2010s Paintings

Decorative new Italian painting with fruit, and an 18th century scenery of a palace with a bridge, people and ducks on the river. Great colors and very skillfully painted.

Adam and Eves, 54” X 52”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from co...

"Danse Macabre," 2014 by artist Kathi Robinson Frank is from her latest series of large 72" x 56" canvases incorporating oil, acrylic, charcoa, l pastel ...

Oil on canvas; 24" x 48". North Idaho artist. Greg Parker has mastered the ability to capture the very essence of what he sees and experiences in an exceptional artistic capacity. Gr...

Voyage and Voyage II are a set of abstract paintings in acrylic by Slovakian artist, Kristina Kralikova. 4/15/2018.

Decorative new Italian painting with fruit, and an 18th century scenery of a palace with a garden, and people. Great colors and very skillfully painted.

Oil on canvas. 16" x 20. Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence o...

Oil on canvas painted in 2013. Signed "meziat" titled and dated "Renato Meziat, Orchids with Paper".

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2011. It is a great size and b...

FI Gallery original one-of-one hand created & signed art piece by Tammy Price. Premium solid wood glass encased frame in matte black with gold tone accent. Multi shades predominantly...

A nice abstract by the by the noted artist Blake Bachman. This abstract is marked on the back 2010 LA 2012 NYC. Probably started in 2010 and finished in 2012. An elegant work by a no...

North Idaho artist. Oil on canvas; 24" x 36". Fantastic wildlife painting. Cisco's featured artist. Rich colors, natural light from high mountain vistas to intimate stills Greg Par...

Oil on canvas. 30" x 48". Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence ...

Vinc In a 4CV towards Arras Acrylic on 4cv bonnet Unique piece Circa 2021 100 x 85 690 euros

Vinc Tribute to Renault sport Acrylic on the front right wing of an R5 Unique piece 2023 Signed and dated 100 x 60 cms 550 euros

Contemporary wooden sculpture-painting created by circular sawing, greige-grey-black painted on white-stuff. Signed by hand Christofer Kochs, 2012 CHRISTOFER KOCHS Biographie: 1969...

Set of six; "Barn Door" still life hanging game original oils; each depicting a brace of game birds hanging on a wood-paneled wall; 18"x24" each oil on bo...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

In this John Brevard painting, we see a strange and surreal creature that seems to inhabit a multidimensional world. The overall theme of the painting...

Ugo La Pietra, " Bosco In Citta' " Acrylic on Canvas, 2015 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Authenticity av...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...

Framed Lemon tree painting on canvas This painting measures: 55 wide x 1.5 deep x 67 inches high This painting is in good vintage condition ...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.

Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2018 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Authenticity a...

André Ferrand - Maya - 2010 Mixed media on canvas Signed, dated and titled on the back Dimensions : 100x100cm in very good condition.

Ugo La Pietra, " Giardino Delle Delizie' " Acrylic on Canvas, 2018 Signed and dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Aut...

Modern abstract, oil on canvas painting, titled “Mer inconnue I” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2014. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...

Modern abstract, oil on canvas painting; titled “Lac en Août/The Lake in August” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approx. 36" H x 40" W x 1.5” D. Gallery wrapped, finished sides; circa dated 2018. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture...

Modern abstract, oil on canvas painting; titled “Terre Inconnue 1/Unknown Land 1” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and...

Modern abstract, mixed-media painting; titled “On the Edge of Someone Else's Dream” by Maria Astadjov, a conceptual fine artist; mixed-media on Aluminum; Signed on front bottom right...

Charcoal on paper mounted on wood panel; titled: Brothers; approx. size: 30" x 56" 1.5" artist signed Pierre Fortin and dated 2020 on the back. Pierre F...

André Ferrand. Cadillac dessine "retour vers jamais" Measures: 100x50 2022 Price : 980€ for the artist.

Port of Le Havre in the rising sun Year 2021 Oil technique brush and impasto Support cotton on wooden frame: stretcher Dimensions 60x73 weight 983 g This painting represents the...

Imperial cCat - Alberto Blanchart Aerosol and acrylic paint With artist's certificate 100x70x3cm 2020 Avec certificat de l’artiste 980€

Rey Skutoo art - Alberto Blanchart Aerosol and acrylic paint 50x50x3cm 2021 With artist's certificate 590€.

Spring Vibes - Alain Carpentier Acrylique sur toile 25F - 81cm x 65cm 2022 1800 euros

Kharkiv... Devastation - Alain Carpentier 100cm x 100cm Acrylic on canvas 2022 3500 euros

Spring Circle 1 - Elodie Huré Oil on wood Diameter: 55cm February 2021 Signed on the back 1100 euros Visual artist, videographer and collag...

Spring Circle 4 - Elodie Huré Oil on wood Diameter: 66cm February 2021 Signed on the back Visual artist, videographer and collagist, also trained at the theater school, El...

Talking to rocks 2 - Elodie Huré Oil on canvas 70x70cm 2020. Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré expresses herself ...

Talking to rocks 1 - Elodie Huré Oil on canvas 60x60cm 2020 Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré expresses herself mai...

Kyrielle - Elodie Huré Oil on canvas 100x200cm 2020 Signed on the back 2640 euros Visual artist, videographer and collagist, also trained at the th...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Ugo La Pietra, "Territorialita'" acrylic on canvas, 2013 Signed and dated by artist on front and rear. Coded and archived by Ugo La Pietra archives. "Certificate of Authenticity" av...

Great painting, very decorative piece. Signed, but signature unreadable. Circa 2010.  

A witty art-object piece by Mexican artist Cisco Jiménez. It's an Sayer Lack wood inks catalogue intervened by the artist with collage and acrylic. The piece resembles a cassette cat...

Tree I, 52” x 62”, Oil on Canvas Mira Park Biography Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companies...

Painted canvas figuring two flying multicolored parrots on a gilt and brown striped background. Linen raw canvas hand painted with natural pigments and background gilt with copper...

This one of a kind painting by John Brevard was one of the earliest in his collection. After a series of black and white drawings (now mostly sold) John created only 10 paintings of ...

Signed. Nicholas Howey was born in DuBois, PA. in 1948. He studied Undergraduate Art at the University of Pittsburgh and then went on to New York University for Graduate Studies. N...

Egor Plotnikov works in the field of figurative painting and sculpture, often combining two media in one installation. He is one of the few contemporary Russian artists, whose works ...

Hans-Henrik Husemann (*1943 Celle), "Dante Zyklus II", acrylic on canvas, titled and signed on verso 150 cm x 160 cm Born in 1943, grew up in Hamburg and Berlin, studied at the ...

This very large painting expresses the universe of Henri Morez particularly well: the solitude of beings, far from each other, the emptiness with these naked bodies, with refined sha...

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

Esther Ritz, born New York City, has been working as an abstract painter and contemporary artist in Dallas for the last twenty years. She is represented at...

Fabio COLOMBO “People”. Abstract illustration of a human crowd. Spatula technique combined with acrylic paint and a glossy finish. Set of 2. Ready to hang. Measures: 82 x 41 cm.   

Composition 0967 by Matière 28°, acrylic on plexiglas Matière 28° is the pseudonym of a Paris-based artist who was born in St. Petersburg and has liv...

Painting based on rescue doggies. This is kicking off a series based on shelter pets. Completed with pen and ink. Commissions available.

Jungle is an abstract painting by Kristina Kralikova, a Slovak artist. Acrylic on canvas.