Pair of Paintings by Francesco Peluso

‘Vanity’- A fine painting of a young woman in repose admiring her reflection in a mirror, by Gustave Wertheimer (Austrian, 1847-1904). Oil on canvas in a giltwood and composition...

Pierre-Victor GALLAND (1822-1892) ‘Les Quatre Eléments’ Four, oil on canvas. France, Circa 1873. Each painting depicting one of the cardinal elements personified as a female figure in the presence of its most evident attribute. Painted with strong light and colour. Earth panel depicts one of the four elements in a compelling fashion with an ascendent female figure robed in flowing drapery with foot and arm extended reaching skyward: each with attendant putti below. Earth is shown swathed in robes of greens and white, with a fanciful foliate headdress of lush leaves and bullrushes. Air leaps effortlessly into the sky draped in blush pink and holding a slender fruiting bough. Fire ascends dramatically into the sky holding forth a flaming torch and draped in bright burnished orange and grey, her image seemingly lit from a fire kindled below by an ignipotent putto. Water suitably draped in billowing azure blue with a translucent undergarment, holds aloft a bubble representing water is portrayed with shimmering translucent wings, an attendant winged putto pulling at her hem. Under the Second Empire, Haussmann’s transformation of Paris went hand in hand with the construction of luxurious mansions for the new haute bourgeois. Gallards extensive work for wealthy patrons such as Lionel de Rothschild and Edouard André, led him to become one of Paris’s most admired and sought-after decorative artists. His fame quickly spread and led him to carry out projects outside the capital for, among others, Baron von Derwies in Nice, Prince Narischkine in Saint Petersburg and William Vanderbilt in the United States. Literature Pierre-Victor Galland, Un Tiepolo français au XIXe siècle. Published in 2006, Somogy, Piscine-musée d'art et d'industrie André Diligent, Musée départemental de l'Oise (Paris, Roubaix, Beauvais). ISBN 978-2-7572-0027-8. (in French) Materials Oil on Canvas Provenance Acquired in France with four other panels (The Four Seasons), at the end of the 19th century by Herman Ossian Armour (1837-1901), businessman, and founder of the Armour Meat Company and American humanist. He brought them back to his USA residence at Fifth Avenue, New York Bequeathed to Mary Armour...

A very fine KPM porcelain plaque of a young woman in a giltwood frame. German, circa 1890. This fine KPM plaque is superbly painted with a portrait bust of a young woman holdi...

An enamel plaque depicting Napoleon crossing the Alps, by Camille Fauré, Limoges. French, circa 1930. Signed 'FAURÉ, Limoges France. N...

‘The Bridegrooms Health, The Betrothal’. A rare and large KPM plaque after the painting by Otto Erdmann in a finely carved giltwood Frame. German, circa 1890. Signed to the lower right hand corner with the initials ‘TK’ for Thomas Koenig. The reverse with impressed ‘KPM’ mark beneath a sceptre to the lower right and the centre inscribed with the registered mark of the Munich porcelain painter Th. Koenig, in the form of an armorial crest with a putti supporting a banner inscribed ‘Munchen’, an artists palette and a shield bearing the initials ‘TK’. It is further inscribed with the size code ‘30. E’ . Thomas Koenig, was a renowned porcelain artist with a studio in Munich, active in the late nineteenth and early twentieth centuries. The original oil painting this plaque is based on is entitled ‘The Betrothal’ or ‘Bound for Life’ and was painted in 1883, by the German painter Otto Erdmann (1834-1905). Otto Wilhelm Eduard Erdmann (born Leipzig 1834 – died Duusseldorf 1905) was a German Realist painter, heavily influenced by Impressionism and famous for his fine interior scenes with figures from the eighteenth century. Works by Erdmann are displayed in the museum of Cologne, Düsseldorf, and Leipzig. Founded in Berlin in 1750 ‘KPM’ or 'Koenigliche Porzellan-Manufaktur' acquired its name and Royal patronage when the Prussian king, Frederick the Great, purchased the manufactory in 1760. Its distinguished trademark from then on became the royal blue sceptre, which is stamped (painted prior to 1837) on every piece. All painted pieces produced by KPM are signed by the painter. The complicated and exacting process of painting on porcelain became very popular in the mid to late nineteenth century...

'Erblüth' a large and very fine Berlin (KPM) Porcelain plaque, after Angelo Asti. In a giltwood and composition shadow box frame. Signed 'Weigel', impr...

Francesco Peluso (Italian, 1836-1916) a superb pair of Italian 19th-20th century oil on canvas paintings. Pair of Works: Spinning Yarn; and a Rest from Work, within a gilt wood and g...

Francesco Peluso (Italian, 1836-1916) a fine Italian 19th-20th century oil on canvas "The Village Celebration" depicting a young couple of villagers dressed for Spring festivities and walking through a dirt road while playing musical instruments. The girl playing a tambourine and the boy a wooden noise maker...

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas The very fine paintings, attributable to the painte...

Francesco Vinea portrait of a woman Portrait of Empire taste Work by painter Francesco Vinea ( Forli 1845- Florence 1902). Oil on canvas, depicting a young woman in Empire style in r...

Great Italian artist Francesco Galante wonderful oil on round canvas painting Modern art Nude of a Seated Woman signed lower left by Francesco Galante. Brass label with name and da...

Francesco Lavagna (Italy, Naples 1684-1724) Pair of paintings depicting Still Life composition of flowers and watermelon and garden in the background The paintings, beautifully mad...