Early 20th Century Paintings

Nakamura Daizaburo Turtledoves in a Peach Tree Taisho period, circa 1920 Framed painting. Mineral pigments, ink and gofun on silk Signed: Daizaburo Dimensions (framed)...

This fantastic view of a great battle waged by a phalanx of nude male soldiers -- probably a scene from Sweden or France -- was painted by Nils Wedel, an important Swedish painter st...

This remarkable collection features nine original early 20th-century French watercolor paintings, each meticulously depicting an exotic bird species. Rendered with extraordinary prec...

Painted in the manner of Leon Cortes or Eugene Galien Laloue, these gouache on canvas paintings were created in Paris, France, circa 1900. The highly detailed scenes are set inside carved gilt frames with a protecting glass on top. One of the paintings depicts "Les Grands Boulevards," the other shows "La Place de la Madeleine," both of which are well-known Paris landmarks. From the first motor cars to the Victorian costume...

This continental large size turn of the century (19th-20th) oil painting on canvas is set in an antique giltwood frame. The scene is placed in w...

Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...

Antique framed impressionist oil painting on board. Lovely artist signed antique framed impressionist oil painting on board. This beauty d...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

Portrait of 'A Fisherman with his Pipe' in oil on canvas, within a finely moulded giltwood frame. The painting is signed on the lower left hand side – possibly by an artist named Ple...

Gennaro Villani (1885-1948) Amalfi Coast, oil on canvas in painted and gilt frame, signed lower left. Italy, circa 1920. Dimensions: 27" W x 23" H x 1.25" D; sight 24.5" W x 21" H.

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

Impressive oil on canvas from the early 20th century, depicting a refined Chinese porcelain vase overflowing with an abundant and elegant bouquet of flowers. The composition is rich ...

Still life of flowers signed J van Neesen encased in gilt frame. Dimensions Height 26 Inches Width 22 Inches Depth 2 Inches

Presenting an intriguing oil on canvas, a copy of El Greco's famous work "The Nobleman with His Hand on His Chest." This artwork is signed by the artist and dated 1924, and it is in ...

An evocative oil on canvas in the Art Deco style depicting a view from a window, signed and dated 1929 in the lower center of the picture. Claes-Thobois was born in 1883 and studied ...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

This early 20th-century oil on board by American artist Louis Nadler offers a vivid portrait of a chestnut horse standing alert in its stall. Characterized by its anatomical precisio...

Anonymous Summer willow and sparrows Taisho period, circa 1920 Framed painting. Mineral pigments, mica, gold, ink and gofun on silk Dimensions (framed): H. 98 cm x W. 135 cm x D...

Rare set of two small framed oil paintings by Ivan da Silva Bruhns, (Paris, 1881-Antibes, 1980). Unique works. Signed. Each panel is 9 in. wi...

Pair of circa 1920's Italian still life paintings. Measurements: Height: 50.25" Width: 26.25" Depth: 1.5"

An oil on artist board featuring an American clipper ship by Antonio Jacobsen. Signed and dated 1916 in the lower right corner. Measuring 23.5" x 35.5" including the frame. 1850 -...

This small and wonderful oil painting on posterboard by British artist Sidney Pike (1846-1907) depicts an autumnal landscape with a dog and shepherd tending to a flock of sheep. Posterboard would have been more likely used by artists pushing the boundaries of conventional materials at the time. Sidney Pike was a turn-of-the-century British painter best known for his depictions of the English countryside and livestock. He lived a rather Bohemian lifestyle, traversing from one lodging to another, and made most of his money painting...

Oil Painting from the Early 20th Century, Winter Rural Landscape We present you this oil painting from the early 20th century depicting a winter rural landscape. The painting is in ...

Fine quality Arts & Crafts picture / painting stand in excellent condition. This beautiful gallery easel comes with two large hand crafted wooden pegs for holding your large size pa...

This is an exclusive original oil on canvas painting from 1928 by Asta Nielsen-Fritsch. It is framed in a gold painted wooden frame and have a motive of houses in great details. The...

An early 20th century 'Kamasan' cotton textile painting from Bali, Indonesia. The hand-painted image has great detail and depicts Balinese Hindu mythology. It has been framed with a ...

Giuseppe Augusto Levis (1873-1926), this painting from 1912 depicting a simple A-frame tent with spikes in a desert background near dusk, in a period guilloche frame with a gilded ra...

Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...

Beautifully painted, probably in the 19th or early 20th centuries, this copy of the famed "Le Transport du Christ au Tombeau" painting by Titian (Tiziano) in the collection of the Louvre in Paris, was recently found in the attic of a Hudson Valley monastery. The Louvre original, considered an early painting by the master, dates to the same period as his famous "Pastoral Concert" and shows the strong influence of Gorgione. This scene depicts the collaborative efforts of Joseph of Arimathea, Saint John and Nicodemus as they moved Christ's body from the cross to his tomb, watched by the two grieving Marys -- his mother and Mary Magdalene. It is not known who painted this copy, though of course artists over the years have copied the great Master paintings...

A true Art Deco masterpiece, painted as a final study for one of a series of large murals for the National Elks Memorial in Chicago, finished in 1926, this large gold-hued scene depi...

Large Floral Still Life Oil Painting in Original Frame, 1940s Large Impressionist style floral still life painting. Bouquet of bright yellow and orange zinnias and pink and white ph...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

Antique French early 20th century oil on canvas painting of a French infantry march during the Franco-Prussian War, signed "Edouard Detaille" (1848-1912).

Traditional oil on canvas by Giuseppe Pitto depicting a beautiful young woman in a street market; she stands out from the scene since the background, the buildings, villagers, and st...

Emiel Hansen (Denmark) figures on a cloudy day original oil painting circa 1930 Brilliant 1930s original oil painting by listed artist Emiel Hansen. ...

George Rouault Studio Fauvism Oil Painting on Paper on Board. Characteristic genre painting of a musician group in typical style and technique of George Rouault (1871-1958). The Fau...

Antique miniature landscape oil painting on Masonite panel - complete with original ebonized soft wood frame with gilt filigree - signed/initialed by the artist - R.G.H.S. - mid 20th...

Framed Village Landscape with Houses, 1920's France. A beautiful Parisian painting on canvas depicting a peaceful village landscape with a row of houses on a street featuring a scene...

Large-format painting of a mythological scene with references to Triton and other sea creatures as well as male nude figures by Aksel Jorgensen (1887 Copenhagen - 1957, ibid.). The p...

Magnificent Chinese scroll ancestor painting showing patriarch and matriarch of a high ranking status civil official. This unusual scroll depicts the dignitary couple seated below a ...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A half-length portrait of a young lady, her costume à la Turque and wearing a double strand of large and lustrous pearls. She is deep in somewhat pensive thought, her right hand resting lightly against her chin, her left hand gently clasping the neck of a pottery flask...

Pair Framed Watercolor Landscape Paintings, Provence, France, 1926. Charming 'plein air' paintings of the Provencal landscape. Original fra...

According to a bio written by Alex Bialy, "Daniel Schmidt adopted the name Dan Smith by 1890, when he began his career as a staff reporting artist for Leslie...

1930s Italian Signed Still Life Painting Still life with cactus Oil on canvas signed Piccari. On the back the artist's address Via Maddalena 2 Rom...

Found in Europe, this Early 20th Century Oil on Canvas was painted in the early 1900's. Artist signed Kate Von Muhlenstein, suggest the art has a German origin. This interior paintin...

Parisian market scene by Alling Clements (American 1891-1957). Oil on wood panel. Inscribed on the reverse "Market Blvd Paris Alling M Clements 1926". Clem...

Still-life 'Flower Arrangement' Oil Painting made by Danish Artist Emmy Thornam in the 1920s. * Still-life oil painting of a flower arrangement. Black vintage frame. Signed ‘E. Thor...

A beautiful antique oil painting. Two cats looking at a butterfly. Beautifully executed by the artist. Nice use of colours. Painted on a walnut panel. No frame. The painting is signe...

Ada Pratella (1901-1929) Houses at Capri, oil on canvas in gold frame, signed lower left. Italy, circa 1920 Dimensions: 17" W x 14.5" H x 1.88" D; sight 12.5" W x 10.25"H.

Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...

Small Still-life Flower Bouquet Oil Painting in Gilded Vintage Frame made by Danish Artist Emmy Thornam in the 1920s. * Still-life oil painting of a flower bouquet. Gilded vintage f...

This remarkable oil painting, titled **"Old New Bedford Whaler – Andrew Hicks"**, is an exquisite maritime artwork that captures the spirit of 19th-century whaling. The painting, exe...

This is a masterfully painted work in the style of Picasso’s Rose period. It leans on the famous painting, “Boy Leading a Horse”. Executed in oil on artis...

Atmospheric antique oil painting showing a small house and what appears to be the back door with small windows and an outhouse. All is kept in warm, darkened colours and provides the...

Vintage framed Still Life Oil Painting of Fruit with Pitcher. Framed in a lovely wooden frame. Ready to hang with wire along the back. French, circa 1920. Size of frame: 16 x 18 i...

Heron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...

This large antique origina painting was done by well known Anoine Blanchard of France in approximately 1920 in his signature Impressionistic style. The painting is done with oil pain...

Lofty pair of Anglo Indian watercolors on paper of a man and a woman riding elephants in fancy saddles or howdahs. Presented under glass in a mahogany frame.