Gilt Paintings

Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...

framed late 18th century English hunt scene, oil on canvas, two men take a rest while hunting large hares / rabbits with a pack of hounds (lower left) while another pair of hunters ...

Impressionist Landscape Countryside Oil Painting on Canvas, France Oil painting on canvas from the estate of Richard Horace Bassett (1900 - 1995). The artist studied and painted in Europe during the 1920s and 1930s, and the offering here shows the influence of the French Impressionists upon his work. This 1930's original oil on canvas, laid to board, is contained in a custom-made arts and crafts style frame...

Unsigned, from the estate of the artist. A luminous view of a church steeple with bells against a golden and rose tone sky as dawn breaks. The gray sky is gradually iightening with b...

Signed and dated 1971 lower left. A lush blooming pink rhododendron bush in a garden in Roches Point, Ontario Canada in August. Its flowers and shiny leaves are illuminated by sunlig...

Oil painting on masonite or board. Signed lower right. A charming country scene of a house in winter with a fence and bluish-white snow covered yard. Tall brown-green tress frame the...

This elegant antique painting was created in France circa 1830. Set in the original carved gilt wood frame, the hand painted canvas depicts a mother and daughter picking sea shell on...

Signed, labeled and dated August, 1973 on verso. A sunny summer day featuring the garden of the artist in golden tones with flowers planted along a fence along with two trees. A thic...

Unsigned, from the estate of the artist. A large painting of a magnolia tree blooming in the spring with its gorgeous pink and white cupped flow...

Chinoiserie gouache painting on silk of a village and figures. Silver gilt frame.

Victorian British school watercolor landscape painting on paper - featuring a country church by a lake - original glass and frame with gilded finish - unsigned - United Kingdom - lat...

An English oil on canvas hunting dog painting from the late 18th century in carved giltwood frame. Elevate your art collection with this captivating English oil on canvas painting from the late 18th century. Depicting a scene of two hunting dogs gracefully running through the rolling hills, this artwork exudes a sense of energy and movement. The overcast sky adds a touch of drama, enhancing the overall atmosphere of the painting. Presented in a carved giltwood frame, this piece showcases a horizontal format that perfectly complements the composition. The carved details of the frame further enhance the visual appeal of the artwork, adding an element of elegance and sophistication. The painting is wired in the back, making it conveniently ready to be hung in your preferred space. Whether displayed in a living room, study, or gallery, this English hunting dog...

Very detailed vibrantly painted icon on wood with gilt accents and raised braille like details throughout. The 19th century or earlier painting is set in ...

These elegant antique chromo lithographs were created in Normandy circa 1880. Set in a carved gilt frame from later addition, each artwork depicts joyful children at play; both scene...

A French pastel still-life painting from the 19th century depicting a bouquet of tulips on grey background, in gilded frame. A lovely French pastel still-life painting from the 19th ...

Signed lower right. A large fishing vessel, perhaps for tuna or other large fish, at a dock- with the equipment for repair in evidence. art 10 x 12" painted and gilt frame 19 3/4 x ...

This elegant antique painting was created in France circa 1830. Set in the original carved gilt wood frame, the hand painted canvas depicts two young beauties strolling bare foot on ...

A French oil on canvas painting from the 19th century, signed by the artist Léon Bertan, capturing a bucolic farm scene steeped in tranquility and nostalgia. The painting is envelope...

Oil on canvas: A vibrant street scene of “Paris, Montmartre”, by Marseille artist Louis Audibert (1880-1983). Depicting a typical Parisian street, lined with residential apartments ...

A French 19th century framed oil on panel painting depicting a scene of village life by the sea, under a cloudy sky. Exuding a tranquil ambiance with undertones of bustling daily lif...

Large nautical seascape oil on canvas painting by Charles Levier. Window to Corsican port featuring a bowl of fruit leading one's imagination that the artist was sitting at a table looking out the window while producing this magnificent work of art. This painting is a masterful work and is perfect for those who have an affinity for abstracts, post-impressionism, cubism, nature, and nautical works. Painted in the manner of some Bernard Buffet works of art. Professionally framed, circa 1965. Framed Measurements: 40" High x 1/2" Deep x 34 1/2" Wide This Charles Levier oil...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

This is a magnificent example of an Art Deco version of Madonna’s Immaculate Conception painted in ca 1920s Era in Vienna. Masterfully done, the painting has very dramatic bright Color scheme-typical for this period. It is definitely a great fit and a conversation piece for any kind of home, either contemporary, traditional or modern. The Painting is set in a dramatic large heavy 19th century gold gilded frame...

An oil on panel landscape painting titled "Port De Marseille", signed Georges Muller in carved frame. Introducing "Port De Marseille," a captivating oil-on-panel painting signed by t...

Set of four George Rouault landscape watercolor paintings, recently framed in 22 karat gold leaf wood frames by Lowy Framers, NYC. The paintings are French, circa 1960s. They are pri...

19th Century Flemish School Portrait of a Lady oil on cardboard painting, rectangular shape, with an overlaid oval gilt cardboard, set in a rectangular gilt frame. It depicts a middl...

American portrait oil on canvas of a young ship captain holding a spyglass with a sailing ship, crew in rowboat, and gulls in lower background mounted in the original decorative gilt...

Signed and dated 58 lower left. A textured oil on canvas illustrating a French street scene with market seller's umbrellas along a park. Shops are along the street with figures. Two ...

John Haanstra (Dutch, b. 1940), signed and dated 1985 on lower right. A charming oil painting, showing a winter landscape. Skaters are enjoying seasonal fun on a frozen canal while others go about their daily activities. A typical Dutch windmill can be seen in the background. Typical Dutch style housing can be seen in the foreground. The sky seems to be laden with more snow, creating the sense of more winter fun...

A fine pair of hand-painted porcelain plaques of floral still-life paintings with original giltwood frames. These beautiful floral still-life paintings have been hand-painted on porc...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Signed by the artist in the lower left corner (“Lecler”), this oil on canvas painting is entitled In the Sheepfold. A typical day in the life of a farmer dressed in blue with a gold hat, the agriculteur can be seen tending to a hay feeder. Behind the man is a flock of 15 sheep, mostly depicted with tan wool and white faces and ears, with the exception of a small all-white lamb. Some of the livestock is grazing from the feeders, while four of them (including the lamb) are gathered near a large water trough. A pair of chickens can be spotted amongst the herd, including a brown rooster...

Decorate a living room, library or study with this important antique painting. Created in Italy circa 1850, and set in the original carved gilt wood frame, the hand painted canvas titled "Madonna of the Harpies", depicts the Virgin Mary holding her Child, our Lord, Jesus Christ; She is flanked by Saint John the Evangelist, and either Saint Francis or Saint Bonaventure. The large religious painting...

European workshop XVII century Portrait of Lars Gathenhielm (1689-1718) Oil on canvas Unsigned Lars Gathenhielm (1689–1718), was a Swedish sea captain, commander, shipowne...

Decorate a study, living room or den with this beautiful and colorful antique painting! Painted in France circa 1890, the artwork on board is set in a carved gilt wood frame and illu...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterfall. A castle in the distance and sailboats on...

Edna Hibel: 1917-2015. Well listed important American artist. Mostly associated with Florida and Massachusetts. There is a Hibel Museum in Florida. Some called her the latter 20th century Cassatt for her favorite subject of mother and child. This beautiful piece is marked lithograph and oil. It appears to be embellished with oil on silk...

This is a beautiful and decorative antique Italian watercolour titled "Contadino Di Sabina" and dating from the mid 19th century. The th...

Contemporary Fine Art Tittle - Peacock Executed in 2021. original - only one - No Reproductions. signed by artist, dated 2021 on the reverse oil on canvas - 23.5 x 21 x 1.75 in....

Denuelle France Hand Painted Porcelain Portrait Plate Judaica Aaron the Kohen Denuelle France hand painted porcelain cabinet portrait plat...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Oil on masonite depicting a charming country landscape in summer. Signed and dated 1938 lower left. The pale green and brown colored fields of a farmstead are separated by fences wi...

"The Mules" Oil on Canvas Painting. Oil painting of a rural scene in a parcel-gilt wooden frame.

This exquisite pair of hand-painted Wedgwood porcelain plaques, painted by Thomas Allen, is a beautiful example of the Aesthetic Movement. The delicate, intricate designs and vibrant...

Original oil painting on canvas by Douglas Perez Castro, Cuban, circa 2005. Castro’s works often focus on controversial issues within the Latin Am...

Decorate a study, bedroom, or living space with this beautiful antique pastel masterpiece. Created in France circa 1880, the artwork depicts a young blonde girl seemingly gazing off ...

Bert Beirne (American 1939) Oil on Panel, "White Wine, Pomegranates, Tapestry", Signed. The painting depicts a glass of white wine with pomegranate slices ...

Alexander S. Khrenov watercolor hunting scene The watercolor painting depicts 3 predatory animals chasing an elk in a snowy forest. Artist signed "Alexander S. Khrenov" to the low...

This is a truly splendid antique and highly decorative French hand painted set in a gilded and glazed box frame, dating from the late 18th century. This wonderful fan is beautifully hand-painted with stunning figures dressed in classical costumes, gracefully dancing and playing music with a charming classical pavilion in the background. It has spectacular guards and spins. Add this highly ornate antique framed fan...

Unsigned. Ca. mid-19th c. portrait of a lovely seated lady wearing a black dress with a fine broad lace collar, a sign of her high status in socie...

Sacrificio a Minerva Monumentale Dipinto Antico con Scena Mitologica del 1600 dipinta ad olio su tela raffigurante una composizione animata da una moltitudine di personaggi. Il dipin...

A beautiful original watercolor painting depicting Notre Dame Cathedral and the Seine in Paris, France. Painted by Henri Le Riche. Hand signed on the bottom left, pencil drawing of...

Giuseppe Pitto (Italian 1857 - 1928) is often known for his paintings depicting pretty women in Italian street markets. This exuberantly painted scene i...

Pair of John Gould hand colored framed lithographs family of toucans. "Pteroglossus Inscriptus" and " Pteroglossus Hypoglaurus" Each signed in plate. Printed by Charles Hullmandell. ...

These are a set of Four “triptychs” oil paintings on canvas of the twelve apostles. Each one of the “triptychs” are rectangular shaped, divided i...

An antique pair of French paintings offer oil on celluloid genre scenes with figures in countryside setting, seated in giltwood frames, artist...

This art piece is a Florentine Renaissance period fresco of late 1500 hand painted with egg tempera representing the temptation of Adam and Eve, this pivotal moment in the history of...

Place this antique painting in a living room, bedroom, or on an office wall. Created in France circa 1880, the artwork is set in a unique octagon-shaped carved gilt frame. The piece ...