Late 20th Century Paintings

A wonderful and very striking large vintage watercolour painting by Bettina – titled: Hippy Lovers – 1973. This is beautifully executed and has a whimsical design, depicting colourf...

( Visible size: 40 x 30 cm ) Inspired by his early training as a geologist, Per Kirkeby made quasi-abstract paintings of landscapes. He was influenced by the gestural works of mid-ce...

Vintage framed painting of a nude figure by renowned artist, Herbert Kallem (1909 - 1994). Signed Herbert Kallem, 70'. Framed in original aluminum wi...

Fantastic large abstract informal painting with a poectic note in wonderful colors signed Danilo Picchiotti 1987. The original artist frame in red allows the artistic design to run into the frame or integrates the frame into the artwork Childhood and the French period Danilo Picchiotti was born in 1933. His childhood and youth are characterized by the restless search of an artistic expression for his own sensibility and perception, as well as his very strong sense of existence. This would eventually lead him to join an art club known as “I Pennelacci” (the Paintbrushes) in his hometown in Rome at the early age of 18. He then starts devoting himself exclusively and passionately to reading and painting. He moves to Paris in 1952. In Paris he explores the stimulating and innovativeenvironmentsrepresented by the local versions of Surrealism of the period. From that moment onwards, he allows his own existence to be overwhelmed by his art until he becomes his art’s main subject, firmly convinced that self-consciousness and stylistic research are closely linked. This immense labour will find the truest expression of his artistic and existential sensibility in Surrealism. From his early career to action painting. During the early 1970s, the artistic environment in Rome and his successful participation to several collective art exhibitions, especially with the “Pennellacci” club, leads him to his public debut and paves the way to a very important and busy period. Later on, after enormous intellectual labour, he approaches the gestural informal painting, also known as “Action Painting”. This art movement was mostly developed in the United States, and is also called Abstract Expressionism. The most celebrated artist of this movement is Jackson Pollock. In 1986 Danilo Picchiotti holds a number of exhibitions of works that are strongly influenced by this art movement (action painting). The latest works of the artist. In Europe, the French painter Jean Fautrier begins incorporating his paintings with plastic materials that burst out of the canvas, overcoming the boundary between two-dimensional images and plastic forms. This type of painting will be called “Matter Painting”; other painters will join this movement including Jean Dubuffet, Antoni Tápies and the Italian Alberto Burri. While some artists hide into the sign, others, including Picchiotti, emphasises the matter that identifies the work itself, by choosing any kind of material such as wood, fabric, glass, wall or even colour, which are arranged on the canvas, assuming their own physicality and are transformed, layer by layer, by using fire, water and other elements. Beginning from 2000, after several years of artistic inactivity due to health problems, Danilo Picchiotti, today more culturally open-minded than ever, returns to painting with determination, strength and energy giving birth to his new “GESTURAL MATTER” period. Major exhibitions and awards: a selection 1965 First Prize of the “Gatta d’oro” Award – Rome First Prize of the “Trevignano 1965” Award - Trevignano Art Exhibition at "Galleria Brandi" - Rome Art Exhibition at “Circolo Artistico” via Margutta – Rome Art Exhibition at “La Tozzella” Gallery – Avezzano First Prize of the “Riccio d’oro” Award, prize of Medaglia d’oro Award 1966 Art Exhibition at "La Saletta" Gallery- Frosinone Theatre and Painting exhibition at the "Piccolo Teatro" - Rome Figurative Art Exhibition at the "Piccolo Teatro" - Rome 18th Art Trade Show via Margutta – Rome International painting exhibition - Manziana 1967 International painting exhibition - Bracciano 1968 Exhibition at Geswind Villa at Meung sur Loire - France 1969 Art exhibition at the Hotel de Bordeaux Tours - France 1970 Art Exhibition at "Anfora" gallery - Paris Art Exhibition at "Hervè" gallery - Paris 1972 Art Exhibition at "Pencier" gallery - Paris Art Exhibition at "Bernier" gallery - Paris 1974 2nd prize of “IV edizione Cavalletto d'oro" Award - Florence 1975 Art Exhibition at "Galleria Facchetti” - Art Exhibition at "Daber" gallery - Paris 1977 Art Exibition at "Galerie Wolfang Gurlitt" - Munich 1978 Art Exhibition at "Galerie Ernest Fuchs...

Egidio Bonfante Italy graphic designer for Olivetti, tempera paint colors light study 1979 painting on canvas applicate to panel wood and measures...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1990, signed to the front and inscribed verso Title - "Snow Bound" Road to the Green, Water Mill. Englis...

1990s Spanish hand-painted oil on wood reproduction in the Gothic style. Painting size: 150 x 99cm.

Original 'Portrait de Denise et Claire' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1949. Published by Mourlot in Collection Pierre Levy in 1970, Paris. Framed and signed in the stone. Frame will be slightly different from the one on the photos, each piece will be framed once it sells, this is an exhibition frame. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. About the Artist: André Derain (10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves...

1970s Hand-Painted Painting on Canvas with Indus Characters and Bamboo Frame

Original tempera painting on cardboard by James Brown circa 1982. Primitive face bordered by smaller multiple faces. Signed and dated 1982 New York on the reverse side. James Brown w...

Oil on linen. "Pit Thea", Study of a pine cone. From the Plant Series 1968-1989. Signed lower left, dated 1974. Signed and titled and dated on back. 20" X 24" (floating frame 21" X 25"). My imagery is rooted in the world of the spirit which manifests itself through ritual, myth and symbol. The monolithic single-image plant forms which I began painting in 1968 are potent symbols of the ancient Great Goddess in Her aspect as ‘Lady of the Plants’, who . . . has been worshipped under a thousand names since the beginnings of prehistory.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of The Language of Symbols, Landmark Gallery, New York City, April 1980.) “... in the ancient world ... such images were perceived as sacred. This sense of divinity inherent in the plant has inspired these icons and through them I hope to evoke a similar magical experience. These forms were created both as metaphors for the spiritual mystery of nature . . . [and] as celebrations of the feminine.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of Buffie Johnson: The Spirit of Plants, Chuck Levitan Gallery, New York City, October 3rd – October 26th, 1997.) BORN: February 20, 1912 New York City DIED: August 11, 2006 at her home and studio , Greene Street, New York City SOLO EXHIBITIONS: 1937 * Jake Zeitlin Gallery, Los Angeles (First Solo Exhibition) 1939 * Galerie Andre J. Rotge, Paris: “Peintures Recentes de Buffie Johnson” (First Solo Exhibition in Paris) 1939 * Wakefield Gallery, NYC: “Buffie Johnson” (First Solo Exhibition in New York) 1941 * James O’Toole Gallery, NYC: “Recent Paintings and Portraits by Buffie Johnson” 1942 * Robert C. Vose Galleries, Boston: “Paintings and Portraits by Buffie Johnson” (First Solo Exhibition in Boston) 1944 * Caresse Crosby's G Place Gallery, Washington, D.C. 1945 * Howard Putzel’s 67 Gallery, NYC: “An Exhibition of Recent Paintings by Buffie Johnson” 1948 * The John and Mabel Ringling Museum of Art, Sarasota: “Buffie Johnson” * Galleria del Cavallino, Venice: “Buffie Johnson” 1949 * The Hanover Gallery, London: “Buffie Johnson” (First Solo Exhibition in London) * Galerie Colette Allendy, Paris: “Buffie Johnson” * The John & Mable Ringling Museum of Art, Sarasota * Galleria del Cavallino, Venice 1950 * Betty Parsons Gallery, NYC: “Recent Works by Buffie Johnson” 1951 * Galerie Bing, Paris * The Paul Mellon Gallery, The Choate School, Wallingford: “Exhibit of Portraits: Buffie Johnson 1936-51” 1956 * Galerie Bing, Paris: “Buffie Johnson: Exposition de peintures” 1960 * Galerie Bing, Paris: “Buffie Johnson: peintures recentes” * Bodley Gallery, NYC: “Buffie Johnson” 1961 * Gallery Thibaut, NYC: Buffie Johnson: “Phases of the Sun” 1963 * World House Gallery, NYC 1964 * Galeria de Antonio Souza, Mexico City: “La exposicion de las obras de Buffie Johnson” * The Granville Gallery, NYC: “Buffie Johnson: Recent Paintings” * World House Gallery, NYC 1966 * Galeria de Antonio Souza, Mexico City 1969 * The New School for Social Research/The New School Associates, NYC: “Buffie Johnson: Creation Myths - Oils” 1973 * Max Hutchinson Gallery, NYC: Buffie Johnson: Paintings 1968-1973” 1975 * Palm Beach Galleries, Palm Beach “Buffie Johnson” 1976 * Andre Zarre Gallery, NYC: “Buffie Johnson: Recent Paintings” 1977 * The Stamford Museum and Nature Center, Stamford: “Two Organic Women: Buffie Johnson / Stella Snead” 1979 * Gallery 700, Milwaukee: “Buffie Johnson: Floral Paintings” 1981 * Ankrum Gallery, Los Angeles: “Buffie Johnson” * Landmark Gallery, NYC: "Retrospective" 1984 * Elizabeth Leach Gallery, Portland: “Buffie Johnson” 1989 * 56, Bleecker Gallery, Ltd., NYC: “Buffie Johnson Portraits 1936-1947” 1991 * Cardiff House at University of California, Santa Cruz: “The Numbering Series” 1992 * PMW Gallery, Stamford: “Buffie Johnson: A Span of Time” Retrospective 1993 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: “Buffie Johnson: Paintings from the 40s and 90s” curated by Director, Alanna Heiss 1995 * Kingsborough Community College Art Gallery of The City of New York, Brooklyn: “Buffie Johnson: Plants” 1996 * Millennium Art Gallery, East Hampton: “Perceptions”: Buffie Johnson – A Retrospective of her work from the 1940s to the 1990s” 1997 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part I) 1998 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part II) 2002 * Anita Shapolsky Gallery, NYC: "Buffie Johnson: Transcendentalist" 2007 * Anita Shapolsky Gallery, NYC: "Buffie Johnson Memorial Exhibition" Group exhibitions: 1938 * Galerie Le Niveau, Paris: “Paysages: Exposition de Groupe” 1939 * Wakefield Gallery, NYC * The Fine Arts Gallery, Balboa Park, San Diego: The Fine Arts Society of San Diego: “The Eleventh Annual Southern California Art Exhibition” * Galerie de Beaune, Paris: “VIIe Exposition de Gravures et Platres Gravés du Groupe de L’Atelier 17” 1940 * Wakefield Gallery, NYC: “Group of Small Paintings” 1941 * Carnegie Institute, Pittsburgh: "International Exhibition of Painting and Sculpture" * Marie Sterner Gallery, NYC: “International Group of Contemporary Painters” * The American British Art Center, NYC: “First ABAC Exhibition: Paintings and Sculpture from England, Canada & America” * The American British Art Center, NYC: “Stage and Circus: An Exhibition of Contemporary Paintings, Designs and Model Stages by American and British Artists” 1942 * Society of the Four Arts, Palm Beach: “Fourth Annual Exhibition by Artist Members” * Parke-Bernet Galleries, NYC: “A Loan Exhibition of Paintings for the Benefit of The American Red Cross representing Happier Days in The United Nations arranged by Marie Sterner” 1943 * Peggy Guggenheim's Art of This Century, NYC: “Exhibition by 31 Women” 1945 * Howard Putzel’s 67 Gallery, NYC: “Preview 1945-1946 Season of Two-man and Group Exhibitions at this Gallery” * Howard Putzel’s 67 Gallery, NYC: “40 American Moderns” 1946 * Walker Art Center, Minneapolis: "136 Americans" * The Springfield Museum of Fine Arts, Springfield, MA: “Sixth Annual Spring Purchase Exhibition: 30 Paintings by 30 Contemporary American Artists” 1948 * Salon des Realites Nouvelles, Paris 1949 * Salon des Realites Nouvelles, Paris 1950 * The Brooklyn Museum, Brooklyn: "Fourth National Print Annual Exhibition" * La Galerie Arnaud, Paris: “sculpteurs et peintres abstraits americains de paris” * The Riverside Museum, NYC: “Creative Art Associates” * Guild Hall, Moran Gallery, East Hampton: 10 East Hampton Abstractionists” 1951 * Guild Hall, East Hampton: “Frankly Romantic” 1953 * Guild Hall, East Hampton: "A Selection from 12 East Hampton Collections" * Guild Hall, East Hampton: "17 East Hampton Artists" * The Brooklyn Museum, Brooklyn: "17th Biennial International Watercolor Exhibition" 1954 * stabile Gallery, NYC * Whitney Museum of American Art, NYC: “The Whitney Annual” * The Baltimore Museum, Baltimore * Hampton Gallery & Workshop, Amagansett: "Group Show: Eight Painters, Two Sculptors" 1955 * stabile Gallery, NYC * Moderna Galerija, Ljubljana, “Exposition Internationale de Gravure” 1956 * Haus der Heimat, Iserlohn: "Junge Amerikanische Kunst" * Group Espace, Paris * Guild Hall, East Hampton: “13 Artists of the Region: Museum Acquisitions and Recent Works” 1957 * Signa Gallery, East Hampton: "Second Exhibition" 1959 * Hirschl & Adler Galleries, NYC: "Works by Gallery Artists" 1960 * Guild Hall, East Hampton: "Monotypes and Prints" * Whitney Museum of American Art, NYC: Friends of the Whitney Museum of American Art: "Business Buys American Art" * Bodley Gallery, NYC * The Philadelphia Art Alliance, Philadelphia: “Monotypes & Prints of Related Techniques” Shown concurrently with the publication of Henry Rasmusen’s Printmaking with Monotype 1961 * Bertha Schaefer Gallery, NYC: "Contemporary Collage" 1964 * Long Island University/The Parrish Art Museum, Southampton: "Long Island Artists" at Long Island University’s Galleries * Guild Hall, East Hampton: “Festival of the Arts Exhibition: Artists of the East Hampton Area Each showing one of his own works along with a favorite work of art or object from his collection.” 1965 * The Parrish Art Museum, Southampton: "Twelve Women Painters of the South Fork” 1970 * Le Salon International de la Femme, Nice. (Medailles d’argent) 1971 * Museum of Modern Art, NYC: "Penthouse Exhibition" * Whitney Museum of American Art, NYC: "American Art of Our Century" 1972 * Kunsthaus Hamburg, Hamburg: "Gedok American Woman Artist Show" * Suffolk Museum and Carriage House, Long Island: “Unmanly Art” 1973 * The New York Cultural Center, NYC: "Women Choose Women" * Whitney Museum of American Art, NYC: “1973 Biennial Exhibition: Contemporary American Art" * Women's Interart Center, NYC: "In the Beginning: Women and Religion" * University of Texas at Austin, "The Ciba-Geigy Collection of Contemporary Paintings" * A .I. R. Gallery, NYC * Brooklyn College, Brooklyn: "New York Women Artists" * Lehigh University, Bethlehem, PA: "New York Women Artists" 1974 * Kresge Art Center Gallery, Michigan State University at East Lansing: “Works by Women from the CIBA-GEIGY Collection” * Weatherspoon Art Gallery, The University of North Carolina at Greensboro: “Works by Women from the CIBA-GEIGY Collection” * Cranbrook Academy of Art, Bloomfield Hills: "Waves: An Artist Selects" * Grand Rapids Art Museum, Grand Rapids: "Waves: An Artist Selects" 1975 * Women's Interart Center, NYC: "Color, Light & Image" * The Pratt Institute Gallery, Brooklyn: "Women's Exchange Exhibitions: Artists from the Women Artist Historical Archives of the Women’s Interart Center" * Ashawagh Hall, Springs: "Women Artists Here & Now" * The Aldrich Museum of Contemporary Art, Ridgefield: "A Change of View" * The Brooklyn Museum, Brooklyn: "Works on Paper: Women Artists" * Whitney Museum of American Art, NYC: "Women from the Permanent Collection" 1976 * Buecker & Harpsichords, NYC: “Recent Portraits of Sari Dienes” * Soho Art Tour: A Benefit for Guild Hall of East Hampton * Guild Hall, East Hampton: "Artists and East Hampton: A 100 Year Perspective" * Landmark Gallery, NYC: “10 Artists" * The Hirshhorn Museum, Washington, D. C.: "A Bicentennial Edition of Banners" * Chuck Levitan Gallery, NYC: "A Bicentennial Edition of Banners" * National Museum Singapore, Singapore: “Artists Celebrate the Bicentennial” * Marion Koogler McNay Art Institute, San Antonio: "American Artists ‘76: A Celebration" * The Bronx Museum of the Arts, Bronx: "The Year of the Woman: Reprise" 1977 * The Bronx Museum of the Arts, Bronx: "The Magic Circle" * Hurlbutt Gallery, Greenwich: The Friends of the Greenwich Library Present: "Contact: Women and Nature” The Works of 30 contemporary women artists selected by New York critic and author Lucy R. Lippard * The Brooklyn Museum Art School, The Brooklyn Museum, Brooklyn: "Contemporary Women: Consciousness and Content" * New York University, Contemporary Arts Gallery, NYC: Visual Artists Coalition Exhibition: “Women Painters and Poets” 1978 * Women’s Interart Center, NYC: Women Artists: Sketch Books 1979 * Elaine Benson Gallery, Bridgehampton: "Five Artists New York/Hamptons" * Connecticut College, Cummings Center, New London: Visual Artists Coalition Exhibition: “Women Painters and Sculptors” * Clayworks Benefit Exhibition, 4 Great Jones Street, NYC 1980 * Landmark Gallery, NYC: "The Language of Symbols" * Fordham University, Lowenstein Library Gallery, NYC: “Evocative Images” * The Tweed Museum of Art, University of Minnesota, Duluth, “Invitational Print Show” 1981 * Landmark Gallery, NYC: "118 Artists" * The Parrish Art Museum, Southampton: "Alive at the Parrish" * American Academy and Institute of Arts and Letters, NYC: "Paintings And Sculpture by Candidates for Art Awards" 1982 * Westbeth Gallery #1, NYC: “Sexuality in Art: Two Decades from a Feminist Perspective.” One of sixteen shows of “Views by Women Artists: Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art” * The State University of New Jersey Rutgers, Mabel Smith Douglass Library, New Brunswick: Women Artist Series at Douglass College: “Modern Masters: Women of the First Generation” * Frank Merino Gallery, NYC: “Heresies 3rd Annual Art Benefit: Work by 146 Women Artists for Sale at Artists’ Prices” 1983 * Philadelphia College of Art, Philadelphia: “An Exhibition of Work by Artists in the Historical Archives of the Women’s Interart Center of New York City” 1984 * Suzanne Gross Gallery, Philadelphia: "Major Contemporary Women Artists: In Celebration of Simone de Beauvoir" 1985 * The Parrish Art Museum, Southampton: "Looking At Pictures" 1987 * Schick Art Gallery, Skidmore College, Saratoga Springs: "Self-Portraits: The Message, The Material" * Hofstra Museum - Emily Lowe Gallery, Hempstead: "Self-Portraits: The Message, The Material" 1988 * Phoenix II Gallery, Washington, D. C.: “Small Works by Forty-Two Artists 1989 * Anita Shapolsky Gallery, NYC: "Early Abstractions: Painting and Sculpture of the 40’s and 50’s" * Knoxville Museum of Art, Knoxville in conjunction with Bennett Galleries, Knoxville: "American Women Artists: The 20th Century" 1990 * Queensborough Community College Art Gallery, Bayside: "American Women Artists: The 20th Century" * Guild Hall/East Hampton Center for Contemporary Art, East Hampton: "East Hampton Avant-Garde: A Salute to the Signa Gallery 1957-60" 1991 * Harmon-Meek Gallery, Naples, FL: “Gallery Group Exhibition” * Harmon-Meek Gallery, Naples, FL: “Recently Added Artists” * Anita Shapolsky Gallery, NYC: “The Prevailing Fifties” 1992 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: "Slow Art: Painting in New York Now." Curated by the museum’s Director, Alanna Heiss * Stuart Levy Gallery, NYC: “American Vanguard: Jackson Pollack, Lee Krasner and Friends” for the benefit of The Study Center Development Fund of The Pollock- Krasner House and Study Center, East Hampton, New York * Harmon-Meek Gallery, Naples, FL: “Flowers in Art” * Melvin Gallery, Florida Southern College, Lakeland: “Women Artists From the Harmon- Meek Gallery” * Anita Shapolsky Gallery, NYC: “The Americas” 1993 * Richard Anderson Gallery, NYC: “Songs of Retribution.” Curated by Nancy Spero * Snyder Fine Art, NYC: “Out of the ‘50s”: Works Shaped by the Aesthetic of the 1950s * Benton Gallery, Southampton: “Woman!” * The Museum of the Provincetown Art Association, Provincetown: The Art Students League of New York and The Provincetown Art Association and Museum Exhibition of: “The League at the Cape” Part II: Contemporary Invitational Section * Anita Shapolsky Gallery, NYC: “Women of the Fifties” 1995 * The New York Open Center, NYC: “The Creative Call to the Divine: An interfaith art show and healing experience” * Millennium Gallery, East Hampton: "Living Legends" * Anita Shapolsky Gallery, NYC: “Artists of the Fifties” (Part 2) 1997 * Pollock-Krasner House and Study Center, Springs, East Hampton: "Art of This Century: The Women" 1998 * Anita Shapolsky Gallery, NYC: “Earthly Delights” 1999 * Anita Shapolsky Gallery, NYC: “The Immortals” 2000 * Anita Shapolsky Gallery, NYC: “Buffie Johnson, William Scharf, Yvonne Thomas, Rufus Zogbaum, Wilfrid Zogbaum: Feb. 12-April 29, 2000” 2001 * Emily Lowe Gallery, Hofstra University, Hempstead: “Abstract Expressionism, Then and Now” 2003 * Anita Shapolsky Gallery, NYC: "Re-Examining Abstract Art, Part 2" 2004 * Anita Shapolsky Gallery, NYC: "New York School Artists: Work of 50’s & 60’s" 2005 * Anita Shapolsky Gallery, NYC: "Betty Parsons & the Women" 2007 * Anita Shapolsky Gallery, NYC: "Collectors' Choices" * Thomas McCormick Gallery, Chicago: “Suitcase Paintings...

Vintage Art Deco Framed Oil on Canvas Painting Wall Art Wall Decor Cool large Art Deco painting in a silver frame. Signed

Beautiful, intense and evocative pastel-painted portrait of a young woman by Italian artist Dante Ricci The protagonist of our work, with her turtleneck jumper and her sweet but de...

Abstract painting in warm, friendly acrylic colors with the name "Fin du Jour" - "End of the Day" by Michel Puchala. Professional framing with shadow gap frame (1.0cm) and white gold...

Exquisitely painted with delicate line work and a subdued color palette, this Chinese scroll painting is an Late 20th-century reproduction of a...

The painting features a bear and a beluga whale, intertwined with elements of nature, including vines and possibly pine cones. The bear is depicted in a naturalistic style, showcasin...

Xavier Visa Arau "Pas de Vianants" Artwork - Oil on Paper, Framed Artist: Xavier Visa Arau Title: "Pas de Vianants" Medium: Oil paint on paper Frame: Beautiful wooden frame Cond...

Mid-Century Modern Italian abstract painting on paper with wooden structure from 1970 The paper of the paint shows little signs of wear cons...

A 20th Century pastel painting on paper of a chocolate Labrador. Excellent condition of this handsome dog. Signed on lower corner, dated '85.. 17 hi...

Sculpture relief picture has certification of authenticity and a signature. This artistic and original object, created by AG3 using traditional craftsmanship techniques characterist...

Title: Hiding in The Jungle Artist: Yang Qian (Chinese; B. 1959) Medium: Oil on canvas Years: purchased circa 1990 A Palm Beach, FL collection An early work by Yang Qian during his sojourn in Florida, USA. The series delved into art history with reinterpretation and overlaying symbolism. The painting is set in a moody tropical jungle at night and is a clear reinterpretation and a dialogue between Henri Rousseau's The Dream and Paul Gauguin's La Femme du Roi. Although the two French artists were contemporaries, they may have not intersected in their personal lives. Pioneering and ground-breaking for their time, their work were celebrated posthumously and served as inspiration for later artists. For a similar painting Odalisque Now (c.1990) see lot 135 of Sotheby's Contemporary Art Asia sale...

René Gruau (1909-2004) Original gouache on paper depicting Watusi in Frénésie at The Bal du Moulin rouge. Signed on the back and titled " Moulin rouge XVIII " Probably a preparatory ...

A fabulous vintage Boho original oil painting on canvas. A chic Abstract composition in dark bold colors. Signed by the artist. Acquired from a Palm Beach estate.

Discover the beauty of this exceptional vintage oil painting by Gauna. Featuring a stunning red iridescent nautilus shell, this framed and signed artwork adds a touch of elegance and...

Large Dutch Windmill Oil Painting with Crows Signed Valentin 1987 Offered for sale is a well-executed 1987 oil painting on canvas of a ...

This fascinating oil painting by the accomplished painter John H. Kinnear (1922-2003), entitled "Tales from Ispahan", is an absolute treasure. Most famous for his abstract expression...

Italian modern Geometrical and abstract painting on paper, 1990s Rectangular painting on paper. The geometric subject of the artwork has a squared pattern: inside it has both dotted ...

GENIS René (1922-2004) untitled, landscape view of the Eiffel Tower from my window. Oil on hardboard, signed lower right. Dimensions: 65x46 cm - Frame: 76.5x58 cm (30.125x52.8 in). P...

"Seated nude in green archway" by Cynthia Packard. Unframed oil on canvas. Signed and dated lower right: C. Packard, '91 Born in Ft. Lauderdale and raised in Princeton, Cynthia move...

1970s Jaime Parlade Designer Hand Painting "Bengal Tiger"

Pair of abstract gouache and pencil by Sidney Guberman. Signed: "Prado VII and Prado II Sidney Guberman 1998"

Elevate your space with this stunning vintage boho monumental oil painting on canvas, featuring a breathtaking scene of a majestic tiger in its natural habitat. The artist's masterfu...

Abstract painting on paper work by Wolfgang E. Biedermann, Leipzig Westgermany 1987 Small, repetitive motifs, characters, ciphers and writings, inspired by Asian calligraphers were generously painted over in abstract. Technique: Mixed media on paper Signature: Lower right by hand W. E. Biedermann 87 Short Biography: Wolfgang E. Biedermann was born in 1940 in Hannover - dece. 2008 in Leipzig Already as a high school student Wolfgang E. Biedermann's artistic talent was recognized by Ursula Mattheuer-Neustädt. She promoted him to evening studies at the Academy of Visual Arts (HGB) Leipzig. From 1961 Biedermann studied at the HGB in the specialist class for free graphics and painting with Gerhard Kurt Müller, completing his studies in 1967. Since 1968 Biedermann was active as a freelance artist in Leipzig. He undertook study trips to Poland, France and Indonesia, as well as to the USSR and the USA. From 1968 to 1991 he was a member of the Association of Visual Artists of the GDR and since 1996 a member of the Free Academy of Arts in Leipzig. The unique encounter with the German action artist Joseph Beuys had a great impact on Biedermann. The artistic work of Wolfgang E. Biedermann spanned from 1960 to 2008. His œuvre is characterized by the development of his own technique. In addition to drawings and sketches of the early work for study purposes he dealt over the years primarily with printing practices. He produced numerous abstract paintings and works on paper using color etching and silkscreen processes as well as multi-plate overprinting. Biedermann relied on different layering by means of various techniques of graphics and painting. He dealt extensively with overdrawing and overpainting his works. Repeating motifs are symbols, signs, ciphers and writings, which are based on Asian calligraphy. Biedermann dealt just as intensively with the content of philosophical writings by Peter Sloterdijk and with letters from the estate of Friedrich Schiller, which he transposed into the paintings. His color-intensive paintings reflect "inner landscapes". Klaus Werner coined this term as early as 1980 for the complete works of Wolfgang E. Biedermann. Since 1977 Wolfgang E. Biedermann presented his artworks at various exhibitions. On the occasion of his 50th birthday, the Lindenau Museum in Altenburg exhibited a comprehensive selection of 130 works in 1990. NordLB - Art, Hannover accompanied his further creative process for almost ten years with work locations in Berlin (Sony Center), Singapore, Zurich and Hamburg. At the EXPO 2000 in Hanover, twelve of his large-scale works were on display in the German pavilion. Parts of his œuvre have also been exhibited outside Germany in Tokyo, Paris, Damascus, Bilbao, Listovel, Mulhouse, Grenchen, Basel and Fredrikstad, among other places. Literature: -Lang, Lothar: Malerei und Grafik in der DDR. Leipzig 1978 -Hütt, Wolfgang: Graphic Art in the GDR. Dresden 1979 -Thomas, Karin: Painting in the GDR 1949-1988. Cologne 1980 -Dictionary of Contemporary Artists. Oxford 1981 -Hollmann, Eckhard: Von der Kunst Bilder zu drucken. Berlin 1986 -Feist, Günther: Stations of a Path, Documentation on Art and Art Politics 1945-1988, Berlin 1988 Solo exhibitions: 1977: Gallery in the club "Pablo Neruda", Gallery Barthel + Tetzner GmbH, Karl-Marx-Stadt/ Chemnitz 1979: Gallery at Sachsenplatz (with Agathe Böttcher and Dagmar Ranft-Schinke), Leipzig 1979: Gallery at the Steinweg, Suhl 1980: Gallery Arkade, Berlin (exhibition catalog by Dr. Klaus Werner) 1980; 1986; 1987: Gallery erph, Erfurt 1980: Gallery at the Boulevard, Rostock 1981: Greifengalerie, Greifswald 1984: Galerie unter den Linden...

Copy of Orientalist painting of a woman asleep with a man drawing a knife.

Vintage seascape painting in a carved gilt wood frame. Signed at lower right: MOORE Dimensions: 19.75"H x 25.75"W x 1.5"D (framed) Good vintage con...

An outstanding abstract painting, oil on canvas in an oval form. Painted in 1971 by Argentine Artist Fernando Maza. Fernando Maza is an Argentinian Postwar & Contemporary painter...

Vintage Ezio Colosimo geometric abstract painting in Blush Tones Offered for sale is a vintage lyrical geometric abstract oil painting on canvas by Ez...

Judith Minna Pike December 19, 1942- October 18, 2019 Portrait of a woman sitting with her eyes closed, resting her head on her hand. The texture of this piece is stunning. If y...

- Composition II by Georges Ferrato - Oil on Canvas - Signed at bottom right, signed dated and titled on the back Ferrato’s work is often associated with the abstractionist traditio...

In 1988 David Stevens directed a film called Always Afternoon, which was set in Australia during the First World War. Watson was invited to observe, and his attention was particularl...

1990s Italian Venetian framed oil on canvas painting with craquelure.

Vintage seascape painting in a minimal blonde wooden frame. Signed at lower left. Dimensions: 18.75"H x 24.75"W x 2"D (framed) Good condition, typi...

Authentic original authentic painting a statement piece of art . It feature a pathway leading to a beach with the ocean visible through a floral archway. Subject: Italian villa wi...

Landscape painting Riverbank Oil on canvas. Measures: Height 49cm Width 58 cm Oil on canvas In good conservative condition, present signs of time due to use and age. (Please ...

A delicate and expressive watercolor by American artist Virginia Conroy, dated 1990. Known for her nuanced use of color and composition, Conroy was a California based painter whose w...

1980 Harley Francis Abstract Nudes Painting, Signed and Dated. Offered for sale is an abstract acrylic painting by Harley Frances (1940-2017). The subjects are Francis' abstract male nude...

A vibrant and classic Texas landscape painted in oil on board, featuring a sweeping field of blooming bluebonnets under a wide, open sky. This mid century piece captures the wild bea...

Presented to Eunice Bunker. Titled on reverse "California Coast Channel Islands Off Santa Barbara", 1984.

A serene winter landscape by Texas artist J.W. Thrasher, rendered in oil on board with a distinctly mid century sensibility. Thrasher’s brushwork is both expressive and restrained, o...

Gino Terreni (1925-2015) Italian Sculptor and painter. Widely represented in multiple galleries and private collections. Measures: 34” x 46”, o...

Surrealist nude painting by Alex Alemany, Spanish, circa 1970s. Alemany's works are often described as "magical realism." This painting measures 32" H x 25.5" W and is unframed.

Oil on canvas, 1972, signed 'T. Klaverkamp', titled and dated on the reverse. This large ad mesmerizing painting draws the i the view of lookers from any angle ad sets the mood for...

This large fabric Canvas painting depicts Antelope and is done in a mid century modern style. It has a subtle repair near the horns of the antelope in the foreground. This piece has ...

Signed sailboat seascape mid century oil painting on canvas This piece measures: 37.5 wide x 1.5 deep x 25.5 inches high Excellent vintage condition We take our photos in a ...

Richard Hambleton 'Marlboro Country', 1984. Acrylic on Marlboro advertisement mounted on canvas board.

Original hand made fascinating aboriginal “dot painting” on canvas From Australia Can be hung vertically or horizontally.

A fabulous vintage Boho original oil painting on canvas. A chic landscape composition in a colorful Abstract Expressionist style. Signed by the artist. Acquired from a Palm Beach est...

Oil painting on canvas depicting the city of Venice, made by Remo Brindisi in the 1970s Ø cm 50 h cm 59 including frame A twentieth-century verista painter, he was born in Rome in ...

Oil on panel small size by the Swiss painter Guy Dessauges. Made in the 70's according to his technique of superimposing "glazes" which gives the painting...

M. Fleischer’s intriguing large scale work of art challenges what we commonly consider “painting.” The work itself is a sheet of paper, creased to create a richly textured surface. T...