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2010s Paintings

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Period: 2010s
Abstract Oil Painting by French Artist Hortense Reynaud
Located in Los Angeles, CA
Beautiful oil painting by contemporary French artist Hortense Reynaud. Abstract design painted with oil pastels in varying colors. Thick quality paper...
Category

French 2010s Paintings

Materials

Plexiglass, Oak, Paint, Paper

"King Salmon" Original Watercolor by Grant Nixon
Located in Coeur d'Alene, ID
King Salmon in the Salcha River, Alaska by Grant Nixon Item Number: AG0096_GN Watercolor on paper; 20" x 30". Well framed and matted. Grant is North Idaho artist specializing in watercolors. Very well done, nice colors. Arrives framed. Period: Contemporary Origin: Idaho, United States Sizr: 20" x 30" Frame 30" x 40" Family Owned & Operated Cisco’s Gallery...
Category

American 2010s Paintings

Materials

Paint

Xevi Solà Oil Painting, circa 2020, Spain
Located in Girona, Spain
Xevi Solà Oil Painting. Very decorative Oil Painting called “Jereth”. Signed. 2020, Spain. Excellent Condition. Xevi Solà is a Spanish artist. His e...
Category

Spanish Modern 2010s Paintings

Materials

Paint

OTR Plate 010 French Inhale Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...
Category

American Modern 2010s Paintings

Materials

Aluminum

"Eve" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Eve, 34” X 56”, Oil on Canvas Painting MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from compani...
Category

North American 2010s Paintings

Materials

Paint

"Adam and Eves" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Adam and Eves, 54” X 52”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from co...
Category

North American 2010s Paintings

Materials

Paint

Atlas Vallard, One-Time Only Limited Facsimile Edition of the Atlas of 1547
Located in BARCELONA, ES
This is a one-time only facsimile edition limited to 987 copies of an atlas from the Renaissance, the Atlas Vallard, owned by the Huntington Library in San Marino, CA, made by combin...
Category

French Renaissance 2010s Paintings

Materials

Leather

Enrico Della Torre Black Abstract Painting with Wood Frame
Located in Barcelona, Barcelona
Painting in charcoal on linen made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Cha...
Category

Spanish Post-Modern 2010s Paintings

Materials

Linen

OTR Plate 014 Maelstrom Printed on Aluminum
Located in Brooklyn, NY
This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates...
Category

American Modern 2010s Paintings

Materials

Aluminum

Craig Allen Abstract Nude Figurative Painting Titled "Echo"
By Craig Alan
Located in Miami, FL
Craig Allen Abstract Nude Figurative Painting Titled "Echo" Offered for sale is an abstract nude figurative painting on canvas titled "Echo. The painting ...
Category

American Modern 2010s Paintings

Materials

Canvas, Acrylic, Wood

Enrico Dellatorre Black Painting
Located in Barcelona, Barcelona
Painting in charcoal on linen made by Enrico Dellatorre. The expressive vision of Enrico is an exploration of space in the painting, an attempt to bring to the limits its capacity t...
Category

Spanish Modern 2010s Paintings

Materials

Linen

"Personalities" Artwork by Mauro Oliveira
Located in Los Angeles, CA
"Personalities" artwork by Mauro Oliveira. 3.000+ paper rolls made of magazines pages and covers! One of a kind 3-dimensional pieces on which everyone is cemented for life:from Hollywood stars...
Category

American Modern 2010s Paintings

Materials

Paper

"Concept, " a Large Multi-Colored Abstract Painting by Kathi Robinson Frank
Located in New York, NY
"Concept," 2022 is a large abstract acrylic, oil featuring deep violets, yellow ochres, and metallic gold on a white ground tinged with pale blue. In addition, the artist incorporated touches of orange, forest green and maroon together with web-like ink drawn forms to achieve light and dark and depth. New York City born Kathi Robinson Frank...
Category

American Modern 2010s Paintings

Materials

Acrylic, Paint

"Tree I" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Tree I, 52” x 62”, Oil on Canvas Mira Park Biography Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companies...
Category

North American 2010s Paintings

Materials

Paint

Tintin Citroen Ami 8 on the Moon, Vinc Objective Moon
Located in Saint ouen, FR
Tintin Citroen Ami 8 on the Moon- Vinc Objective moon support : door of Citroën ami 8 Mixed technique Posca, acrylic, automotive varnish This piece can be exposed outside 20...
Category

2010s Paintings

Materials

Iron

Dioscorides of Cibo and Mattioli - One-Time Only Limited-Edition Facsimile
Located in BARCELONA, ES
This is a one-time only facsimile edition limited to 987 copies of the Dioscorides of Cibo and Mattioli made during the 16th century. We created it by combining the highest technology with the mastery of the bookbinders who have handmade its binding by hand using only 100% full grain naturally tanned leather. In this remarkable codex, the artistic genius and botanist Gherardo Cibo (1512-1600) compiled a selection of medical and botanical texts from the Discorsi by the famous physician of Siena Pietro Andrea Mattioli (1501-1577), and illustrated them with more than 160 remarkable pictures of plants and landscapes that rank amongst the most beautiful of the Renaissance. Discorsi is Mattioli’s Italian translation of Dioscorides’ De Materia Medica (1st century AD) with the addition of lengthy commentaries based on his personal experience and on popular and learned medicine. Gherardo Cibo was an avid reader and admirer of this book by Mattioli. He copied entire passages in neat script, adding his own comments, anecdotes and legends and, more importantly, illustrated them with delicate and lifelike botanical images...
Category

Italian Renaissance 2010s Paintings

Materials

Leather

"Tree II" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Tree II, 52” X 62”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from companie...
Category

North American 2010s Paintings

Materials

Paint

"Adam and Eve II" Contemporary Abstract Expressionist Oil Painting
Located in Haverhill, MA
Adam and Eve II, 50” X 48”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from ...
Category

North American 2010s Paintings

Materials

Paint

Contemporary Modern Abstract Acrylic Painting on Wood Framed White Black Red
Located in Berlin, DE
This painting has heavily textured acrylics in multicolored on wood. The artist created the piece using multiple techniques like palet knife, brush and pencil. The series is call...
Category

German Modern 2010s Paintings

Materials

Acrylic, Wood, Plywood

Mixed Media Painting by Steven Colucci- Two Men
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category

2010s Paintings

Materials

Acrylic

Mixed Media Painting by Steven Colucci
By Jackson Pollock
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category

2010s Paintings

Materials

Acrylic

Mixed Media Painting by Steven Colucci, Sea Series
By Jackson Pollock
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category

2010s Paintings

Materials

Acrylic

Marilyn Monroe Pin Up Painting inspired by Tom Kelley's Playboy Photo
By Angelika
Located in BUSSUM, NH
Beautiful painting by Dutch / Bulgarian Painter Angelika Bes. The painting in Pin Up style is based on the famous 'Red velvet series' made by photographer Tom Kelley in 1949 when Mar...
Category

Modern 2010s Paintings

Materials

Canvas, Paint

Abstract Painting on Canvas by Ben Hanisch, 2022
Located in Chicago, IL
Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...
Category

2010s Paintings

Materials

Canvas, Acrylic

Mixed Media Painting by Steven Colucci
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category

2010s Paintings

Materials

Acrylic

My eyes on you -Mixed Media Painting by Steven Colucci
By Jackson Pollock
Located in New York City, NY
Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...
Category

2010s Paintings

Materials

Acrylic

Adrian Contemporary Abstract Painting on Wood, 2017
Located in Barcelona, Barcelona
Contemporary abstract painting by Adrian. Untitled. Mixed-media on wood. We offer free worldwide shipping for this piece. Hand signed and dated on the back.
Category

Spanish Mid-Century Modern 2010s Paintings

Materials

Wood

Mixed Media Painting by Steven Colucci- My eyes on you
By Andrzej Galek
Located in New York City, NY
Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...
Category

2010s Paintings

Materials

Acrylic

Still Life in Wire Basket, Basket Filled with Sea Shells & Architectural Tools
Located in Chicago, IL
A silver wired basket holds several large seashells as well as various architectural tools. The varied textures, shapes and colors of the objects ar...
Category

American Modern 2010s Paintings

Materials

Paint

21st Century Abstract Painting ”Lusso”
Located in Los Angeles, CA
About the artist: Dor Saraf is an international abstract artist known for the unconventional style and technique that he has developed. He is known for combining special materials with touches of metallic colors, and mixed textures. Saraf is an autodidact artist with a B.A degree in social sciences and special-needs education. His artworks are inspired and motivated by optimistic energies, positive natural colors, and the artist's emotional connection to the human soul. As an artist, he is committed to creating powerful paintings that bring style, optimism, and character to any space. -Size: 200/80 180/65 150/50 -condition: new, excellent quality. -Style: modern, abstract, Design - texture original artwork Hand-Painted acrylic Paintings of the Artist. -Each piece comes signed by the artist. -Framed in an internal wooden frame, ready to hang Choice: Hanging horizontally / hanging vertically.
Category

Modern 2010s Paintings

Materials

Gold Leaf

Still Life with Italian Bowl, Life Mask, Peach and iPod, Original Oil Painting
Located in Chicago, IL
This still life painting on panel captures a variety of objects. Among the objects depicted are a beautiful venetian glass bowl, a cup of Italian gelato, a ripe peach, a white life mask and an obsolete iPod all placed upon a table. These masterfully painted objects create a tableau of our times. This artwork is framed in a simple antiqued silver wooden frame measuring 8.75 H x 14.75 W inches. Andrew S. Conklin Still life with Italian bowl, life mask, peach and iPod Oil on panel Measures: 7.50 H x 13.50 W in 19.05 H x 34.29 W cm ACK036 Andrew S. Conklin Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...
Category

American Mid-Century Modern 2010s Paintings

Materials

Paint

Brussels Tapestry Wallpaper Mural
Located in Staunton, VA
Brussels Tapestry is a mural of three separate panels hand painted on a silk blue background. Each panel consists of a collage of vignettes with figures, animals, boats, and towers....
Category

American Chinoiserie 2010s Paintings

Materials

Silk, Paper

Ethereal Journey
Located in Coral Gables, FL
In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...
Category

Spanish 2010s Paintings

Materials

Canvas, Acrylic

"Fantastical Realms: a Nondual Landscape"
Located in Coral Gables, FL
"Fantastical Realms: A Nondual Landscape" is a breathtaking painting that captures the wonder and magic of a world beyond the boundaries of reality. The scene is bathed in a soft, et...
Category

Spanish Space Age 2010s Paintings

Materials

Canvas, Acrylic

The Unseen Dimensions of Consciousness
Located in Coral Gables, FL
In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...
Category

Spanish Space Age 2010s Paintings

Materials

Canvas, Acrylic

The Multidimensional Mind
Located in Coral Gables, FL
In this painting by John Brevard, the theme of the work is nonduality, illustrating the concept that all things are interconnected and inseparable. At the center of the painting, th...
Category

Spanish Space Age 2010s Paintings

Materials

Canvas, Acrylic

We are Made of the Same Matter As Dream Digital Painting
Located in Milan, IT
A woman with a flower headdress is immersed in a dreamy atmosphere. The swamp, gray and ashen, is now behind her and she smiles as she caresses dreams of pink flamingos. This limited...
Category

Italian 2010s Paintings

Materials

Canvas, Cotton, Wood

Surreal
Located in Coral Gables, FL
In this John Brevard painting, we see a strange and surreal creature that seems to inhabit a multidimensional world. The overall theme of the painting...
Category

Spanish Space Age 2010s Paintings

Materials

Canvas, Acrylic

Set of Two Bvlgari Brand Book Catalogue Jewellery and Watches 2013
Located in North Hollywood, CA
Set of two Bvlgari catalogues, jewelry and watches. Collection of 2013. Hardcover black cloth catalogues of one of the most famous Luxury Jewellery maker in the world. Sotirio Bulgar...
Category

Italian Expressionist 2010s Paintings

Materials

Paper

Cosmic Explorer
Located in Coral Gables, FL
In this painting, the viewer is transported to a world beyond the boundaries of the material world. At the center of the painting, we see a female ethereal character, with a transluc...
Category

Spanish Space Age 2010s Paintings

Materials

Cane, Acrylic

Original Modern Contemporary Pink and White Painting in Antique Gilt Frame
Located in Houston, TX
Original Modern Contemporary Acrylic Painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but ...
Category

American Modern 2010s Paintings

Materials

Wood, Giltwood, Paint

"Variation" Abstract Painting by Pascal & Annie Leniau, French Artists
Located in Paris, FR
Variation (1380-18) - One of a Kind. Abstract painting created in 2018 by French contemporary artists Pascal & Annie LENIAU. Colorful composition and abstract matter. Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back. --- Pascal & Annie LENIAU Since their meeting in 1978, Pascal and Annie...
Category

French 2010s Paintings

Materials

Wood, Paint, Paper

Original Acrylic Abstract Painting by Rick Orr
Located in Palm Springs, CA
Original acrylic on board abstract paint by American listed artist Rick Orr. Framed in a gilded wood frame. Measurements: 54” Wide, 30” High, 2” Deep.
Category

American Modern 2010s Paintings

Materials

Gold Leaf

Oil on Canvas Painting by Virginie Gaillet
Located in Bois-Colombes, FR
Very nice painting showing an old African woman by Virginie Gaillet.
Category

French 2010s Paintings

Materials

Acrylic

Original Painting by Listed Cuban Artist, Ahmed Gomez, "Relics"
Located in East Hampton, NY
This wonderful early painting in acrylic on canvas by Listed and famed Cuban artist, Ahmed Gomez from 2015. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MI...
Category

American Modern 2010s Paintings

Materials

Acrylic, Wood

"Variation (1119-12)" Abstract Painting by Pascal & Annie LENIAU, French Artists
Located in Paris, FR
Variation (1119-12) - One of a Kind. Abstract painting created in 2012 by French contemporary artists Pascal & Annie LENIAU. Colorful composition and abstract matter. Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back. --- Pascal & Annie LENIAU Since their meeting in 1978, Pascal and Annie...
Category

French 2010s Paintings

Materials

Paint, Paper, Wood

21st Century Black and White Watercolor Zebra Portrait, Chinese Author, Signed
Located in Valladolid, ES
Awesome Chinese watercolor, Zebra portrait, signed. A delightful Animal portrait to place as a singular artistic detail in anywhere even in a bathroom.
Category

French Modern 2010s Paintings

Materials

Paper

Annick BIAUDET, Rhinoceros, Original painting
Located in Encino, CA
Annick Biaudet, One of the Best 21st Century Wildlife Artists! Morateur Gallery is proud to exclusively represent this talented Artist throughout her...
Category

2010s Paintings

Materials

Paint

Contemporary Mixed Media by Hymn of Silence 'Layers of Earth"
Located in Vosselaar, BE
Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...
Category

Belgian 2010s Paintings

Materials

Paint, Ceramic, Hemp

2010's Figural Painting Showing an Antiques Bust
Located in Bois-Colombes, FR
Great painting, very decorative piece. Signed, but signature unreadable. Circa 2010.  
Category

French 2010s Paintings

Materials

Acrylic

"Variation" Abstract Painting by Pascal & Annie Leniau, French Artists
Located in Paris, FR
Variation (2170-19) - One of a Kind. Abstract painting created in 2019 by French contemporary artists Pascal & Annie LENIAU. Colorful composition and abstract matter. Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back. --- Pascal & Annie LENIAU Since their meeting in 1978, Pascal and Annie...
Category

French 2010s Paintings

Materials

Wood, Paint, Paper

Banana Palms Silver Metal Leaf Chinoiserie Wallpaper
Located in Staunton, VA
This set of 5 panels is the Banana Palms design hand painted on silver metal leaf paper. Each panel measures 36" wide by 120" tall. Total mural is 15' wide...
Category

American Chinoiserie 2010s Paintings

Materials

Silk

"Opening, " Large Abstract Mixed-Media Painting on Canvas by Kathi Robinson Frank
Located in New York, NY
"Opening," 2015 by artist Kathi Robinson Frank, from her latest series of large 72" x 56" canvases incorporates oil, acrylic, charcoal pastel and ...
Category

American Modern 2010s Paintings

Materials

Acrylic

Adrian Contemporary Abstract Black Mix-Media Large Painting
Located in Barcelona, Barcelona
Contemporary abstract painting by Adrian. Untitled. Mixed-media on wood. Handsigned and dated on the back. Dimensions: 120 x 180 cm.
Category

Spanish Modern 2010s Paintings

Materials

Wood

Contemporary Oil on Canvas from the Swedish West Coast
Located in Los Angeles, CA
Karin Elmlund, born in 1974, is from the tiny island of Tjörn on the west coast outside Gothenburg, Sweden. Tjörn has a rich arts and crafts culture; this, combined with being on an ...
Category

European 2010s Paintings

Materials

Canvas

Sail and Nike, Still Life with Toy Boat and Winged Victory, Silver Leaf and Oil
Located in Chicago, IL
Gorgeous hand applied silver leaf warms the background of this still life. A toy boat and a replica of Nike - the Winged Victory Sculpture in ...
Category

American Modern 2010s Paintings

Materials

Silver Leaf

Wall Decor Handcrafted Painting on Wood Panel by Arijian Chrysanthemum 03
Located in Namyangju-si, KR
Wall Decor handcrafted mother of pearl Chrysanthemum painting on wood panel by Arijian.
Category

South Korean 2010s Paintings

Materials

Wood

Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2018
Located in Milan, IT
Ugo La Pietra, " Genius Loci' " Acrylic on Canvas, 2018 Signed and Dated by Artist on front and rear. Coded and Archived by Ugo La Pietra Archives. Certificate of Authenticity a...
Category

Italian Post-Modern 2010s Paintings

Materials

Canvas

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