Late 20th Century Dining Room Sets

Vintage Chinese Harwood Chinoiserie Dining Room Set Table 8 Chairs - 9 Pc Set. Listing includes (1) 24" leaf, (2) armchairs, (6) side ch...

Foldable winemaker's table in solid oak Wear consistent with age and use. Circa 1940s - Rustic - Nice patina Measures : Ø 110,5cm H:70,5cm Material : Wood

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

Billy Haines style faux bamboo and bronze dining set. The table and chairs have faux bamboo wood frames with bronze mounts. The table has a smoked glass top. There are four chairs wi...

This elegant Scandinavian modern dining set consists of one large wooden table and nine finely crafted chairs. The table is a perfect example of minimalist design, constructed in two...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Round dining table - Entrance table hallway - 120 diameter Offered for sale is a modern eclectic dining set, made with a set of four Monk chairs by Afra & Tobia Scarpa for Molteni ...

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Palm Beach Rattan Dining Set with Six Chairs. Amazing cobweb designed back to these sculptural chairs. Covered in a neutral oatmeal chenille. Large o...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Set of six Mid-Century Modern Dining Chairs, Milo Baughman style, Chrome, Fabric Set of six Mid-Century Modern dining room chairs comprised of four side chairs and a pair of arm chairs...

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Pieces can be purchased separately. Please inquire for separate pricing. Provenance: Property from the Personal Collection of Vladimir Kagan Birdseye maple veneer, painted and lacquered wood, Fully Refinished Table...

A lovely little vintage cast aluminum dining set by Robert Josten from the 1970’s. Dark wood seats. The table is somewhat rare in this shape and size. The wood seats are in good con...

Vintage 1980s Spanish handcrafted bronze and glass 10-seater round table signed "González".  

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

1970s Bamboo Dining set Product Details Glossy-finish pressed bamboo table + 4 chairs and 2 armchairs, complete with cushions. Chair dimensions: 50 W x 101 H × 50 D cm Table dimensio...

On offer on this occasion is one of the most stunning and rare, dining set you could hope to find. Outstanding design is exhibited throughout. The beautiful cabinet is statement piec...

Designed by Gilbert Marklund for Furusnickarn AB, Sweden 1970s. Unique and durable, solid pine wood dining table in original condition. Exceptionally sturdy, showcasing impressive Sc...

We are very pleased to offer a stunning dining table attributed to Suzanne Dahl & Jerry Barich, circa the 1970s. Tusk-shaped legs, lucite, brass, and glass, all exquisitely combined ...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

This Alpine dining set captures the rustic charm and refined craftsmanship synonymous with the Alps. Comprising a solid wood dining table and matching chairs, each piece exudes the r...

Lovely carved maple Louis XVI style French dining set having octagonal table base topped with 60" bevelled glass top. Legs are elegant cabriole w...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Vintage cast aluminum UV and rust resistent stackable patio armchairs with cushions and table set with cushions. Frame very durable, Water resist...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite dining set. The ultra rare dining set exudes an air of history and refinement. Outstanding design is ...

THE FOUR CARDINAL POINTS Rosenthal Kunstmöbelreihe This noteworthy design is the work of Bjørn Wiinblad. The furniture pieces were produced in a limited edition of 300 in 1976. E...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

1989, USA, French Art Deco-inspired design. Beautifully constructed of bubinga and ebony. The seat and backrest are upholstered in a deep red high-quality faux leather, creating a bo...

Jeffrey Greene Mid Century Arts & Crafts Birdseye Maple Inlay Dining Set - 7pcs. Listing includes (2) 16.5" Leaves, (6) side chairs, (1) large dining table, birdseye maple inlay, stu...

A modern Italian years 2000s table in wood and chromed steel by Piero Lissoni, Brera-Milano with four chairs in chromed steel and two-colored technopolymer seat by Calligaris. Meas...

On offer on this occasion is one of the most stunning and rare, hand painted wood inlay dining table you could hope to find. Outstanding design...

The Arch line was created after Charles started working with the owner of the Raiders, Al Davis while designing a set of chairs for his executive office in Beverly Hills with the feeling of a football helmet, and the silhouette of a dome. The most creative arch that Charles has designed is the arch of the Le Dome table...

Introducing the Flex 2000 dining set, a timeless masterpiece designed by Gerd Lange for Thonet in the 1980s. Experience the perfect blend of retr...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

One of Elinor McGuire's most iconic and enduring designs for McGuire of San Fransisco, the NP-12 dining table has a base of rattan gathered at the waist like a sheaf of wheat that su...

Dining set "Die vier Himmelsrichtungen" - "The Four Cardinal Points". This is an exceptional, very beautiful and unique dining set that consist of dining table with six chairs design...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

Carrara marble oval table set with six armless tulip chairs reupholstered in genuine black leather.

Art Nouveau Bar for sale in wood Private Collection

An exquisite English solid oak dining suite comprising a refectory table, a set of eight upholstered back chairs and a sideboard, made by Brights of N...

This highly stylized set is by Ferguson Copeland The glass top sits on a base with two supports Of carved wood and is silver gilt. The chairs are A set of ten consisting of two arm ...

Indulge in the timeless elegance of this exquisite, Southwestern Style hand crafted, one of kind dining set, dating back to the 1980s. Outstanding design is exhibited throughout Craf...

This handsome dining set features six hand-sculpted clear lucite side chairs. The six chairs are rendered in thick Lucite and are inset with back and seat cushions in royal blue velv...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Very unique custom designed and fabricated post modern blonde birch dining set. (1) dining table and (6) dining chairs. Each chair is numbered (1-6) underneath. Dining table is made ...

These four chairs were made by the famous Italian company Giorgetti, the four chairs are in stained beech, with a high back, the upholstery has been redone in ivory velvet. The set w...

Ensemble Pierre Chapo, 6 chaises S28, Table T01D (+ une paire de tabouret dans le style) Cet ensemble intemporel et élégant comprend : 6 chaises modèle S28 : réalisées en orme mass...

Art Deco Revival Table in wrought Iron. Made for Jazz Furniture (Pacific Design Center). Rare complete dining set with 4 side chairs and 2 armchairs. A ...

Tessellated Marble Dining Chairs, American, circa 1970s. Outstanding color combination with the black and deep coral orange color tessellated marb...

Drexel Heritage Compatibles Dining Room Set. Item features solid wood construction, 4 chairs (2 armchairs and 2 side chairs), beveled edge ...

Ron Seff Raffia wood marquetry dining table with round form and brass mounted base. Completed with thick glass table top.

Made in Italy, circa !980"s chrome breakfast/dining set in the style of Willy Rizzo. Four Cantilevered chairs with a plinth based round table and a round glass top. The lime green ba...

The Flysit chair was designed by Peter Opsvik in 1983, with a focus on product design as a means of solving real-world problems. This chair combines both back support and dynam...

Drexel Heritage Compatibles Art Deco Style Blonde Wood Dining Room Set - 5 Pc Set. Listing includes 4 chairs (2 armchairs and 2 side chairs), beveled edge oval glass top table...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A 5 Piece Vintage Bam...