Canvas Paintings

Pair of oils on canvas made under Follini's signature executed around 1930. The works depict a sea view with rocks in the foreground and boats near the horizon. Two works showing a s...

Beautiful Painting of a woman in black charcoal and ink on canvas by Dutch artist. The dimensions are 215 cm Long x 97 cm W, attached to wood of 110 cm long. For transport on a roll...

Ornate oil painting, abstract modern unique Oil on canvas. Abstract painting. In the white point of light a plastic spider on a dark blue background. Simple wooden frame. An absolut...

19th oil on canvas landscape by Paul Huet (1803-1869) in wood frame and golden stucco signature bottom right. Interior dimensions 61 x 44 cm external dimensi...

Detlef HAGENBÄUMER “Ideas”. Oil, acrylic, gouache and spraypaint on canvas. Mixed media composition.

1950s oil on canvas painting by Jean-Claude Dragomir of the school of Montmartre, representing the "Place Vendôme" in Paris. No frame.

Oil painting lady at the spinning wheel, 20th century Painting painted oil on canvas. Depiction of woman with spinning wheel. Quality painting. ...

Subject: Caucasian harbour town, 1864 Design: Beautiful architecturally finely designed mosque on the river with towers in the background. Characteristic work of the artist painted ...

Opera moderna - tecnica mista su tela - raffigurazione Osho - Alex Turco DESCRIZIONE L’opera di Alex Turco si ispira ad un’estetica Pop sviluppando tecn...

Oil Painting Lavina the Daughter of Tizians Mon. F. W, circa 1920 hand painting circa 1920. White frame signed F. W.  (S - 203)

We’re all in the Sam storm, but in a different boat. 100/100 cm Acrylic on canvas 2022 3960€

The black hole was fading into red before my eyes 120/120 cm Acrylic on canvas 2023 5400 €

Antique French portrait of a noble gentleman. Oil on canvas.

Amos Cassioli, painting on canvas La Rivale, Romanticism movement, 19th century. Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (fumig...

Oil on canvas depicting a gallant scene set in a landscape of ruins. The man in the painting is hanging a garland of flowers on a young shepherdess. At her feet are her three sheep, ...

Dipinto realizzato nel 1974 dall'artista e incisore italiano Luigi Senesi (Pergine Valsugana 1938 - Bologna 1978) ad acrilico su tela di cm 80x80. He trained at the Art Institute of ...

Detlef HAGENBÄUMER “Streets of London”. Acrylic and spraypaint on canvas. Mixed media.

Samaritan at the well. Oil painting on canvas, measures H111,5 cm x 94cm Early 19th century.

19th century José Mirailles Darmanin (1850-1900) Spanish school the gentleman (and his servant) takes the meal. Genre scene.

A fantastic contemporary oil painting on canvass by Josep Moncada titled: Where are you taking me? Josep Moncada (b. 1967) is a gifted and renowne...

O/5504 - Elegant pair of antique European portraits oil paintings, with a strong personality. Original frames - Signed Carl (o...

Painting entitled-beyond what you see-by artist Federico Corli. Work created in mixed media on canvas. Federico Corli is a young artist born in 2002 in Lagosanto. Despite his young...

Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754) Head of St. Peter Oil on canvas applied on cardboard, 36.5 x 34.5 cm With frame 42.5 x 41 cm The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery. The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...

Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793) Lying Female figure Oil on canvas, cm 46 x. 31 - With frame, cm 56 x 42 The present painting is connected by style and treated subject, in this case a young girl lying in an idyllic landscape, to the production of small pictures of pastoral subject of the Piedmontese painter Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793). Molinare was born in Caresana (Vercelli) on 19 July 1721 but after losing both his parents he moved to Turin. Here he became, from 1736, a pupil of the Academy of Drawing founded by the painter Claudio Francesco Beaumont (Turin, 4 July 1694 - Turin, 21 June 1766) where he remained as a pensioner until December 1755. Molinari was immediately engaged in the translation of the master’s sketches on cardboard used for the Regia manufacture of tapestries. His early success on the Turin art scene is confirmed by the fact that he joined the Compagnia di San Luca in 1756. In 1751 he married Margherita Peiroleri, whose brothers Pietro (engraver) and Nicolò (painter) also attended the school. Remained widower count two other marriages first with Lucrezia Elisabetta Burzio and then in 1770 with Domenica Maria Ferrero. On the death of the master in 1766 Molinari, considered by his contemporaries to be the most faithful interpreter of the master and for his elegant and Arcadian style, which clearly interprets the aesthetic taste of the court, was called to finish the works that remained unfinished, such as the altarpiece for the church of Santa Maria della Scala in Moncalieri depicting the Assumption venerated by Blessed Bernard of Baden and Saint Anthony. Molinari was also well praised by critics and Abbot Lanzi highlighted the quality of the production of historical and mythological subject for the rigorous post-marattesco classicism. In Turin he worked for Vittorio Amedeo III of Savoy as a portrait painter, executing for him eleven canvases (between 1774 and 1775), but, since 1745, he also supplied tapestry cartoons to the local Fabbrica, of which, in 1766, he became director. The production of paintings of sacred subjects is also lively, especially used in the decoration of the churches of the capital as the Assumption for the Hotel of Virtue and San Pietro Regalado and San Benedetto il Moro for Santa Maria degli Angeli ( Torino) He also painted tempera and oil cartoons for the same church, on the occasion of the beatification of Pacifico da San Severino (1787) and, for that of San Francesco di Paola, when Gaspare de Bono...

Maïce le Baron Rocks at Port Oil on canvas 1940 Dated and signed on front and back Size: 36 x 24 cms Frame: 48 x 35 cms Artist exhibited at the center pompidou 980 euros

"Le déjeuner" by Gabriel-Charles Deneux (French painter, 1856-1926). Oil on canvas, carved wooden frame. Dimensions with frame : lenght 83 x height 68 x depth 4 cm. Dimensions w...

Peter Robert Keil “Crazy Guy“. Acrylic on canvas. Verso titled.

"Jane Birkin sur Colombo" Oil On Canvas by Georges Collignon (Belgium - 1923)

Painting by the French painter Jules Félix Brien (1871-1945) Oil on canvas Village in the south of France Signed J.Brien and dated 1920 Some damages (see photos details).

finely painted Oil on canvas Shipping scene with beautiful landscape painting.

17th century Mystical marriage of Saint Catherine Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm The scene represents the mystical marriage between Catherine of A...

abstract painting by the Grenoblois painter Jacques de Feline in his last period. Abstract and lyrical work, Jacques' wife was a French poet who had a lot of influence on his way of ...

Oil painting by André Bouquet harbor in winter Painted oil on canvas. View of a French port city with fishing and paddle boats. André Bouquet (1897-1...

Portrait of old man with cat. Oil on canvas by Fernand Paillet (1850-1918). Giltwood framed.

Fine nature morte painting, oil on canvas, singed and dated “31”

Large oil on canvas painting titled "The Revelation" or "The Vision," dated 1989 and signed by Victor Urgadumou, citizen of the Soviet Republic of Kalmykia, in Cyrillic. Represents Z...

Oil painting on canvas. Extensive craquelure. Illustrations of a chess game in the Rococo period. Very decorative and colorfully painted. Framed painting, unsigned work (S - 227).

Very bright and breezy English oil painting of a vivid floral still life Brush work is amazingly detailed, very talented hand Comes in the wonderful gilt frame Great collectors piece...

Wilhelm Jan ELSMAN (1914-1999) Window to the Garden. Abstract composition of a dreamy scenery in the style of constructivism. Oil on canvas. Framed in a floater frame made of ash woo...

Decorative new Italian painting with fruit, and an 18th century scenery of a palace with a garden, and people. Great colors and very skillfully painted.

Portrait of a young girl leaning against a carpeted cabinet, her left hand on a casually placed bouquet of roses. She is also wearing flowers in her hair. The gaze is very present, a...

Coriolan's mother and wife beg him to spare Rome , Oil On Canvas . German School Circa 1750 This painting represents the story of Coriolan, Roman general and leader of the Patrici...

Head study with townscape Beyond’ by Jeet Chhabda. Original collage on canvas. Signed and dated to reverse by artist 1982. Additional information: H 43 cm (H 16 inches) W 53 cm ...

Modern abstract imaginery landscape Italian painting with fresh solar colors - O/ 4823 -

Adele Pinot (1848), by Guido Reni (Bologna, 1575 - 1642) Madonna Adoring the Sleeping Child Oil on canvas, 97 x 107 cm Signed lower right "Adele Pinot 1848" The canvas examined depicts the Madonna and Child, caught in a moment of great tenderness and intimacy. Wrapped in a brilliant luminosity, the little Jesus is depicted in the foreground comfortably lying on some soft drapes. The face appears peacefully asleep and is framed by blond curls; the complexion is white and the legs, just curled up and slightly bent at the knee, help to accentuate the naturalness and sweetness of the composition. Full of tenderness and maternal love, the figure of the Madonna appears, with delicate features and a head covered by a veil, which, placed at three quarters, is totally attracted to the contemplation of her little son. The high quality that can be found in the execution of the figures is also emphasized in the rendering of the soft drapery and in the careful attention to detail. The work, created in 1848 by the French artist Adele Pinot, re-elaborates the famous Madonna in adoration of the Child by Guido Reni (Bologna, 1575 - 1642) now preserved in the Doria Pamphilj...

O/5868 - Italian modern painting with the famous port of Camogli "the city of a thousand white sailing ships", near Portofino.   

Detlef HAGENBÄUMER “What else?”, oil and acrylic on canvas.

Large oil on canvas showing a bouquet of lilacs in a vase, and a bouquet of pansies in a basket. Signed upper left FURCY de LAVAULT. Thibule Marie FURCY de LAVAULT ( 1847-1915). A st...

A beautiful and interesting original antique oil painting signed by the artist A. Michaelis. This is dated from 1937, it is in the impressionist manner. It is beautifully executed...

Circle of Antonio Amorosi (Comunanza, 1660 - Rome, 1738) Portrait of young people Oil on canvas, 87 x 67 cm The painting depicting this portrait was made by an artist activ...

MARK HOUGHTON THE COMFORT OF STRANGERS, 2024 Acrylic on linen on wooden panel 62 x 42 x 5cm Series: Urban Glitter Signed & dated verso All rights, the ar...

Gorgeous large French oil painting of a colourful still life Signed N. Lules in the bottom right corner please see close up photo Good size at almost four feet across Love the style ...

Detlef Hagenbäumer “Lemon Tree”. Acrylic on canvas. Measures: 115x150cm.

17th century, Emilian school Rural landscape with gallant scenes Oil on canvas, 37 x 47.5 cm With frame 61 x 50.5 cm The bucolic amenity of the present is reflected in the joyful gallant scenes that dot its surface. The locus amoenus described reflects on the more traditional inflection of Arcadia, which in the literary transfiguration was the scenario par excellence of the most carefree pastoral life and out of this world; the painting is therefore a forerunner of what was professed by the actual poetic academy of Arcadia which was established in Rome in 1690, but enthusiastically testifies to the feverish invitations to its acceptance, then widespread in the most avant-garde cultural salons throughout Italy. First Theocritus and Virgil later had awakened with Idilli and Bucoliche that capacity typical of the natural world to allow an escape from reality; the contemplation of perfect natural fruits that followed would have evoked in the spirits of dreaming men back to origins. The bucolic landscape was able to positively give a rhythm to material life, and constituted the concretization of a place devoid of incivility and ugliness, where only dreams, wild music and homages to fruitful nature were allowed. In the present painting widespread figures of shepherd children trace the same intent to the sublimation of earthly life, gathered in pairs, while children on the model of the ancient cherubs cheer the field with flowers and petals. The games of these and the sweet affections of the other characters are rendered through liquid and vibrant brushstrokes, flickering with a white light that opposes the dark shadow of the undergrowth. In the distance, the sky tapers with a silvery and flat brushstroke, while the vertical development of the promoters with architectures helps to introject a bright beam of light into the grassy clearing. The foliage and the turf of the landscape piece are rendered through a digital brushstroke, betraying the Italian brand of the present, influenced at the same time by the seventeenth-century European influences that then conveyed to the capital. The evocative culture of the city attracted many artists from the city of Bologna, from the Italian north but also from the territories beyond the Alps, such as Claude Lorrain and Nicolas Poussin. The historical-artistic heritage of the Italian pastoral scenes was thus able to fill up with the more functional and particular formalisms of the charms coming from elsewhere, such as the expressive tremor of the present, similar to the contemporary French lexicon. The typological restitution from pastoral idyll, in accordance with the intrinsic stylistic qualities of the work, allows us to specify the solid belonging of the present to the Italian hand, similarly to what was then emerging in the pictorial sphere within the Emilian school. In this regard, we should recall the latent influences of two decisive foreign landscape painters who passed through the Emilian belt, such as Claude Lorrain (1600-1682) and Nicolas Poussin (1594-1665); before them, Giovanni Battista Viola...

Light-flooded portrait of a young woman, sitting at a kitchen table with the morning sun in the background. Oil on canvas in an impressionist style, framed in a floater frame made of...

Detlef HAGENBÄUMER “Daisy D ist nicht zu retten”. Mixed media with Oil, Acrylic and Gouache on Canvas. Dynamic composition with explosive use of colors.

A charming antique Victorian landscape oil painting. This is English, it dates from around the 1860-1880 period. It is beauti...

Painting done in oil on canvas applied to panel by Venetian painter Carlo Cherubini (Ancona 1897-1978 Venice) around the 1950s. The work in questi...