal dining table, with two extra leaves, having this wonderful figur...

This classic American Craftsman design dining table / breakfast table is built to order. It is shown here in a 56" x 48" size. Because each table is bench-made in our own Los Angel...

OOMA is not just a dining table. It’s an invitation, a multifaceted experience. First, it captivates the eye with its color. Matte or glossy, lacquer is omnipresent. Its line is rema...

Mahogany dinning table louis XVI style with eight chairs with bronze This beautiful mahogany table surrounded by a bronze gallery ,at each corner of the belt there is a bronze abov...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Set of 2 Belenus and La Luna tables by Gisbert Pöppler Dimensions: D L 240 x W 101 x H 73 cm (Belenus) / D 167 x W 101 x H 73 cm (La Luna) Materials: High gloss lacquered wood, smoked oak A Referencing the Latin Moon and the Celtic Sun, this extendable dining table duet comes in two connecting pieces of smoked oak coated in high gloss lacquer. Like perfectly paired lovers, each piece can stand on its own, while also fitting harmoniously together with its partner. The Belenus table stands on solid rounded legs and connecting oval shaped feet that are a contemporary take on outré Nordic design, complete with a playful Viking feel. Its oxblood red tabletop offers a gently curved shape that, when locked up with its extension, creates a noticeable “waistline” where the two pieces meet. In contrasting petrol blue La Luna, with its folding half-moon shape, functions as an abstract sideboard...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Golden...

High cabinetry dining room set, consisting of: 2 sideboards, a mirror, table and 6 chairs. The sideboards are moved, with finely carved feet in an elong...

Medea dining circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak iron and brass, excellent vintage condition. Reported at “Compasso d’Oro Prize...

Kaare Klint dinning table in mahogany. Executed by Rud. Rasmussen. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/45 NØRREBROGAD/KØBENHAVN, pencilled serial nu...

Danish Modern, rosewood dining set by Niels Koefoed, Hornslet Møbelfabrik features a 43 inch round dining table that extends up to 83 inches with two 20 inch leaves and 4 elegant, high ladder back...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

Set includes table and 3 stools. Measures Table: 24"W x 26"D x 26.5"H; Stools Range approx 15"W x 11"D x 21"H

Palace set boulle We present the salon set Boulle, a living room set consisting of a table, 2 armchairs and 2 additional armchairs, The set isinlaid with copper and pearlmass, The se...

This vintage dining set features the unique Mid-Century design of Paul McCobb produced for the Calvin group. Stylish aluminum trim contrasts with the rich walnut finish of this expan...

We are delighted to offer for sale this sublime designer Andrew Varah 12-14 person, Satinwood with Mother of Pearl inlay, extra large Dining table Corinthian pillar legs which is part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price. I have in total a huge dining table...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

A very good looking and well made suite, the table is rosewood with mother of pearl inlay, the central section has peacocks which symbolised dignity and beauty and was favoured throughout the Republic period. The peacocks are surrounded by hearts and then on the outer edge flowers. We are delighted to offer this lovely suite of Chinese Republic circa 1930's rosewood with mother of pearl inlay dining...

Impressive antique 19th century Italian Renaissance sideboard set of two. Made entirely of carved walnut wood. The carving work is specta...