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Technique: Gilt
Fine Gothic Painting / 2nd Station Crucifixion, Jesus Takes Up His Cross
Located in Lisse, NL
Another stunning hand-painted oil on canvas work of religious art. This antique oil painting was first hand-painted on canvas and later mounted onto a zinc backplate .. a traditiona...
Category

Early 19th Century European Gothic Revival Antique Gilt Paintings

Materials

Iron, Zinc

Pair Unusual Framed Oil on Board Interior Scenes with Cats
Located in Bishop's Stortford, Hertfordshire
An unusual pair framed oil paintings on board of interior scenes with cats, one signed Edward Andrews and the other Emiliano Jnr and dated 1992. The almost square shaped paintings ar...
Category

1990s British Modern Gilt Paintings

Materials

Wood

French 19th Century Seascape Painting
Located in Baton Rouge, LA
This petite oil on board depicts a moody scene of sailboats and ships under dynamic cloud cover. Surrounded by a complementary gold gilt frame and fixed with a wire, this interesting...
Category

19th Century French Other Antique Gilt Paintings

Materials

Giltwood, Paint

Antique Indian Pichhwai Silk Painting of Krishna and Gopis
Located in New York, NY
Beautiful antique Pichhwai silk painting of Krishna and Radha accompanied by gopis, devas, the sun God Surya, plants and animals enjoying Dana L...
Category

19th Century Indian Folk Art Antique Gilt Paintings

Materials

Silk, Wood

Antique Berlin KPM Plaque 'KUNST BRINGT GUNST On Stand 19th Century
Located in London, GB
This is an absolutely stunning and finely painted KPM Berlin Plaque after Paul Thumann's (1834-1908) 'Kunst Bringt Gunst' (meaning 'Art wins heart'), sign...
Category

1880s Antique Gilt Paintings

Materials

Bronze

Lucien Carbonell Original Oil Painting, Parisian Street Scene
Located in LA CIOTAT, FR
This stunning oil painting by Lucien Carbonell captures the essence of a lively Parisian street scene, filled with charm and vibrancy. The artwork depicts an idyllic autumn day, show...
Category

Mid-20th Century French Gilt Paintings

Materials

Canvas, Giltwood, Paint

Pair of Spanish Colonial Archangel Paintings
Located in New York, NY
A pair of circa 1950's Spanish archangel paintings with giltwood frames. Measurements: Height: 58.5" Width: 40" Depth: 3".
Category

1950s Peruvian Vintage Gilt Paintings

Materials

Wood

Matteo Lovatti (Italian, 1861-1909) 19th-Century Oil on Canvas "Church V State"
Located in Los Angeles, CA
Matteo Lovatti (Italian, 1861-1909) A Fine 19th-Century Oil on Canvas Titled 'Church V. State - The Fencing Lesson'. The finely detailed artwork depicting an interior tavern scene, f...
Category

19th Century Italian Baroque Antique Gilt Paintings

Materials

Canvas, Giltwood

Antique Painting of Holy Mary & Child after Nicolo Barabino in Oak Gothic Frame
Located in Lisse, NL
Symbolic and meaningful work of religious art with original label on the back. Framed oil on wooden panel, Madonna and child, after Italian Nicolo Barabino (1833-1891). The original...
Category

1890s Italian Gothic Revival Antique Gilt Paintings

Materials

Oak, Paint, Wood

LATE 18th-EARLY 19th CENTURY PORTRAIT OF A YOUNG POET
Located in Firenze, FI
Magnificent almond-shaped portrait of a young poet, painted in oil on canvas and framed in a fine carved and gilded wooden frame. At the cente...
Category

Late 18th Century Italian Antique Gilt Paintings

Materials

Canvas, Wood, Paint

A Large imposing Edwardian still life Oil Painting in original Mahogany frame
Located in London, GB
This is a beautiful, elegant and striking still life oil painting of a Lobster with fruit on an overflowing laid table with silverware, basket or fruit, foliage an upturned crab and ...
Category

Early 1900s European Edwardian Antique Gilt Paintings

Materials

Paint, Giltwood, Mahogany, Canvas

Charles Levier Painting "Clown Avec Un Oiseau"
Located in Miami, FL
A Captivating Vision: "Clown Avec Un Oiseau" by Charles Levier. This striking oil on canvas painting, titled "Clown Avec Un Oiseau" (Clown with a Bird) in French, is a captivating...
Category

Mid-20th Century American Mid-Century Modern Gilt Paintings

Materials

Paint, Wood

18th century Portrait of Lady Oil on Canvas in Giltwood Frame
Located in Savannah, GA
English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...
Category

1790s English Rococo Antique Gilt Paintings

Materials

Canvas, Wood

Antique Oil on Canvas Painting of Cherub & Woman in Gilt Frame C1890
Located in Big Flats, NY
Antique Oil on Canvas Painting of Cherub & Woman in Gilt Frame C1890 Measures- 13.75"H x 11"W x 1.5"D
Category

Late 19th Century Antique Gilt Paintings

Materials

Canvas, Paint

Antique Pair Oil Paintings Grand Canal Venice Alfred Pollentine 19th Century
Located in London, GB
This is a beautiful antique pair of oil on canvas paintings, one showing the view of the Grand Canal in Venice and the other the view of The Dogana, by the renowned British artist Al...
Category

19th Century English Antique Gilt Paintings

Materials

Canvas

Oil on Canvas "the Prohibited Reading" After Karel Ooms
Located in Los Angeles, CA
A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...
Category

Early 20th Century Belgian Renaissance Revival Gilt Paintings

Materials

Canvas, Giltwood

Oil Painting Ladies on Zinc Panel 19th C Victorian
Located in Cheltenham, GB
Oil Painting Ladies on Zinc Panel 19th C Victorian A continental zinc metal painted panel of two well attired ladies gathering yarns of wool into small bundles in period gilt frame...
Category

19th Century French Victorian Antique Gilt Paintings

Materials

Zinc

Mid-Century French Parisian Scene Oil on Canvas Painting in Carved Gilt Frame
Located in Dallas, TX
Decorate a wall with this large and colorful oil on canvas painting. Painted in Paris circa 1970 and set in a thick carved gilt frame, the artwork beautifully captures the vibrant at...
Category

Mid-20th Century French Gilt Paintings

Materials

Giltwood, Canvas

Painting of Notre Dame Cathedral by Henri le Riche
Located in Miami, FL
A beautiful original watercolor painting depicting Notre Dame Cathedral and the Seine in Paris, France. Painted by Henri Le Riche. Hand signed on the bottom left, pencil drawing o...
Category

20th Century French Art Deco Gilt Paintings

Materials

Wood, Paint

Charles Joshua Chaplin 'French, 1825-1891' 'Girl with Bird's Nest' Oil on Canvas
By Charles Joshua Chaplin
Located in Los Angeles, CA
Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...
Category

19th Century French Rococo Revival Antique Gilt Paintings

Materials

Canvas, Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Gilt Paintings

Materials

Canvas, Giltwood

Antique Oil Painting Sheep In Landscape By D.H. Winder
Located in Norwood, NJ
Fine quality early 20th century oil on board of a Herd of sheep in a landscape pasture. Signed and dated 1916 by D.H. Winder. Daniel H Winder (1870 - c.1920) was active/lived in Uni...
Category

Early 20th Century British Gilt Paintings

Materials

Canvas, Glass, Wood, Giltwood, Paint

Antique Naive Portrait Of Two Girls, Original Primitive Oil On Canvas Painting
Located in Bristol, GB
ANTIQUE ORIGINAL OIL PAINTING Depicting two young girls, probably sisters with rosy cheeks in matching blue dresses holding flowers in an interior setting in front of a regency/Will...
Category

19th Century British Antique Gilt Paintings

Materials

Canvas, Wood, Giltwood, Paint

German 19th Century Oil on Canvas Triptych of Cherubs by Ferdinand Wagner II
Located in Los Angeles, CA
Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...
Category

Late 19th Century German Rococo Revival Antique Gilt Paintings

Materials

Canvas, Wood

Large Framed 20th Century Dutch School Winter Scene, John Haanstra, Oil on Board
Located in Morristown, NJ
John Haanstra (Dutch, b. 1940), signed and dated 1985 on lower right. A charming oil painting, showing a winter landscape. Skaters are enjoying seasonal fun on a frozen canal while others go about their daily activities. A typical Dutch windmill can be seen in the background. Typical Dutch style housing can be seen in the foreground. The sky seems to be laden with more snow, creating the sense of more winter fun...
Category

1980s Dutch Modern Vintage Gilt Paintings

Materials

Wood, Paint

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique Gilt Paintings

Materials

Canvas, Giltwood

16th Century Oil Painting of Emperor Frederic III by School of Hans Burgkmair
Located in London, GB
16th Century Oil Painting of Holy Roman Emperor Frederic III, Antique Religious Oil Painting, Antique Royal King Oil Painting, Hans Burgkmair the older. 16th Century Oil Painting on board of the Holy Roman Emperor Frederic III by circle or school of Hans Burgkmair the older (1473 - 1531). Portrait of the Holy Roman Emperor Frederic III. (1415 – 1493). Oil on wooden panel. Described top right. In later attractive European gilt frame with black & gilt inner decoration, circa 18th Century. Hans Burgkmair was a German woodcut...
Category

16th Century German Renaissance Antique Gilt Paintings

Materials

Wood, Paint

Antique Chinese Imperial Emperor Ancestral Painting on Silk
Located in Miami, FL
Imperial Majesty: 19th-Century Ming Dynasty Emperor Silk Painting This exquisite silk painting, dating back to the 19th century, depicts a majestic Ming Dynasty emperor in all his regalia. Hand-painted with meticulous detail and presented in a beautiful frame, this artwork showcases the rich tradition of Chinese silk painting. The vibrant colors and intricate brushwork capture the emperor's imperial stature and the grandeur of the Ming Dynasty. The painting's subject matter and artistic style make it a captivating addition to any collection. Dimensions: Framed measurements: 24 3/4" W x 31" H x 1 1/4" D Condition: Very good antique condition. This Antique Chinese Imperial Emperor Ancestral Painting...
Category

19th Century Chinese Ming Antique Gilt Paintings

Materials

Silk, Wood, Paint

19th Century Russian Oil on Canvas Hunt Scene
Located in Norwood, NJ
Impressive well painted 19th century Russian oil on canvas of hunt scene or chase featuring troika pulled by 6 horses in full stride. Man armed w...
Category

Late 19th Century Russian Beaux Arts Antique Gilt Paintings

Materials

Wood, Giltwood, Paint

END OF THE 18th CENTURY PORTRAIT OF COUNT LUDOVICO CAPRARA
Located in Firenze, FI
Splendid oil portrait on canvas of Count Bailiff Ludovico Caprara (1731-1812), as indicated by the writing inside the "tabula ansata," at the bottom of the frame of the painting. The...
Category

Late 18th Century Italian Antique Gilt Paintings

Materials

Canvas, Wood, Paint

18th Century French Painting on Canvas in Gilt Frame "Saint Francois en Extase"
Located in Dallas, TX
Decorate a wall with this beautiful antique painting. Set in the original carved gilt wood frame, the artwork depicts Saint Francis of Assisi in meditation in a religious ecsatasy. T...
Category

Late 18th Century Antique Gilt Paintings

Materials

Canvas, Giltwood

Antique Mini Neoclassical Grand Tour Style Oil Painting On Board of A Landscape
Located in Swedesboro, NJ
Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...
Category

Early 20th Century German Neoclassical Gilt Paintings

Materials

Wood, Paint

English 1880s Oil on Board Painting Depicting a Hunting Scene, in Antique Frame
Located in Atlanta, GA
An English oil on board painting from the late 19th century depicting a hunting scene and set in antique frame. Created in England during the last quarter of the 19th century, this o...
Category

Late 19th Century English Antique Gilt Paintings

Materials

Wood, Paint

Charles Levier Figurative Oil Painting, Bernard Buffet Style Oil Painting
Located in Miami, FL
French Figurative Oil Painting by Charles Levier. Titled "Une femme devant la mer", this masterful work of a well-known listed French artist whose work can be compared to Bernard Buf...
Category

Mid-20th Century American Mid-Century Modern Gilt Paintings

Materials

Wood, Paint

19th Century Oil on Canvas Chicken Painting in Gilt Frame Signed H. Schouten
Located in Dallas, TX
Decorate a study or a den with this antique chicken painting composition. Created in Belgium circa 1890, and set in the original thick carved giltwood frame, this large painting depi...
Category

Late 19th Century Belgian Antique Gilt Paintings

Materials

Canvas, Giltwood

Pair of Large 19th Century Hand Painted Wall Panels on Canvas in Gilt Frames
By Claude-Joseph Vernet
Located in Dallas, TX
Decorate a living room with style with this elegant pair of antique panels. Created in France circa 1830, and measuring 7 feet, the panels are set in a carved gilt frame and are hand...
Category

Early 17th Century French Louis XV Antique Gilt Paintings

Materials

Canvas, Giltwood

Antique Russian Orthodox Icon St. Helena & Constantine Marcarius True Cross 1820
Located in Portland, OR
A fine & large antique Russian Orthodox icon, circa 1820. This large antique Russian icon painted with egg tempera on wooden panel, depicts the "True Cross" to the center with Saint...
Category

1820s Russian Revival Antique Gilt Paintings

Materials

Wood, Paint

19th C. Italian Oil on Canvas Painting, 'Departure of the Guests', F. Beda
By Francesco Beda
Located in New York, NY
A Very Large and Quite Impressive 19th C. Italian Oil on Canvas Painting, 'Departure of the Guests', F. Beda. The oil painting Departure of the Guests, signed by Francesco Beda, capt...
Category

1870s Italian Rococo Antique Gilt Paintings

Materials

Canvas, Giltwood

Late 19th Century Landscape Oil Painting of Ruins in Viaduct, France
Located in Haddonfield, NJ
A peaceful French painting on canvas depicting landscape scene featuring a house or small castle in ruins, a water with a bridge nearby. The painting is contained in a simple gold le...
Category

Late 19th Century French Romantic Antique Gilt Paintings

Materials

Canvas, Wood, Giltwood, Paint

Gerard Roosens “Girl On A Beach”
Located in Baton Rouge, LA
A large scale framed painting by Belgian Artist, Gerard Roosens 1869 - 1935. Entitled “Girl on a Beach” is signed by the artist. The oil painting is on...
Category

19th Century Belgian Other Antique Gilt Paintings

Materials

Canvas, Giltwood, Paint

Selection of Colorful Modern Art or Gallery Wall
Located in Atlanta, GA
Selection of colorful modern art or gallery wall, circa 1940s-1970s. They are: Top row, left to right: 1) Color Lithograph by Sonia Delaunay, French, circa 1950s. Pencil signed at lower right. It measures 16.5" H x 13.5" W. 2) Cubist oil painting, probably American, circa 1940s. It has been framed in a vintage gilt frame. Various rubs and wear as seen in photos. It measures 22.75" H x 19" W. 3) Naïve modernist portrait painting, American, circa 1950s. Retains original gilt frame. It measures 21.5" H x 19.5" W. Bottom row, left to right: 4) Color lithograph by Jean Lurcat, French, circa 1950s. It has been professionally framed in a black lacquer gallery frame under UV resistant glass. It measures 15.5" H x 19.5" W. 5) Colorful original painting of beach scene...
Category

1950s French Art Deco Vintage Gilt Paintings

Materials

Glass, Wood

circa 1930 Japanese Silver Screens by Isoi Joshin, Flowers of the Four Seasons
Located in Kyoto, JP
Flowers of the four seasons Isoi Joshin (1883-1964) Pair of six-panel Japanese screens Ink, pigment, lacquer and silver leaf on pa...
Category

Mid-20th Century Asian Showa Gilt Paintings

Materials

Silver Leaf

19th Century French Trumeau Mirror with Painting
Located in Winter Park, FL
An early 19th century French Louis XVI style trumeau mirror with a large painting depicting Diana, the goddess of the hunt. Oil on canvas with vivid color, heavy craquelure, with som...
Category

Early 19th Century French Louis XVI Antique Gilt Paintings

Materials

Canvas, Mirror, Giltwood, Pine

Oil Painting of Montmartre, Paris 1968 – Signed Dalian
Located in LA CIOTAT, FR
This expressive oil on canvas captures the timeless charm of Montmartre, one of Paris’s most iconic and romantic neighborhoods. Signed “Dalian” and dated 1968 in the lower right corn...
Category

20th Century French Gilt Paintings

Materials

Canvas, Giltwood, Paint

Antique English Oil Painting of a White Horse in Giltwood Frame, circa 1884
Located in Atlanta, GA
This English oil on canvas painting, dated 1884, captures the quiet elegance of a white horse standing in a dimly lit stable interior. Painted with rich tonal contrasts and an eye fo...
Category

Late 19th Century English Antique Gilt Paintings

Materials

Canvas, Wood, Paint

19 C. Orientalist Oil on Canvas 'Prince and Princess in the Harem" Antonio Rivas
Located in New York, NY
An Incredible 19th Century Orientalist Oil on Canvas 'Prince and Princess in the Harem" signed by Antonio Rivas. Antonio Rivas (1845–1911) was a Spanish painter active in Rome, know...
Category

1890s Spanish Moorish Antique Gilt Paintings

Materials

Canvas, Giltwood

M.L. Monteith, Signed Modern Oil on Panel, Scene from Verdi's Opera "Othello"
Located in Bridgeport, CT
A dramatic and colorful Oil on Board in a custom Gilt wood frame. Figures on a monumental staircase. Signed lower right, labelled and dedicated on verso. In a fine gilt frame. Panel ...
Category

20th Century Grand Tour Gilt Paintings

Materials

Wood

Midcentury Framed Oil Painting "L'Ile Saint-Louis, Paris" Signed L. Delarue
Located in Dallas, TX
Keep a view of Paris in your home with this oil on canvas painting by French painter, Lucien Delarue (circa 1970). Set inside a carved gilt frame, this detailed, architectural painti...
Category

Mid-20th Century French Gilt Paintings

Materials

Canvas, Giltwood

Antique Berlin KPM Hand-Painted Porcelain Plaque Portrait Young Gypsy Woman 1880
Located in Portland, OR
A beautiful antique German hand-painted Berlin KPM porcelain plaque, circa 1880. The plaque was produced by Königliche Porzellan-Manufaktur (which was the Royal porcelain factory in ...
Category

1890s German Romantic Antique Gilt Paintings

Materials

Porcelain

Pietro Gabrini Large Oil on Canvas "Three Singing Italian Beauties on The Road"
Located in Los Angeles, CA
Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...
Category

Late 19th Century Italian Baroque Revival Antique Gilt Paintings

Materials

Canvas, Wood

After Fragonard French 19th Century Oil on Canvas Progress of Love-Lover Crowned
By (After) Jean-Honoré Fragonard
Located in Los Angeles, CA
A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...
Category

19th Century French Rococo Antique Gilt Paintings

Materials

Masonite, Gesso, Canvas, Giltwood

18th-19th Century Oil on Canvas "The Triumph of Venice" After Paolo Veronese
By Paolo Veronese
Located in Los Angeles, CA
A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...
Category

Early 1800s Italian Renaissance Antique Gilt Paintings

Materials

Wood, Gesso, Canvas

Large and Striking Antique French Oval Nature Morte Floral Oil Painting, C. 1850
Located in Dallas, TX
A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...
Category

Mid-19th Century French Antique Gilt Paintings

Materials

Textile, Canvas, Wood, Giltwood, Paint

Pair of Paris Scenes Gouache Paintings in Gilt Frames Signed Henri La Touche
Located in Dallas, TX
Painted in the manner of Leon Cortes or Eugene Galien Laloue, these gouache on canvas paintings were created in Paris, France, circa 1900. The highly detailed scenes are set inside carved gilt frames with a protecting glass on top. One of the paintings depicts "Les Grands Boulevards," the other shows "La Place de la Madeleine," both of which are well-known Paris landmarks. From the first motor cars to the Victorian costume...
Category

Early 20th Century French Gilt Paintings

Materials

Giltwood

Chinese Qing Four Panel Carved Soapstone Coromandel Screen
Located in Rio Vista, CA
Impressive Chinese late Qing dynasty four panel folding coromandel screen featuring carved soapstone. The lacquered panels are decorated with idyllic scenes of beauties in a pagoda p...
Category

20th Century Chinese Chinese Export Gilt Paintings

Materials

Soapstone, Brass

Antique German KPM Porcelain Portrait Plaque Young Woman Signed Wagner Asti 1890
By Angelo Asti, Wagner Kpm
Located in Portland, OR
A good antique German Hand-Painted KPM porcelain portrait plaque signed "Wagner" after the painting "Reflection" by the Italian artist Angelo Asti (1847-1903). Asti was born in Milan...
Category

1890s German Belle Époque Antique Gilt Paintings

Materials

Porcelain, Giltwood

Japanese Screen Painting, Circa 1700 'Tales of Ise' by Tosa Mitsusuke
By Tosa Mitsusuke 1
Located in Kyoto, JP
A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...
Category

Late 17th Century Japanese Edo Antique Gilt Paintings

Materials

Gold Leaf

Middle Eastern Horseman Print
Located in Queens, NY
Middle Eastern style gilt and red velvet framed print of Middle Eastern or North African horsemen bearing rifles.(as is) Condition: (Previously punctured, repair slighly visable)
Category

20th Century African Islamic Gilt Paintings

Materials

Velvet

Napoleone Luigi Grady (Italian, 1860-1949) Oil on Canvas "Boy with Bicorne Hat"
Located in Los Angeles, CA
Napoleone Luigi Grady (Italian, 1860-1949) A Very Fine Oil on Canvas "A Young Man Bicorne Hat". The beautifully executed artwork depicting a posing young boy in full period celebrato...
Category

Late 19th Century Italian Napoleon III Antique Gilt Paintings

Materials

Canvas, Giltwood

19th C. Oil on Panel, Portrait of a Lady with Lace Collar
Located in Bridgeport, CT
Unsigned. Ca. mid-19th c. portrait of a lovely seated lady wearing a black dress with a fine broad lace collar, a sign of her high status in socie...
Category

19th Century Victorian Antique Gilt Paintings

Materials

Canvas, Wood

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