MID-18th CENTURY PAINTING MADONNA WITH CHILD

Beautiful oil painting on wooden catwood panel. The painting has an almost Leonardesque background, characterized by a temple and distant mountains that recall the Holy Land. In the ...

Refined oil painting on canvas, framed in an elegant carved and gilded wooden frame. The painting features in the center the scene of the presentation of Jesus by Mary to Saint Franc...

A delightful small painting, framed in a contemporary frame in carved and gilded wood, depicting a lively genre scene. In the background, an Italian garden opens up to reveal two you...

Elegant pair of oil paintings on wooden panels, depicting Jesus and the Madonna in their youthful physiognomy. Originally part of a larger wooden altarpiece, these two works are now ...

Splendid Italian painting from the 18th century. Oil painting on canvas depicting a wonderful Madonna with sleeping child, of remarkable pictorial quality. For the delicacy of the co...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

17th Century, Italian Oil on Panel Painting Depicting Madonna della Purità The painting, executed in oil on a circular wooden panel and presented in an imposing carved and gilded wo...

This painting comes from Polland and is over 200 years old. Oil on canvas with little restorations.: let's not forget that there were two world wars in Europe. A lovely Madonna and c...