Gilt Paintings

Decorate an office or a study with this elegant antique painting on canvas. Created in Holland circa 1860 and set in the original carved gil...

A beautiful antique German hand-painted Berlin KPM porcelain plaque, circa 1880. The plaque was produced by Königliche Porzellan-Manufaktur (which was the Royal porcelain factory in ...

A Marvelous 19th Century Italian Oil on Canvas titled "The Cardinal's Present" by Arturo Ricci. This oil on canvas is truly incredible and one of Ricci's best works of art. The sce...

Decorate a dining room table or an office with this elegant antique French oil on canvas painting. Set in the original carved gilt frame, the art ...

2 portraits, late 18th century, oil on board.

A fine Franco-German 19th century oil on canvas "Portrait of a Lady" depicting an 18th century young beauty posing with a profile gaze and cur...

A 19th century oil painting of Galileo, after the antique by Justus Sustermans in 1636. In British School style, this portrait displays the renowned characters wise expression, wide...

This exquisite 19th-century French toleware tray is a remarquable piece of artistry and craftsmanship. This tray is both functional and decorative, making it a versatile addition to ...

An English oil on board painting from the late 19th century depicting a hunting scene and set in antique frame. Created in England during the last quarter of the 19th century, this o...

Decorate a man's office or study with this elegant pair of antique paintings; crafted in France and set in the original carved giltwood frame, each canvas features a nicely dressed p...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

A large French 19th century oil on canvas laid on board painting in the manner of François Boucher (French, 1703-1770). The oval framed canvas depicting a version of Boucher's "Venus...

17th C Neapolitan School Painting Oil Canvas Old Master Mola Giovanni Battista . Circa 1600’s important Painting Oil on Canvas painting of a boy with a bird, in original Hand carved...

Pair of tiger and lion Art Deco framed paintings. Oil on panel. Beautiful carved wood frames.

Vintage oil pastel drawing on colored paper - lake and mountain view in winter - unsigned - vintage gilt wood frame - unsigned - Canada - mid 20th ...

Antique Oil on Canvas Painting of Cherub & Woman in Gilt Frame C1890 Measures- 13.75"H x 11"W x 1.5"D

Oil on canvas impressionist winter landscape by Robert A. Waltsak (American b. 1944). Mr. Waltsak grew up in Newark, New Jersey and at an early age gravitated to the arts, studying at the Newark School of Fine and Industrial Art, The School of Visual Arts in New York, and later at the Ridgewood Art Institute where he remains a popular fixture. Waltsak's award-winning paintings are held in numerous private and corporate collections and have been exhibited at the Hastings on Hudson Museum and at the Ridgewood Juried Art Show. He has been represented by galleries in New Jersey, New York, and ConnecticutRobert Alan Waltsak is a New Jersey Landscape...

Berthe Pascault (XIXth-XXth) Green Fairy with Roses Berthe Pascault La Fée Verte aux Roses Hand-painted polychromed oil on porcelain Signed lower left Original gilt wood frame Circa...

Interesting 19th century Folk Art painting of a young girl holding a bible. Oil on canvas with a treed landscape and blue sky. Set in a deep carved giltwood frame with repeating bord...

An early 19th century French Louis XVI style trumeau mirror with a large painting depicting Diana, the goddess of the hunt. Oil on canvas with vivid color, heavy craquelure, with som...

Two framed panels by Yamamoto Shunkyo depicting a carp (koi) leaping from a river. Ink and gold leaf on paper. Instinctively brushed in a freehand s...

Sinister little watercolor on paper that asks the question, " Have you had your beautiful thought today?" The figure has a very gray green complexion complete with black bangs and me...

Decorate a study or a den with this antique chicken painting composition. Created in Belgium circa 1890, and set in the original thick carved giltwood frame, this large painting depi...

A romantic painting depicting two women sitting on the shore of a lake, looking at the sailboats. It is painted with oil on canvas. The painting is signed with E.L. Garrido. However,...

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in Oita in 1897 and studied under Himejima Chikugai in Osak...

Invite vibrant color into your home with this traditional pair of antique still life paintings. The paintings were crafted in France circa 1880 and are set in ornate, carved gilt fra...

An exceptional oval-shaped toleware tray from the 19th century, beautifully hand-painted with a serene riverside scene featuring animated figures in a pastoral setting. The vibrant c...

Beautiful oil painting on canvas, framed in an elegant carved and gilded wooden frame, complete with mirror. This work, belonging to the famous Florentine painter Raffaello Sorbi, bears the artist's signature at the bottom right and is dated 1863, placing it in his early youthful production. Sorbi's stylistic characteristics are clearly visible, in which the warm Macchiaioli tones blend with neo-Gothic and romantic subjects, taken from the Renaissance and the Middle Ages. In this case the painting portrays the meeting between Dante and Beatrice, set in Florence, in front of a church, probably the Badia Fiorentina, a place frequented by both Dante, Beatrice and their respective families. Against the backdrop of Renaissance Florence, you can see people entering and leaving the church, while on the sides of the main scene there are figures of the people and a little girl sitting on the steps. The central scene represents the meeting between a young Dante, wearing the characteristic red tunic...

Pair of John Gould hand colored framed lithographs family of toucans. "Pteroglossus Inscriptus" and " Pteroglossus Hypoglaurus" Each signed in plate. Printed by Charles Hullmandell. ...

An English oil on board painting by J. Langlois from the 19th century depicting a terrier chasing a mouse. This captivating 19th-century English oil on board painting by J. Langlois ...

A good antique German Hand-Painted KPM porcelain portrait plaque signed "Wagner" after the painting "Reflection" by the Italian artist Angelo Asti (1847-1903). Asti was born in Milan...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on board titled "Springtime" depicting two young maidens in the forest collecting flowers by a river...

Impressive Chinese late Qing dynasty four panel folding coromandel screen featuring carved soapstone. The lacquered panels are decorated with idyllic scenes of beauties in a pagoda p...

Set in the original carved gilt wood frame, this antique oil on canvas was crafted in Europe circa 1860. Signed in the lower right corner by Dutch artist, Frans Lebret, the charming pastoral painting captures a serene interior barn scene filled with rustic warmth and intimate detail. At the center, a group of sheep reclines peacefully on a bed of straw, joined by a rooster and a hen, all softly illuminated by daylight streaming in through an open doorway. To the left, a woman and child stand quietly near a wooden support beam, their presence suggesting a gentle guardianship over the animals. The structure of the barn its beams, rafters, and shadowed recesses are rendered with atmospheric depth, evoking a sense of shelter and tranquility. Outside the barn, a glimpse of tiled rooftops and blue sky connects the calm interior to the rural world beyond. The painting is presented in a lavishly ornate gilded frame, carved with baroque scrolls and acanthus leaves, which enhances its timeless, bucolic character. This work is a tender tribute to the harmony between humans, animals, and agrarian life. The art work is in excellent condition with great details and beautiful pastel colors; it is set in a splendid and elegant gold leaf frame with floral and leaf motifs in high relief. Artist listed in the Benezit. The canvas has been relined. Frans Lebret (1820-1909) was born in Dordrecht and was known for his Dutch landscapes mainly with sheep. Thanks to financial help from his brother Gerrit who had a sugar estate in Java, and his job as a drawing teacher, Frans was able to survive his first years as a painter. Later he became quite successful and was able to live of the sale of his landscape paintings with animals. In 1863, together with his brother Jan Hendrik...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This is an Elaine Vollherbst, lane acrylic canvas painting. It is called The Joy of Life I. It is a very large rectangular framed painting that depic...

Charles Chaplin (French, 1825-1891) Portrait de la famille Gros, placed in an ornate hand carved gilt wood frame. signed and dated 'Ch. Chaplin. 1860' (lower left) oil on canvas Dim...

Early 19th Century Children’s Portraits Oil on Canvas, A Pair Charming pair of Danish Early 19th Century paintings oil on canvas. Thes...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

Signed by the artist in the lower left corner (“Lecler”), this oil on canvas painting is entitled In the Sheepfold. A typical day in the life of a farmer dressed in blue with a gold hat, the agriculteur can be seen tending to a hay feeder. Behind the man is a flock of 15 sheep, mostly depicted with tan wool and white faces and ears, with the exception of a small all-white lamb. Some of the livestock is grazing from the feeders, while four of them (including the lamb) are gathered near a large water trough. A pair of chickens can be spotted amongst the herd, including a brown rooster...

Refined oil painting on canvas, framed in an elegant carved and gilded wooden frame. The painting features in the center the scene of the presentation of Jesus by Mary to Saint Franc...

Pair of miniature paintings with bucolic landscapes and figures in shades of blue, two Enamel plates painted with landscapes with figures within gilded frames, of European and probab...

Decorate a wall with this beautiful and colorful painting. Painted on canvas in Paris circa 1890 and set in a thick carved and gilt frame, the artwork beautifully captures the vibran...

Color Lithograph by Edna Hibel, Mother and Children This stunning color lithograph is marked as a lithograph but appears to be embellished with oil on silk...

Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...

An oil on panel landscape painting titled "Port De Marseille", signed Georges Muller in carved frame. Introducing "Port De Marseille," a captivating oil-on-panel painting signed by t...

Original 17th century painting attributed to the Circle of Sir Peter Paul Rubens as confirmed by Christies London. This beautiful work of art i...

A quality French oil on canvas painting of a pastoral scene. The painting depicts a church on a lake with vibrant and realistic colors, surrounded by a complimentary carved and gilt ...

Early 19th Century Military Oil Painting on Canvas Portrait of a Prussian Hussar Officer. Signed & dated 1817 portrait of a young...

Decorate a study or a den with this beautiful antique landscape painting. Hand painted in Belgium circa 1890, and set in the original carved giltwood frame, this large painting depic...

Decorate an office or study with this elegant pair of antique paintings. Crafted in France circa 1870, the artworks hand painted on board, are set inside the original beautiful carve...

France / 1920 / painting / wood, canvas / Rustic / Mid-century Painting of a farm scene, elegantly encased in a stunning gilded wooden frame that enhances its charm. Signed in the ...

A beautiful oil on canvas rendering of a stag hunt, presented in a fluted giltwood frame with a bundled husk border and large, parted leaves in the corners. The painting is signed in the lower right corner by the artist, “H. de Forges”, a member of the Barbizon French school of the late 1800s, who specialized in animal hunt scenes. The vibrancy of de Forges’ painting has not diminished over time; the colors seem to pop right off the canvas. A blue sky with some low-lying white clouds hangs above trees mainly bereft of leaves, indicating it is late autumn. Slender grass, ranging from green to brown, surrounds a watering hole in the middle of a clearing, with a single stag near the water’s edge. Eight white hunting dogs with black and tan markings surround the deer on one side of the pond. Behind the pack is a brown horse ridden by a huntsman dressed in red and black, preparing to sound the hunting horn. Two more riders in red, black, and white, also on brown horses, are emerging from a small hill behind the deer. Hunting, always a very important pastime in France, became one of the more popular genres in 19th century art, along with with quality pastoral and landscape paintings. Realism was a defining feature of the Barbizon School, as artists were attracted to spending more time living and painting in the natural world. Our hunt scene depicts the surrounding of prey, or pre-hunt revelry. The beautifully colored oil on canvas stag hunt painting...

Orientalist Painting Wall Art Arab Market Scene Dutch G. Huijsser Antique Frame. Very nice oil on cardboard by Gerard Huijsser, Dutch painter, depicting a gathering of people in a or...

Sharing similarities of a mid-17th-century Italian capriccio painting, this French oil painting from Provence depicts fantastical architecture set amongst the more realistic setting ...