Manuel Espinosa y Carbia (Spanish, b.1840) Fine Watercolor "Seated Spanish Maja"

Donna Schuster (1893-1953) “Nude Bathers” watercolor, pencil and gouache within a giltwood carved frame and protective glass. Signed ‘Donna Schuster’ (Lower Right), circa 1920-1930. ...

Francis De Erdely (Hungarian/American, 1904-1959) “Mexican Shark Fishermen” water color and Pencil on Paper within a pine frame and protective glass, circa 1930. Signed: ‘De Erdely’...

Donna schuster (1883-1953) “Mother and Child” watercolor, pencil and gouache within a giltwood carved frame and protective glass. Signed ‘Donna Schuster’ (Lower Right), circa 1920-19...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

Landscapes, Xalapa, Mexico. Pair of oils on canvas. Spanish school, around 1840. Provenance: Conde de la Cortina collection, Jalapa, Mexico. Couple of landscapes framed within the Spanish school of the first half of the 19th century, with a clear romantic affiliation. Both evidence the knowledge of the Dutch classicist landscape, one of the main influences on the Spanish romantic landscape. Thus, we see compositions in "V", closed on the sides and open in the center, very low horizons that allow a wide development of the sky, spaces built in depth based on successive planes subtly differentiated by light and color, and small figures perfectly integrated into the natural setting. In addition, the skies are scenographic and dramatic, with low clouds behind which the golden light characteristic of the classicist landscape filters. One of the most radical aspects of romantic painting was the attempt to replace large canvases with historical or religious themes with landscapes. They wanted the pure landscape, almost figureless or totally devoid of them, to achieve the heroic significance of history painting. They were based on the idea that human feeling and nature should be complementary, one reflected in the other. In other words, the landscape should arouse emotion and transmit ideas. Thus, landscapers like the author of these canvases tried to express their feelings through the landscape, instead of imitating it. The romantic landscape had two main aspects: the dramatic one, with turbulent and fantastic views, and the naturalistic one, which emphasized images of a peaceful and serene nature. This second conception is what we see embodied in these works; the painter tries to communicate a religious reverence for the landscape, nature in its fullness. In fact, the author's own use of light here conveys a foggy, cloudy, dreamlike atmosphere that invites the viewer to meditate and contemplate himself in the landscape. The romantic landscape is constituted, however, by manifestations of very different types and not comparable to each other; it does not affect all national schools equally, staying more faithful to tradition in schools such as the French or the Dutch. Thus, in this canvas we do not find the grandiose scenery of the British and Germans, the steep mountains or the monumental Gothic ruin...

Fantastic Spanish Colonial school screen. Probably from Peru. This screen, with a kind of European landscape, give us an idea of the influence ...

Presenting a beautiful piece of American and Texan Art by the highly regarded Texas Artist, Manuel Garza. This is an oil on canvas from 1968 A very early example of Garza's work. It features 'Birds in Flight' in a rustic Texan setting. Very nice signed on the bottom left by 'Manual Garza'. Also signed on the back and marked 'A-68'. It is in its' original frame.' It is extremely well painted, has 'plenty' of detail and has real quality !! In an square Mexican (Baja) Frame. It features birds in flight (probably Quail) with pasture, trees, cactus, etc. It has a loose leaflet all about the Artist, Manual Garza attached to the rear of the frame. It also has its original price tag from the 1960's of $170.00. What makes this painting all the more interesting and important is that Garza was only 28 years old when he painted this. It is a very early painting by him and does not feature a small red bird...

Antonio Uria Monzon (1929-1996) - 'Sevilla' - Vintage gouache painting on GVA-PRO watercolor paper - Santa María de la Sede Cathedral (commonly known as Seville Cathedral) set agains...