Stone Dining Room Tables

This rectangular dining table features a striking granite top, offering both durability and a sleek, modern aesthetic. The solid walnut base adds warmth and contrast, with its rich w...

Arthur’s passion and dedication to process inspire him to constantly discover new manufacturing techniques and innovative shapes that he brings to life through hand-picked materials ...

Small concrete table B by Konstantin Grcic Dimensions: D 120 x W 240 x H 74 cm Materials: Tabletop in extrusions aluminium with open ends cut at 45º. There is the option of the su...

This striking large mid-century dining table is a perfect blend of industrial design and luxurious materials, making it a standout piece for any dining space. The table features a ro...

Medium white marble "Sunday" dining table, Jean-Baptiste Souletie Dimensions: 150 W x 100 D x 74.5 H cm Materials: white Pele de Tigre marble. Different finishes and sizes are ava...

Dining table with tops in Carrara marble. Bespoke / Customizable Identical shapes with different sizes and finishings. All RAL colors available. (Mate / Half Gloss / Gloss).

Quartz Elizabeth love table handsculpted by Element & Co Dimensions: 110 Ø x 71 cm Materials: Rose quartz tabletop, rose glass feet with brass tray Elisabeth Love is totally scu...

Custom round marble top dining table with gold leafed bezel base. Elegant and stunning, this stone top table is custom made by Carrocel. ...

"Design round table "Chess" in marble" Oval table made of white Estremoz marble. One detailed pedestal bases in turned marble. Measures: H: 77 cm, D: 140 cm Time of production 1...

Small table En Forme Libre by Bicci de Medici Dimensions: 195 x 97 x H 74cm. Materials: Beton Ciré (Polished Concrete). Available in multiple colors ...

Calacata Vagli Eternel M Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 220 x D 130 x H 75 cm Materials: Ash Noir Lacquered, ...

Dining table with leathered pietra grey marble top and black petina modern steel base. Designed by Brendan Bass for the Vision and Design Collection, by ...

Flex dining table is a versatile table made of Portuguese marble, solid beech and lacquered metal fittings. A fun and trendy dinner table great for any home, restaurant or cafe. Made...

Bianco Statuarietto refined contemporary marble dining table 250/75 Dimensions: 250 x 160 x 75 cm Materials: Bianco Statuarietto marble. Angelo is the essence of a round table in na...

This oval dining table features a stylish granite top, providing a sense of sophistication and durability. Its base consists of four solid wood legs, carefully designed to offer stab...

Small green marble "Sunday" dining table - Jean-Baptiste Souletie Dimensions: 150 W x 50 D x 74.5 H cm Materials: Indian Green marble. Different finishes and sizes are available. ...

Julia marble table, royal stranger Dimensions: width 75cm, height 105 cm, depth 75 cm Inspired by the femininity and using bold and vibrant color schemes, this collection is m...

Suitable as a dining or meeting table where the contrast between the soft warm cork, meets the cold smooth marble. The distinction between the two shapes gives the impression of two worlds meeting one another. Features – Seats 5-7 people – Variations can appear due to natural materials. – Can be made to order with different table tops Design – Nicholai Wiig Hansen...

Black Oak & Golden Night Cruz Dining Table by Studio Mohs Dimensions: W 100 x D 100 x H 74 cm Materials: Marble, Black Wood Veneer. Studio Mohs is a creative design studio based in ...

A dining table made entirely of marble exudes elegance and sophistication. It features a smooth, polished surface that highlights the natural veining and unique patterns of the stone...

The Royal table is Art Deco inspired with Marquina marble top, black glossy lacquered pedestal with flutted details.     

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist round table consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast...

Dining table composed in marble and quartzite, created by Ashley Gadeova. Maragnon: When the elegance of marble and the originality of shapes and colors create a unique and precio...

Mexico’s wealth and history emanate from the pores of its volcanic stone. It is a material that transmits strength and keeps untold stories, and Peca has mastered the art of polishing and molding it into soft, inviting objects. The Lava dining table is a puzzle of hand-cut pieces that have been beautifully assembled into a single tabletop...

Grafite Refined Contemporary Marble Oval Table 210/75 Dimensions: 210 x 135 x 75 cm Materials: Grafite. Angelo is the essence of a round table in natural stone, a sculptural shape i...

Grey Saint Laurent refined contemporary marble dining table 160/75 Dimensions: 160 x 75 cm Materials: Grey Saint Laurent Angelo is the essence of a round table in natural stone,...

The Tailor Collection boasts a unique assortment of elements that draw inspiration from the world of tailoring. Expertly crafted by the talented Pibamarmi Style Office, these pieces ...

Recalled table brings a historical aesthetic to your home... Measures: Length: 86.6'' / Depth: 39.4'' / Height: 29.1'' -Travertine marble -Brass plate...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Grey Saint Laurent Refined Contemporary Marble Oval Table 210/75 Dimensions: 210 x 135 x 75 cm Materials: Grey Saint Laurent marble. Angelo is the essence of a round table in natura...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Inspired by the lithesome forms of classical sculpture and by Hans Arp’s smooth and powerful curves, the tables of the Musa series are characterised by the important plinth base with...

The dining table "Deriva" (Italian word for "Yaw") comes from the image of the icebergs floating lonely in waters. Broken shapes that make what's on and around the table the real foc...

Oak Dark Brass Calacata Vagli Supreme Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 250 x D 76 x H 100 cm Materials: Oak Dar...

Grafite Refined Contemporary Marble Dining Table 130/75 Dimensions: 130 x 75 cm Materials: Grafite Angelo is the essence of a round t...

This unique dining table uses gorgeous Brown marble top and elegant and modern stainless steel base uses the repetition of metal stripes to bring rhythm to the base. Its design is si...

Ash Noir Calacata Waves Dining Table M by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 240 x D 120 x H 75 c...

Travertino Rosso Refined Contemporary Marble Oval Table 210/75 Dimensions: 210 x 135 x 75 cm Materials: Travertino Rosso. Angelo is the essence of a round table in natural stone, a ...

Forged iron dining room table with marble top designed and produced by Pierluigi Colli in circa 1940, Italy.

Unique edge dining table by Collector. Dimensions: W 250 x D 110 x H 78 cm Materials: glass, Travertino, wood Other materials available. The Collector brand aims to be part of ...

LIMITED EDITION 30 SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY GUILTY PLEASURE COLLECTION YEAR 2024 “Unleash the Timeless Elegance: Experience the Iconic Pantheon Table...

Doris Green Serpentino Marble Oval Dining Table by Fred and Juul Dimensions: D 130 x W 220 x H 74 cm. Materials: Aluminum and Green Serpentino marble...

Travertino Rosso refined contemporary marble dining table 250/75 Dimensions: 250 x 160 x 75 cm Materials: Travertino Rosso. Angelo is the essence of a round table in natural stone, ...

Mexico’s wealth and history emanate from the pores of its volcanic stone. It is a material that transmits strength and keeps untold stories, and Peca has mastered the art of polishing and molding it into soft, inviting objects. The Lava dining table is a puzzle of hand-cut pieces that have been beautifully assembled into a single tabletop...

Marble dining table. Red marble top with white stone inlay. Double skin marble top. Carrara marble base. 1970s/1980s Italy.

Port Saint Laurent Refined Contemporary marble dining table 130/75 Angelo is the essence of a round table in natural stone, a sculptural shape in...

Our Bistro tables are crated like no others available. I pride myself on the subtle details that draw ones attention invoking touch and conversations. There is something truly unique...

White carrara marble and stainless steel big O table by Ox Denmarq Dimensions: D 120 x H 72 cm Materials: steel, white carrara marble Also available: different marble and frame op...

Rosso Lepanto Refined Contemporary Marble Dining Table 130/75 Dimensions: 130 x 75 cm Materials: Rosso Lepanto Angelo is the essence of a round table in...

Pilar round dining table by INDO- One of a kind. Dimensions: Ø122 X 76.2 cm Materials: Oxidized Maple, White Carrara marble top. Also available in other materials and finishes. Each piece is carefully handcrafted by our team using natural materials and traditional processes. Slight variations may occur. INDO- is an award winning interdisciplinary design studio based in Providence, RI. Founded in 2018 by Urvi Sharma and Manan Narang - both grew up in New Delhi and met at the Rhode Island School of Design - INDO- is a product of experiencing both places and cultures. Using a blend of craft and narrative in our creative process, we aim to share the rich cultural and historical identity we bring with us as Indian designers...

The vast volcanic stone stretches across an oval top featuring a composition of handcut, polished and mounted pieces. The black stainless steel base provides character and strength. ...

Marble-top center or dining table with tubular brass legs. Style of Raphael.

Eternel XL Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 280-300 x D 130 x H 75 cm Materials: Ash Noir Lacquered, Black Meta...

The fabric in this design transcends its traditional role as a simple covering and becomes a narrative element, engaging both light and movement. Resting on a slender metal frame sup...

The Polaris Table is a versatile piece that serves as a modular dining table, console, or standalone art piece, seamlessly blending functionality with artistic expression. This versi...

Éclat-Bisque Aluminum Frame And Sintered Stone Tabletop Dining Table by SNOC Dimensions: D 100 x W 250 x H 75 cm. Materials: Aluminium and Sintered stone. Anthony Spon-Smith, a visi...

By the Italian Designer NICO DE VITO. The original idea that gave rise to the project is the possibility of transforming marble scraps and reusing them, even if they come from vari...

Aro dining table by Atra Design Limites Edition of 5 Dimensions: D 280 x W 110 x H 73.6 cm Materials: Taj Mahal marble, brass Atra Design We are Atra, a furniture brand produced by Atra form...

LIMITED EDITION 30 SIGNED, SERIAL NUMBER AND CERTIFICATE OF AUTHENTICITY GUILTY PLEASURE COLLECTION YEAR 2024 “Unleash the Timeless Elegance: Experience the Iconic Pantheon Table...

Giorgio Collection Black Kenya Marble beveled Top Rectangular Table 90”½W x 39”½D x 30’’H , satin black nickel stainless steel base with lasered Giorgio Collection logo. Available ...