Giltwood Paintings

This is a truly splendid antique oil on canvas painting featuring a period interior scene by Francesco Bergamini (1851-1900) Italian, signed and dated 1894. This beautiful oil pai...

Impressionist oil painting on board in giltwood frame by Joseph Remlinger Joseph J. Remlinger (New Jersey/Pennsylvania, 1909-1967), Towle Lace Works, 1951. Oil on Card Sketch. Signe...

Keep a view of Paris in your home with this oil on canvas painting by French painter, Lucien Delarue (circa 1970). Set inside a carved gilt frame, this detailed, architectural painti...

This captivating 19th-century portrait features Dr. Dirk de Vries Reilingh, a distinguished Dutch doctor born in 1805 in The Netherlands. His esteemed medical career and university b...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

Decorate an office or den with this antique serene maritime landscape painting. Created in Holland circa 1895, and set in the original carved giltwood frame, the large painting is attributed to Herman Willem Koekkoek...

Stunning original large oil on canvas “Venus and Adonis” large painting. Some crazing of paint present. Some repairs of paint. Repair work patches visible from back of frame as ...

American Victorian Hudson River School style oil painting scene of a house by a stream with tree in foreground in a gold frame

Painting of a casual, abstract female body in oil on newspaper by Antonio Guanse, Paris 1963 The woman's body lolls casually under the artist's brushstrokes. The abstract depiction ...

Karl Viktor Mayr (Austrian, 1882-1974) a very fine Austrian oil on canvas "An Exotic Nude Girl" depicting a young semi-nude woman, revealing her breast...

This small and exquisite 19th-century oil on cardboard titled “Reading to Mother” by Johann Georg Meyer von Bremen depicts a gentle interior scene with a young boy attentively reading to a woman, presumably his mother. They are both seated at a small table, the woman rests in a chair outfitted with a large pillow and a faraway look. The painting is nested in a statement giltwood frame, with the artist’s signature on the lower right corner. The frame is a neoclassical Louis XVI-style gilt frame with bellflower trim on the top edge, guilloche detailing on the back edge, ribbon trims, and a fluted cove. Oil paintings on cardboard gained popularity in the late 19th century, offering a convenient and affordable alternative to canvas for artists and enabling greater artistic experimentation. Many renowned artists explored this medium. Oil on paper was often prepared with a layer of primer or gesso to create a stable surface for the paint and to prevent the oils from soaking directly into the paper. Johann Georg Meyer von Bremen commonly known as Meyer von Bremen (1813-1886), was a German genre painter specializing in Biblical, peasant, and family scenes. He was a pupil of the Dusseldorf Academy where he largely painted religious and historical subjects. In 1840, after traveling in Bavaria and Switzerland, he began to develop pleasant genre scenes focused on incidents from popular life, especially among the Hessian peasantry, and the portrayal of childhood and family for which he became known. He spent the remainder of his career in Berlin, becoming a Professor at the Academy in 1863. He was also a member of the Amsterdam Academy and the Order of Leopold...

Watercolor on paper depicting a quiet town scene with two figures walking in the center flanked by a church and structures and sailboats in the distance. Presented in a lavish gilt f...

An American school oval portrait painting of a lady, mid-19th century. canvas: 20 ¼ inches wide by 24 inches tall frame: 27 ½ inches wide by 31 ½ inches tall by 1 ½ inches deep

Napoleone Luigi Grady (Italian, 1860-1949) A Very Fine Oil on Canvas "A Young Man Bicorne Hat". The beautifully executed artwork depicting a posing young boy in full period celebrato...

An exceptional 19th-century depiction of a pastoral setting by the hand of Martin Verstappen. The foreground features a mother with her two children, nestled amidst lush tall grass. ...

A nicely executed mid C19th British School oil on canvas, depicting a clipper vessel named ‘Jennie’, with other vessels and cliffs of Dover in the background, and realistic seas. Set...

Elegant impressionist style painting of a city harbor scene. The original frame with intentional distressed finish. 18 high, 24 wide, with frame...

A large painting by Italian artist Giuseppe Mazzei, depicts muse Urania with her classic attributes – globe, sun sphere, and compass in oak branches. Her d...

A lovely and most elegant Italian 19th century Giltwood and Oil on canvas painting, circa 1840. This sensational and high quality painting depicts an European landscape with a waterf...

This 19th century impressionist painting was crafted in France, circa 1890. Set in a carved giltwood frame, the artwork painted on canvas, illustrates a picturesque, countryside landscape scene with people, chickens, a village and its road in the foreground. The oil on canvas is signed on the back in the lower left corner, Eugene Galien-Laloue (see last picture). There is also a printed version of the artist name in the top left corner, printed Galien-Laloue (see second to last picture). The artwork is in excellent condition with rich, sensational colors; it would make a lovely addition to a library, den, or living room. Canvas relined. We thank Mr. Noé Willer for confirming the authenticity of this work, which appears in his archives of the artist. Eugène Galien-Laloue (1854-1941) was a French artist of French-Italian parents. He was a popularizer of landscape and street scenes, usually those illustrating autumn or winter settings. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris during la Belle Époque. His paintings regularly include horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th century art, but for the actual historical content which they document. His work can be seen at the Musée des Beaux-Arts, Louvier, Musée des Beaux-Arts, La Rochelle, Mulhouse, France. A typical Galien Laloue...

This is a magnificent example of an Art Deco version of Madonna’s Immaculate Conception painted in ca 1920s Era in Vienna. Masterfully done, the painting has very dramatic bright Color scheme-typical for this period. It is definitely a great fit and a conversation piece for any kind of home, either contemporary, traditional or modern. The Painting is set in a dramatic large heavy 19th century gold gilded frame...

JOHN MOGFORD, R.I. British, 1821-1885 "A Scottish Loch at Sunrise" Oil on canvas Signed lower right "John Mogford" Item # 109YWG10X A sweeping landscape view, this lovely scene ...

Decorate a study or a den with this beautiful antique landscape painting. Hand painted in Belgium circa 1890, and set in the original carved giltwood frame, this large painting depic...

Oil on canvas impressionist winter landscape by Robert A. Waltsak (American b. 1944). Mr. Waltsak grew up in Newark, New Jersey and at an early age gravitated to the arts, studying at the Newark School of Fine and Industrial Art, The School of Visual Arts in New York, and later at the Ridgewood Art Institute where he remains a popular fixture. Waltsak's award-winning paintings are held in numerous private and corporate collections and have been exhibited at the Hastings on Hudson Museum and at the Ridgewood Juried Art Show. He has been represented by galleries in New Jersey, New York, and ConnecticutRobert Alan Waltsak is a New Jersey Landscape...

Decorate a study, living room or den with this beautiful vintage Paris painting featuring Saint Germain des Pres. Created in France circa 1930 ...

Original oil on canvas painting by the very talented French artist Charles Henri Franzini d’Issoncourt who won an award in Paris at the Universal Exposition in 1900 for his artwork. ...

Jules Salles-Wagner (French, 1814-1898) A Large and Impressive French, 19th century oil on canvas "The Water Carrier" depicting a standing and posing young peasant girl holding twin-...

These three portraits of the Morse family including the father, Asa Porter Morse a Boston merchant and State Senator, his two daughters Mary Louisa Mor...

France, circa 1900. An antique French school painting of a noble women on likely paper or animal bone. The painting is housed inside a bronze d'ore frame and accented by purple ena...

"HEN AND CHICKS" (1867) BY ANDREA CHERUBINI (ITALIAN, 1833-1905) In oil on canvas, signed lower left "A Cherubini 1867, Roma" Item # 007NKJ21H An exqu...

American portrait oil on canvas of a young ship captain holding a spyglass with a sailing ship, crew in rowboat, and gulls in lower background mounted in the original decorative gilt...

Late 19th Century French Oil Painting of "Passage to Ruins" Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Amazing pair of baroque cornucopias, with painted glass, s. XVIII, Spanish origin, Andalusian school (Córdoba) Outstanding pair of Cornucopias in carved wood and gilwood decorated w...

An exceptional large Mid-19th century American School Victorian Folk Art portrait. The painting features a young, well-dressed mother seated in a tufted balloon-back chair with her ...

A striking pair of Italian 19th century Venetian oil on canvas paintings. Each painting is set within their original giltwood frame. The charming scenes d...

This oil on board pastoral painting of two cattle is signed and dated by the artist in the lower right corner “F.J. Dierckxsens 1858”. There is also a handwritten paper affixed to th...

For FULL item description click on More Details Below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can usually ship it for less and get it to you faster. Click on "Ask The Seller" and send us your zip code for a quote. Offering one of our recent Palm beach estate fine art acquisitions of a huge framed...

19th Century Framed Oil on Canvas of Still Life is an intriguing work, signed by the as yet unidentified artist. Representing a combination of techniques, the artist has skillfully ...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning oil painting portrait, signed to the bottom left Robert 5th Earl of Buckinghamshire 1814 and printed to the back “prepared by Roberson & Miller 51 Long Acre London” the painting is the circle of Sir William Beechey Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very attractive portrait of Robert seated at his desk in rather stately looking attire. The frame is the original gilt wood and quite an expensive piece on its own The condition is very good, it is over 200 years old so there will be touch ups and restorations that have occurred, there is no damage to note that I can see or feel Dimensions Height:- 112.5cm Width:- 92cm Depth:- 7cm This painting as mentioned is the circle of Sir William Beechey Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting. Early life Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross." Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John...

A large well-detailed musical picture clock. The oil painting on canvas depicts a village scene in Europe with manor home, mountains at sunset in...

A beautiful and very high quality English 18th century oil on canvas painting named Rosewood Castle, N. Wales by Julius Caesar Ibbetson circa 1781. The wonderfully executed painting depicts washerwomen cleaning clothes in the river near a Bridge at Rosewell Castle, North Wales. In the background is a beautiful blue sky with clouds...

Fanny Sugars (British, 1856-1933) A Charming Victorian Era Oil on Canvas Depicting a Portrait of Standing Young Girl Wearing a Bonnet, within a later giltwood frame. Signed and Dated: 'Fanny Sugars / 1881' (lower right). Museums: Lancaster City Museums Miss Dalton, possibly Alzira Eloise Dalton (1889–1983) c. 1904 by Fanny Sugars (1856–1933) Lancaster Maritime Museum Miss Dalton, possibly Alzira Eloise Dalton (1889–1983) by Fanny Sugars (1856–1933) Manchester Art Gallery My Mother by Fanny Sugars (1856–1933) Fanny Sugars (1856–1933) Is recorded in Union List of Artist Names - Getty Research Fanny Sugers (1856–1933) is recorded as having exhibited at The Royal Academy Of Art in London, 1903. Exhibition No. 1160 - Portrait of a Lady. Article from Woman, Art and Money in Late Victorian and Edwardian England - The Hustle and the Scramable: Fanny Sugars was a ‘well-known Manchester artist’ who had been the only artist out of forty-one nominees to be elected to the Manchester Academy membership in 1897. ‘Women’s Doings’, Hearth and Home, 11 March 1897, 722. 64 ‘Women’s Doings’, Hearth and Home, 29 March 1900, 883. 65 Cherry, Painting Women, 70. 66 Arthur Fish, Henrietta Rae...

An exceptionally well painted antique oil on board painting by Belgian artist Felicien Rops whom lived and was active during the 19th century. The painting is a landscape scene depi...

A large painting by Italian artist Giuseppe Mazzei, depicts muses Melpomene and Thalia with their classic attributes. Seated Melpomene holds a dagger kn...

CHARLES ADELIN MOREL DE TANGUY French, 1857-1930 Sailing at Sunset Oil on Panel housed in an almost certainly original giltwood frame Signed lower right in script "Morel de Tanguy...

An Italian mid-19th century oil on board representing a "Mother and Child". The Renaissance revival style painting in the manner of a Raphaelite Madonna and Child, of a seated young ...

Decorate an office or a study with this elegant pair of antique paintings on copper. Created in Holland circa 1860 and set in their original carved gilt frames, each painting depicts...

Vintage (20th century) oil painting of a tropical seascape featuring flowers and trees in the foreground and a couple gazing at the horizon next to a...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Beautifully painted Dutch painting with a later giltwood frame. The painting showing people, horses and a dog with a barn interior surrounding. The frame is later but about 100 years...

The work is a round framed painting made of gilded wood, with an angel above the frame cin center. The frame is all made with very elegant, curv...

Beautiful oil painting on canvas depicting flowers in a glass vase with gold highlights. Within a wooden frame and gilt pastille MEASURES: overall 76x65, work 60x50 cm

Decorate an office or study with this elegant pair of antique paintings. Crafted in France circa 1870, the artworks hand painted on board, are set inside the original beautiful carve...

Set in the original carved gilt frame and painted in France circa 1780, this antique painting depicts a typical pastoral French village in a landscape landscape, with pond, fishermen...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Large KPM porcelain plaque after Louis Gallait German, Late 19th Century Frame: height 53cm, width 48cm, depth 6cm Plaque: height 40cm, width 35cm Signed ...

A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...

Marie Philips-Weber (German, 1845-1942) oil on canvas "Reading a Book" depicting a young maiden reading a book, within an ornate gilt and gesso frame. Signed: M. Weber Philips (l/r),...