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"Nature Most Natural" Important Painting by Radio City Music Hall Artist
About the Item
Sophisticated and playful at the same time, this important painting by Eduard Buk Ulreich returns to one of his favorite themes: a group of frolicking horses in the landscape, overflowing with high spirits. Ulreich came to fame as one of the muralists who decorated the lounges and public rooms of Radio City Music Hall. His painting of cowboys and horses in one of the men's lounges demonstrated his love of the Wild West, and he returned to this topic again and again. Ulreich created mosaics for the 1933 "Century of Progress" Exposition in Chicago, and several post office murals for the Works Progress Administration.
- Creator:Eduard Buk Ulreich (Painter)
- Dimensions:Height: 21.5 in (54.61 cm)Width: 25.25 in (64.14 cm)
- Style:Art Deco (Of the Period)
- Place of Origin:
- Period:
- Date of Manufacture:1954
- Condition:Minor staining on upper edge.
- Seller Location:Philadelphia, PA
- Reference Number:1stDibs: LU8651962650
Eduard Buk Ulreich
Painter, sculptor, muralist, designer and magazine illustrator Eduard Buk Ulreich was born in Austria-Hungary and moved to America with his family as a child. Ulreich attended the Kansas City Art Institute, where he studied under Mademoiselle F. Blumberg and later received a scholarship to continue his education at the Pennsylvania Academy of the Fine Arts. After serving in the First World War, Ulreich moved to New York and worked as a WPA artist painting murals throughout the United States. His works include murals in the Radio City Music Hall, Rockefeller Center and United States Post Offices in Columbia, Missouri; Tallahassee, Florida; Concord, North Carolina; and New Rockford, North Dakota. Ulreich additionally designed and painted murals in Chicago for the Temple Building and a marble mosaic mural for the 1933 Chicago World Fair's Century of Progress Exhibition. Ulreich was a member of the Guild of Freelance Artists. He exhibited widely and with success including at the Art Institute of Chicago (1925), the Pennsylvania Academy of Fine Art (1914-15, 1929–31, 1934, 1939), Corcoran Gallery (1928, 1930), Anderson Gallery (1923), the Whitney Museum of American Art and Gump's Gallery in San Francisco (1943).
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