19th Century Paintings

A charming and most decorative Continental mid 19th century still life oil on canvas painting in its original giltwood frame. The painting depicts a lovely finely detailed bouquet of...

A pair of Biedermeier portraits, circa 1840. Professionally restored in the 1960s. canvas: 20 ¾ by 24 ½ inches frame: 25 ½ by 29 ¼ inches Found together with the portrait of ...

English Victorian maple and ebonized framed watercolor of a bird on a branch. (Companion pieces: 053214C-I)

Discover an extraordinary French Sopraporte (above door painting) originating from a historic castle in the south of France. This hand-painted masterpiece draws inspiration from anti...

Hand painted in France circa 1880 and set in the original carved two-tone giltwood and blackened frame, the large art work depicts a table still life subject with grapes spilling out from a faience plate with a terracotta wine jug and a glass in the background. The colorful painting is in excellent condition with a variety of soft color palette inside, and signed in the bottom left corner (signature unreadable). Decorate a study or office with this elegant antique wall decor...

English Georgian print of a scene with models and sculpture of classic figures in a black and gold trim frame (titled: Analysis of Beauty-Plate I) (aft...

These painted panels are very pretty with their floral elements and soft colors. At nearly 7 feet high, they would do well next to a sideboard or in an entryway.

Charming framed and matted antique Chinese painting of birds. Painted on pith paper with gouache in bold colors in a scholastic style...

A French pastel still-life painting from the 19th century depicting a bouquet of tulips on grey background, in gilded frame. A lovely French pastel still-life painting from the 19th ...

19th Century English Painting "Fox Hunting". Beautiful scene of a hunt in action. See photos.

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. The fol...

Elegant painting portrait of a lady from the first half of the 19th century. Oil on canvas artwork depicting a female half-length figure in sumptuous Baroque attire. The lady wears s...

Watercolor in the manner of Alexei Alexeievitch Harlamoff "Russian, 1842-1915" portrait of a young girl, signed Harlamoff on the lower right, Marked A. Harlamoff on the gold matting....

Framed 19th Century English Embroidery of a Country Landscape

This small and exquisite 19th-century oil on cardboard titled “Reading to Mother” by Johann Georg Meyer von Bremen depicts a gentle interior scene with a young boy attentively reading to a woman, presumably his mother. They are both seated at a small table, the woman rests in a chair outfitted with a large pillow and a faraway look. The painting is nested in a statement giltwood frame, with the artist’s signature on the lower right corner. The frame is a neoclassical Louis XVI-style gilt frame with bellflower trim on the top edge, guilloche detailing on the back edge, ribbon trims, and a fluted cove. Oil paintings on cardboard gained popularity in the late 19th century, offering a convenient and affordable alternative to canvas for artists and enabling greater artistic experimentation. Many renowned artists explored this medium. Oil on paper was often prepared with a layer of primer or gesso to create a stable surface for the paint and to prevent the oils from soaking directly into the paper. Johann Georg Meyer von Bremen commonly known as Meyer von Bremen (1813-1886), was a German genre painter specializing in Biblical, peasant, and family scenes. He was a pupil of the Dusseldorf Academy where he largely painted religious and historical subjects. In 1840, after traveling in Bavaria and Switzerland, he began to develop pleasant genre scenes focused on incidents from popular life, especially among the Hessian peasantry, and the portrayal of childhood and family for which he became known. He spent the remainder of his career in Berlin, becoming a Professor at the Academy in 1863. He was also a member of the Amsterdam Academy and the Order of Leopold...

Decorate a den, study or office with this large antique cow painting. Hand painted in France circa 1860 and set in the original carved blackened ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Our owner Beatrice Tronci, passionate art collector and established interior design, wanted to propose an article with a daring but engaging temporal contrast; a French gold leaf frame of 1855 and inside a painting of Russian Constructivism...

A pair of European School oil on canvas paintings. The antique portraits depict a distinguished gentleman and lady and are housed in oval gilt frames.

A pair of Chinese reverse glass painting representing women and a child in a garden pavillion. Original "Chinese Chippendale" framing. China for expo...

Sinbad with the old man of the sea on his back original illustration oil painting, 19th century. A fine oil illustration from the Tales of the Ar...

Decorative pair of large scale chinoiserie decorated wall panels. Interesting Asian scenes with amazing layers of detail on these. Makes a beautiful statement!

Mid to late 19th century collection of eight Italian school figural studies of Turkish and Eastern gentleman, each in traditional dress and annotated in pencil to the bottom. Waterc...

Decorate an office or a study with this elegant pair of antique paintings on copper. Created in Holland circa 1860 and set in their original carved gilt frames, each painting depicts...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

19th Century French Guache Colored Engraving. Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Original oil on canvas nature landscape of sheep grazing among hillside heather. Signed and dated 1886 by A.P. Madsen. Canvas in very good condition for age, some scuffing of canvas...

American Victorian oval oil painting portrait of lady in black with cameo in gilt filigree carved frame.  

Late 1800s Antique American Victorian Painted Portrait of a child in its Original Rosewood Frame. With a distinct hand, the painter has affectionately captured this child's delicate ...

Antique Impasto Fruit Still Life on Board. Gorgeous hand painted wooden frame to match the coloring of this heavy impasto fruit still life or...

American Victorian oil on canvas painting portrait depicting a seated lady in white dress & hat with umbrella within a gilt frame (sgnd C.D. Wentwo...

A Qing Dynasty period hand-painted Celestial warrior on parchment with silk matting in custom frame. This Qing Dynasty period hand-painted depiction of a Celestial warrior is rich in...

With various flowers, manderin ducks and garden stone accented with gold leaf on ground surface. Nagasaki School Painting.

Antique 19th Century French Framed Oil on Canvas Painting Signed Adrien Moreau (1843-1906).

Painting by Desiree Thomassin (1858 Vienna - 1933 Munich), “Fishermen on the Beach”, oil on canvas 78x 110 cm (size without frame), 104 x 134 cm (with frame), signed lower right. ...

Presenting a magnificent 19th-century Orthodox icon depicting The Convention of Saints. This piece is painted in tempera on a wooden panel, exemplifying traditional religious artistr...

Framed watercolor signed lower left. Depicting a Roman street market in the Via Del Pianto. Matted and in a gilt wood frame. The artist born in 1845 and died 1907. One of the foundin...

A fine and large French 19th century oil on canvas "Mother and Child Crossing a Creek" by Alexandre Jacques Chantron (French 1842-1918). The impressive and finely executed artwork depicting a young joyous mother holding her child...

This captivating oil on board by Carl Schleicher, a noted 19th-century Austrian artist, exemplifies his mastery in genre painting and his ability to capture the intricacies of human ...

19th Century oil on canvas painting, depicting an atmospheric scene of three horses to foreground with a thunderstorm in the background. Dramatic tension is created by the play of light and shadow and is heightened by the bolt of lightning...

Crafted in France circa 1870, and set in the original carved giltwood frame, the art work depicts an outdoor scene with a man in front of his house with his children and his dog. The...

The beautiful and intriguing 19th century portrait of John the Baptist, oil on wood, in style of Francisco Goya, signed lower left by French painter Saint Cyr Anduze. The painting i...

Set in the original carved giltwood frame, this antique oil on canvas was painted in France, circa 1849, the art work depicts two French soldiers in hard discussion with a man carryi...

Uncover a dramatic masterpiece with this Vintage Original Figurative Oil Painting on Canvas, a captivating work of art steeped in historical allure. This extraordinary piece presents...

Invite colors to a wall with this elegant antique floral painting. Crafted in France circa 1850, and set in the original carved gilt frame, the colorful canvas depict a classic still...

Magnificent Antique oil on canvas portrait painting signed A. Robert (1817-1890). A. Robert was a Belgian Royal Academy Artist. His works are on displa...

Oil on wood panel depicting a bay scene with an inlet bay surrounded by autumnal trees and rocks, two fisherman in a boat in the center, sailboats in background, mountains in the dis...

This early 19th century Biedermeier portrait painting features a German gentleman. He is wearing a dark green frock coat and white shirt with an upstanding collar and a white silk ti...

Each with nicely carved and gilded frames. Each panel with a variety of farm birds, ducks and other fowl. Indistinctly signed.

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

Pair of beautifully painted oil portraits of a mid-Victorian English couple. Portrayed from the chest up, the lady looks directly at the painter, showing an elaborate hair style wove...

Antique 19th Century Austrian Framed Oil on Canvas Painting of a Venice Harbor Scene Signed "Joachim Van Hier 1896"

Edmund Bristow (1787-1876) was a British painter renowned for his genre scenes, animal paintings, and depictions of rural life. Born in Eton, England, Bristow spent most of his life ...

Painting of an Italian woman making yarn, playing with a cat. Late 19th or early 20th century Watercolor on paper. Signed (Girolamo) Nattino, Naples. Nicely framed and ready for hang...

Pan's conquest of Selene original oil painting, 18th-19th century Magnificent antique oil painting of the conquest of Selene by the god Pan. In ancient Greek religion and mytho...

Depicing a genre scene in the Baroque style showing a dark vs light contrast imitated throughout the 18th and 19th centuries, placed in a later Regence style frame this oil on canvas...

Pair of French Victorian (19th Cent) oil on canvas paintings of standing cavaliers in gilt frames (sgnd: C. Fembleque).  

The following is a beautiful work of Fuyo drawn by Hasegawa using a skillful brush. 　　　[Hasegawa] 　　1822-1879 Painter from the late Edo period to the Meiji period. 　　*Painter born...

Symbolizing the Sun, gold is often used in shrines and temples in Japan. Gold has been extensively recognized to represent wealth, while bamboo is said to bring good luck due to its ability to regenerate in the forest. A beautiful composition of the two together...

English Victorian gilt framed oval inset oil painting of 2 figures with cows on a vertical landscape