Gilt Paintings

Original Modern Contemporary Acrylic Painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but the frame is vintage.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Old French painting...

Oil on canvas impressionist winter landscape by Robert A. Waltsak (American b. 1944). Mr. Waltsak grew up in Newark, New Jersey and at an early age gravitated to the arts, studying at the Newark School of Fine and Industrial Art, The School of Visual Arts in New York, and later at the Ridgewood Art Institute where he remains a popular fixture. Waltsak's award-winning paintings are held in numerous private and corporate collections and have been exhibited at the Hastings on Hudson Museum and at the Ridgewood Juried Art Show. He has been represented by galleries in New Jersey, New York, and ConnecticutRobert Alan Waltsak is a New Jersey Landscape...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Our owner Beatrice Tronci, passionate art collector and established interior design, wanted to propose an article with a daring but engaging temporal contrast; a French gold leaf frame of 1855 and inside a painting of Russian Constructivism...

The crucifix painted in the Renaissance style. Tempera on wood Inscription: INBI In the Eastern Church where Greek is the main liturgical language, one would find “INBI” for Ἰησοῦς ὁ...

Signed by the artist in the lower left corner (“Lecler”), this oil on canvas painting is entitled In the Sheepfold. A typical day in the life of a farmer dressed in blue with a gold hat, the agriculteur can be seen tending to a hay feeder. Behind the man is a flock of 15 sheep, mostly depicted with tan wool and white faces and ears, with the exception of a small all-white lamb. Some of the livestock is grazing from the feeders, while four of them (including the lamb) are gathered near a large water trough. A pair of chickens can be spotted amongst the herd, including a brown rooster...

Imagine the radiant serenity of a sunny day on the Côte d'Azur, captured with exceptional sensitivity by the famous artist Emile Godchaux (1860-1938) at the beginning of the 20th cen...

Oil on canvas depicting a genre painting with a young girl that has climbed atop a bench over a table to reach the basket of apples and pass them down to the awaiting reaching childr...

John Peter Kornbeck 1837-1894. "Motif" Marketplace at Lake Garda, Italy. Oil on canvas. Signed P. Kornbeck, 1886. A charming and atmospheric motif

This captivating still life oil painting depicts a bountiful bouquet of ancient rose flowers, their petals rendered in rich, captivating detail. The artist masterfully captures a se...

Antique Military Oil Painting, Antique Military Portrait Painting, Military Antique Painting, Prussian Hussar, Prussian Military Painting. Early 19th Century Military Oil Painting...

Beautiful oil painting on panel depicting Christ, made with a chalky preparation which gives brightness and depth to the figure. The work can be attributed to a Venetian painter or o...

Original Abstract Painting in Antique Oval Gilt Frame by Shannon Weir

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

A superbly detailed mid-18th-century Indian miniature court painting, executed in gouache heightened with gold on handmade paper. Originating from Rajasthan circa 1760, this exquisite artwork captures a serene palace scene featuring the Hindu deity Krishna with Radha and accompanying Gopis in a lush, architectural setting. The composition is rich in symbolism, narrative depth, and emotional subtlety, hallmarks of classical Rajput painting. The figures are adorned with traditional garments, rendered in delicate pastel tones with intricate patterns and gilt accents. The architectural elements, marble pavilions, domes, carved screens, and floral gardens, are meticulously executed, offering a vivid impression of royal leisure and divine romance. Set against a tree-lined courtyard with peacocks and floral motifs, the visual rhythm is both vibrant and harmonious. The painting is professionally mounted in a deep tan linen mat and presented in an elegant gold-gilt frame with black detailing, complementing the composition's refined warmth and historic gravitas. A rare and captivating example of classical Indian court painting...

Late 1800s Antique American Victorian Painted Portrait of a child in its Original Rosewood Frame. With a distinct hand, the painter has affectionately captured this child's delicate ...

Decorate a den, study or office with this antique cow painting. Hand painted in the Netherland and set in the original ornately carved golden fra...

A French Restauration period octagonal framed oil on canvas still-life painting from the early 19th century, depicting a bouquet of flowers. Born in France during the reign of King L...

Decorate an office or a study with this elegant pair of antique paintings on copper. Created in Holland circa 1860 and set in their original carved gilt frames, each painting depicts...

Paintings, painting on porcelain, 19th century, Napoleon III period. Paintings, 19th century, Napoleon III period, painting on porcelain, gilded stucco frame. Frame: H: 50cm, W: 75c...

A very large and magnificent antique painted porcelain plaque depicting an orientalist beauty dressed in silk, jewelry, pearls, and 24-karat raised gold and enamel, signed Vienna. Th...

18th Century Oil on Canvas Heraldic Funerary Hatchment Painting, Memento Mori Painting, Vanitas Skull Painting, Vanitas Painting. A large high quality 1...

Henry John Yeend King R.B.A, R.I., R.O.I. (British, 1855-1924) "A Victorian Lady Standing by a Sundial in the Park" Oil on panel. Signed lower right: Yeend King. "YK" Sticker en ver...

Capture the pastoral charm of 19th-century France with this serene oil on canvas painting by Charles Clair (French, 1860–1930). Known for his bucolic landscapes and tender animal sub...

American Art Deco pen and ink drawing of urban amusement park scene with a black matting and gilt square frame (L. Chupin)(Companion pieces: BRA012A, BRA012C, BRA012D, BRA012E, BRA01...

Decorate a den, study or office with this large antique cow painting. Hand painted in France circa 1860 and set in the original carved blackened ...

An Incredible and Quite Rare 19th Century KPM Porcelain Plaque after Gerrit Dou (Student of Rembrandt, Titled "The Schoolmaster" c. 1671. The porcelain plaque is incredible with the...

The picture is painted after a bust made by sculptor Jens Lund when Weie lent his studio in Amaliegade 23 up to his separate exhibition in the Art Associatio...

A pair of carved giltwood Chippendale crossed palm frames, with inset hand-painted chinoiserie portraits of 18th century oriental nobility. We a...

This is a magnificent example of an Art Deco version of Madonna’s Immaculate Conception painted in ca 1920s Era in Vienna. Masterfully done, the painting has very dramatic bright Color scheme-typical for this period. It is definitely a great fit and a conversation piece for any kind of home, either contemporary, traditional or modern. The Painting is set in a dramatic large heavy 19th century gold gilded frame...

This charming antique oil on canvas captures the timeless elegance of a floral still life, masterfully rendered by the hand of French artist B. Girodelle, whose signature appears in ...

Rococo oil painting signed Bruno Blätter around 1890 Oil on canvas painting. Rococo scene. Three gentlemen seated at the table, playing cards a...

Decorate an office or a study with this elegant and colorful set of antique wall decor. Crafted in Italy circa 1950, each stone plaque is set in a ornate and carve gilt wood frame. E...

This elegant antique painting was created in France circa 1830. Set in the original carved gilt wood frame, the hand painted canvas depicts two young beauties strolling bare foot on ...

These antique colorful watercolors were crafted in France circa 1780, set in the original giltwood frames with glass protection, each art work depicts a courting scene with a young g...

Francesco Peluso (Italian, 1836-1916) a fine Italian 19th-20th century oil on canvas "The Village Celebration" depicting a young couple of villagers dressed for Spring festivities and walking through a dirt road while playing musical instruments. The girl playing a tambourine and the boy a wooden noise maker...

Very fine and large KPM porcelain plaque of The Three Fates German, c.1908 Frame: height 90cm, width 77cm, depth 9cm Plaques: height 53cm, width 43cm, ...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Charles Meynier Oil Painting, 19th Century Oil Painting, Antique Erotic Oil Painting, The Death of Procris Painting, La Morte de Procris Pa...

Pair of English Nobel figural oil on canvas oval portraits of male posing with hunting canine companions and female sitting in garden posing with flowers and lamb. Paintings have bee...

Behold "Hilltop View," a captivating oil-on-canvas masterpiece created in 1937. This evocative painting presents a young girl standing amidst a breathtaking mountainous landscape, expertly rendered by the skilled hand of Carl Forup...

Seascape painting set in it's original gilt-wood frame., English, 20th century, oil on canvas. Dimensions: H 53 x W 61.5 x D 6.5 cm (framed dimensions)

Set of four George Rouault landscape watercolor paintings, recently framed in 22 karat gold leaf wood frames by Lowy Framers, NYC. The paintings are French, circa 1960s. They are pri...

An English oil on board painting by J. Langlois from the 19th century depicting a terrier chasing a mouse. This captivating 19th-century English oil on board painting by J. Langlois ...

Decorate a wall with this colorful antique painting. Created in France, circa 1960 and signed in the lower right corner by French artist, Andre Vignoles, the oil on canvas is framed ...

Beautiful pair of oil paintings on canvas, mounted on panel and framed in ebonized and gilded wood. The pictorial technique used favors chiaroscuro, with the representation of a vase...

Decorate a study, living room or den with this beautiful and colorful "Fausse Paire" of antique pastoral paintings (one horizontal, one verti...

An exceptionally fine and quite larege Meissen hand-painted porcelain plaque depicting four royals hunting in the woods with a hunting dog and rifles. This is the finest quality of a...

Marie Philips-Weber (German, 1845-1942) oil on canvas "Reading a Book" depicting a young maiden reading a book, within an ornate gilt and gesso frame. Signed: M. Weber Philips (l/r),...

A Weaver's Room attributed to Cornelis Gerritsz Decker (Dutch, 1620-1678) framed Dutch School oil on wood panel painting, interior scene of a happy industrious working family, the fa...

Set in the original carved giltwood frame, this black and white painting depicts Cardinal Richelieu in his office reading a note from the King. The artwork is signed in the top right corner by the artist Leon Fauret. The painting is well treated with great details including the light showing thru the stain glass window. Cardinal Armand Jean du Plessis...

This delicate still life captures a vibrant bouquet of pansies in full bloom, arranged informally in a simple glass vase. Rendered in oil on canvas, the composition celebrates the fr...

Hand painted in France circa 1880 and set in the original carved two-tone giltwood and blackened frame, the large art work depicts a table still life subject with grapes spilling out from a faience plate with a terracotta wine jug and a glass in the background. The colorful painting is in excellent condition with a variety of soft color palette inside, and signed in the bottom left corner (signature unreadable). Decorate a study or office with this elegant antique wall decor...

Original 19th-century Italian painting of children playing by Ernesto Fontana titled Tra i Due Litiganti Il Terzo Gode dated 1893, oil on canvas depicting three children playing happ...

-Madonna Lactans, Gold Background Quattrocento Our painting is on poplar wood, characteristic of Italian Quattrocento works. The gold background is stuccoed and engraved. Our Madonna Lactans is a variation on the theme of the Madonna and Child. In Christian iconography, this subject is depicted at a moment of great intimacy, as the Virgin Mary delicately takes Christ's foot. When cleaning the work, small jets of milk can be seen ... Sano di Pietro...

A late 19th century Berlin KPM painted porcelain plaque, Die Lautenspielerin, in pierced foliate giltwood frame, painting after Friedrich August von Kaulbach (German, 1850-1920). Mod...

Attributed to Charles Edward Hallé (British, 1846-1914) "Mother and Child" oil on canvas. The Victorian era artwork depicting a young mother holding her joyful infant child, within a carved gildwood and gesso frame. (Relined). Signed (l/r): C.E. Hallé, circa 1870. Charles Edward Hallé (British, 1846-1914) Born in Paris, the son of Sir Charles Hallé...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Decorate an office or study with this elegant pair of antique paintings. Crafted in France circa 1870, the artworks hand painted on board, are set inside the original beautiful carve...

Baroque capriccio with architectural ruins and figures, an early 18th century Italian painting showing an imaginary landscape with Roman ruins and figures, an early Italian oil-on-ca...