Wood Dining Room Sets

Vintage Dining Set, Drop Leaf Table, Six Chairs, Mid Century, MCM, Laminate, Wood, Unique, Kitchen Vintage from the 1960s Measurements: Table:: Open: 57.5" L x 41.75" W x 30" H Leav...

Rectangular table in Brazilian rosewood satin finish with Italian walnut inlay top with 2 extension of cm. 48 (19”) each. Brushed steel accents on the base. Art Deco Size 78’’ ½ W ...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

Offered: this beautiful Art Deco set consisting of a dining table and 4 dining chairs by Schuitema from the Decoforma series. This elegant Art Deco design dining table and chairs are...

Art Deco Dining Room Set: - Long sideboard with dark lacquered doucine veneer finish, nickeled door handles, three doors and internal cedar wood dr...

Artek table model DL82 and four chairs model 65, designed by Alvar Aalto. Both the table and chairs have light blue linoleum top. The set is from 1950s, is in good condition and has ...

400 Volta Rectangular Dining Table by Wentz Dimensions: D 120 x W 400 x H 75 cm Materials: Wood, Plywood, MDF, Natural Wood Veneer, Steel. Also available in different colors: Oak, Wa...

Kaare Klint dinning table in mahogany. Executed by Rud. Rasmussen. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/45 NØRREBROGAD/KØBENHAVN, pencilled serial nu...

This is a beautiful trestle dining table with matching benches by Gerald McCabe for Orange Crate Modern. This table retains its original finish over soli...

Exquisite set of 4 Charles Rennie Mackintosh “309 Ingram” dining chairs for Cassina in stained cherry and black leather. The 309 Ingram dining chairs, designed by Charles Rennie Ma...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

320 Volta Rectangular Dining Table by Wentz Dimensions: D 120 x W 320 x H 75 cm Materials: Wood, Plywood, MDF, Natural Wood Veneer, Steel. Also available in different colors: Oak, Wa...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration from the serene landscape of A...

Mid-century Swedish Pine Wood dining set - 1970s Scandinavian Mid-Century Furniture Furunickarn AB chairs : 47x42cm H:77,5 SH:44,5cm Round table : Ø 99cm H:74cm 5-piece set

1950s Dunbar, designer Edward Wormley extention dining table with 2 leaves model 5462 with 6 chairs model 5480. Rare Mid-Century Modern 1950s Edward Wormley extension dining table...

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

A rare dining set by Søren Nissen & Ebbe Gehl for French Ebénisterie Seltz, a small family-run wood workshop. The set consists of 4 chairs and a dining table, manufactured in solid b...

French dining room set (table and chairs): - This stunning 1930s dining table, inspired by the renowned designer Jules Leleu, features exquisite diamond-shaped marquetry crafted. T...

Rainer Daumiller for Hirtshals Savværk A/S dining set - Denmark, 1970s Wear consistent with age and use Mid-century Modern - Vintage - Funiture Dining Set : Table - 2 Chairs - 1 st...

This sought after dining set from Pacific Green Furniture Co. in Fiji is handcrafted and hand finished using 100 year old palm trees that have exceeded their fruit production years. ...

Beautiful Scandinavian dining room set by Finnish designer Ilmani Tapiovaara from the 1950s for Laukaan Puu. It is composed of a dining table and four chairs model "Pikka". The struc...

A very fine quality period French Art Deco dining room set consisting of a table and eight chairs. (Six sides and two armchairs) dini...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

The Teoca Dinning table is part of ADN Studio´s Volcan Collection. This Collection seeks to go back to basics. It is a subtle and refined interpretation of the archetypical Modern ...

Available in single slab diameters of over six feet, the Harvest dining table by Taylor Donsker creates a visual anchor for any dining room or dining nook....

An Elegant And Timeless French Late Art Deco / Modern Neoclassical dining room table in cherry by Andre Arbus. The table without leaves is 72" long....

This striking Mid Century Modern dining set includes an expandable ebonized dining table and a matching set of four dining chairs. The table features a dramatic spider leg base and a...

Beautiful woven wicker, rattan, and bamboo dining set. Created from bentwood, this patio set includes four chairs and a pedestal table base with a round glass top. Each chair feature...

Carlo Hauner and Martin Eisler's pieces of furniture are highly designed and well-executed, with ingenious constructive details – very distinctive of any production of the time in Br...

A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s Wonderful addition to a contemporary or period garden room, with stow away seats ...

Edge The table is made of magnificent ancient slabs of burl wood. Their texture has been shaped over hundreds of years to look as it does now. When the wood dried, we decided to immo...

A set of four dining chairs designed by Bernhard Pedersen & Son, manufactured in Denmark in the 1960s. The table comes from Denmark and was manufactured in the 1960s. The table has o...

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

Antique table + chairs set, Western Europe, early 20th century. Wood: oak. Very good condition. After renovation. Dimensions: table: height 81 cm / diameter 100 cm chairs: heigh...

Decorate a breakfast room with this refined French dining suite. Crafted circa 1980 and built from solid oak, the set includes a round Louis XV-style table and six matching upholster...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

A drop-leaf console table opens to seat six (6) for dining. Set complete with two banquette chairs and four side chairs.

Dining Set by Goons Dimensions:   Table: W 130 x D 50 x  H 74 cm Chair: 35 x 40 x 95 cm Materials: Wood. Goons is located in Paris, France. All of their designs are made out of wood.

Designed by Gilbert Marklund for Furusnickarn AB, Sweden 1970s. Unique and durable, solid pine wood dining table in original condition. Exceptionally sturdy, showcasing impressive Sc...

An Andre Arbus bleached fruitwood draw -leaf dining table and eight dining chairs, circa 1935. The rectangular parquetry top with matching leaves, ...

Dining set "Die vier Himmelsrichtungen" - "The Four Cardinal Points". This is an exceptional, very beautiful and unique dining set that consist of dining table with six chairs design...

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

TableTable by Dada est. manufactured in Barcelona, 2021. Material: Oak Dimensions: 72.5 cm D x 140 cm W x 72.5 cm H Dada Est. Makes a handmade furniture production with the best m...

Foldable winemaker's table in solid oak Wear consistent with age and use. Circa 1940s - Rustic - Nice patina Measures : Ø 110,5cm H:70,5cm Material : Wood

The renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of Louis XV (1730-1760) furniture. The characteristic cabriole leg, curving outwa...

Louis table XV Style in Copper Clad designed by the renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of ...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

We are delighted to offer for sale this sublime designer Andrew Varah 12-14 person, Satinwood with Mother of Pearl inlay, extra large Dining table Corinthian pillar legs which is part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price. I have in total a huge dining table...

A drop-leaf console table opens to seat, six (6) for dining. Set complete with two banquette chairs and four side chairs.

Restored Mid-Centyury 4-person 3-strand mahogany dining table and 4 "Hour Glass" rattan back chairs. Dimensions: Chair: 32" H x 24" W x 22" D Ta...

Dining set, table + 12 chairs, Northern Europe, ca. 1930. Very good condition, after professional renovation and replacement of upholstery with new leather. Wood: oak Dimensions: ...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

Antique table and chairs from the late 19th century, Northern Europe. Furniture in very good condition, professionally renovated. Chair seat...

Elevate your space with this striking Pacific Green bar stool and dining set, featuring three sculptural high-back chairs paired with a matching table...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sand-cast and worked ...

Fantastic 1960s Chinoiserie influenced dining set in silvered and gilded wood with polychromed details. Set includes four side chairs and two arm chairs with gilded fretwork backs an...

MINT Country French Parquetry Top Table 6 Dining Chairs 2X22" Extension Board Leafs Table Dimensions: 46" x 76" x 30" 2x22" leaves with an extended table length of 120"

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...