Antique Indian Pichhwai Silk Painting of Krishna and Gopis

Antique 19th Century Indian Kalighat painting of the God Krishna worshipping his divine consort Radha. Painted in Calcutta, Bengal, India by a Bengali patua, with natural mineral pigment paints on paper. Signed illegibly in pencil, lower right. Origins of Kalighat painting written by the Victoria and Albert Museum in London, England: According to legend, Lord Shiva, the god of dance and destruction, was deep in meditation on Mount Kailash when he received news of the death of his consort, Sati, an avatar (or human manifestation) of the goddess Kali. He wandered for days with her body draped across his shoulders and his inconsolable grief threatened to ruin the earth. Lord Vishnu, the Preserver, was called upon to intervene. To relieve Shiva's burden, he shattered Sati's body into 51 pieces. The little toe of Sati's right foot was said to have fallen at the site of the Hooghly River...

.Nature #2, Swedish Abstract expressionist painting by Peter Astrom, c. 1994 Gotland, Sweden. Acrylic paint and modeling paste on Arche paper, signed l...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

A superbly detailed mid-18th-century Indian miniature court painting, executed in gouache heightened with gold on handmade paper. Originating from Rajasthan circa 1760, this exquisite artwork captures a serene palace scene featuring the Hindu deity Krishna with Radha and accompanying Gopis in a lush, architectural setting. The composition is rich in symbolism, narrative depth, and emotional subtlety, hallmarks of classical Rajput painting. The figures are adorned with traditional garments, rendered in delicate pastel tones with intricate patterns and gilt accents. The architectural elements, marble pavilions, domes, carved screens, and floral gardens, are meticulously executed, offering a vivid impression of royal leisure and divine romance. Set against a tree-lined courtyard with peacocks and floral motifs, the visual rhythm is both vibrant and harmonious. The painting is professionally mounted in a deep tan linen mat and presented in an elegant gold-gilt frame with black detailing, complementing the composition's refined warmth and historic gravitas. A rare and captivating example of classical Indian court painting...