Oiled Paintings

A Post-Impressionism painting depicting a young girl with striking blue eyes and a delicate pink and white ruffle dress adorning her head, which appears to be a Communion dress. The ...

Oil on canvas signed Henri Mars and dated 1955.

1950s López Pascual oil on canvas of boy in beach. Dimensions with frame: 48 x 64.5 x 5.5.

Bouquet of flowers Painting on round canvas, 20th century. Measures: D: 40 cm, D: 2 cm.

This French Impressionist painting by Charles André Igounet de Villers (1881–1944) captures a nautical scene with boats moored at a calm pier. Painted in a soft, atmospheric palette...

This oil painting from early 20th century by E. Baró beautifully captures the Arc de Triomphe and the bustling Avenue de la Grande Armée in Paris. Painted on platex, the work prese...

This charming botanical watercolor painting from the early 20th Century, signed Chaillou, captures delicate floral details in a loose yet refined style. The soft color palette and g...

This early 20th century Post-Impressionist painting by R. Bosc depicts a serene winter landscape in Paris’s Bois de Vincennes. Executed in oil on composite panel, the work features ...

This early 20th century Post-Impressionist painting by R. Bosc depicts a winter scene in Paris's Bois de Boulogne. The oil on composite panel captures figures walking through the sn...

This 20th-century Post-Impressionist painting by R. Bosc depicts a Parisian street scene in Montmartre, with the white dome of the Sacré-Cœur Basilica visible in the distance. The c...

The port, oil on canvas, 20th century. School of Paris, Evelyne Luez. Measures: H: 27 cm, W: 35 cm, D: 2.5 cm.

An oil on wood artwork titled "Mello Junior" depicts a portuguese square in the city of Porto, featuring an aerial view of the Cathedral. Vila Real is the municipality where Agostin...

Francesco Zucco (circa 1575-1627) Gentleman’s portrait Measures: Oil on canvas, cm 120 x 140 The painting analyzed here belongs to the pictorial production of Francesco Zucc...

Massimo Stanzione (Orta di Atella, 1585 - Naples 1656) - Giovan Battista Recco (Naples, c. 1615 - c. 1660) "Six children play with a Great Dane and a Goldfinch, en plein air" Oil on...

An oil on canvas, applied on cardboard, made by Carlo Dalla Zorza in 1945 measuring 40x50 cm. The artist is known for his ability to capture the natural light and colors of the Venet...

This stunning abstract by Julio Aguilera is sure to make a lasting impression in any home, business, or office. The elaborate colors, textured finish, a...

O/8216 - Relaxing countryside landscape with idyllic atmosphere of Southern Italy - signed by Painter: Giovanni Marelli I don't know why the painter depicted the peasants as blacks ...

Circle of Nicolaes Berchem (1620, Haarlem - 1683, Amsterdam) Architectural capriccio with herds Oil on canvas, 57.5 x 74 cm With frame 76 x 93 cm The examined canvas is...

The four 18th-century Neapolitan posthumously framed under-glass paintings depict biblical scenes from The Book of Jonah, specifically: 1. Jonah vomited by the Whale; 2. Elisha and t...

XVII Century Landscape with characters Oil on canvas, 72 x 92 cm Framed, 95 x 112 cm

The Wonderful World at the Edge of Hyperealism by Philip Manfroni contemporary art First, hyperealism, an evolution of realist art, contemporary art that captures reality with mind...

ENTOURAGE OF FRANCOIS DE TROY (TOULOUSE 1645-1730 PARIS) Portrait of a young mulatto aristocrat Oil on canvas Measures: 80 x 63 cm.

René Jean Clot (1913-1997) La Récréation, 1963 Oil on canvas Dimensions : 130.5 x 89.5 cm Biography Student at the School of Fine Arts of Algiers...

A delighful picture, with pastel colors and the fruit presented on an elegant blue glass stand. Even the frame is rigorously antique. Two small restorations on the canvas: let's not...

Large oil on canvas by Rene Allio (1924-1995). France René Allio was a director, screenwriter, theatre designer. He would also paint some immense nonfigurat...

17th century, Emilian school Rural landscape with gallant scenes Oil on canvas, 37 x 47.5 cm With frame 61 x 50.5 cm The bucolic amenity of the present is reflected in the joyful gallant scenes that dot its surface. The locus amoenus described reflects on the more traditional inflection of Arcadia, which in the literary transfiguration was the scenario par excellence of the most carefree pastoral life and out of this world; the painting is therefore a forerunner of what was professed by the actual poetic academy of Arcadia which was established in Rome in 1690, but enthusiastically testifies to the feverish invitations to its acceptance, then widespread in the most avant-garde cultural salons throughout Italy. First Theocritus and Virgil later had awakened with Idilli and Bucoliche that capacity typical of the natural world to allow an escape from reality; the contemplation of perfect natural fruits that followed would have evoked in the spirits of dreaming men back to origins. The bucolic landscape was able to positively give a rhythm to material life, and constituted the concretization of a place devoid of incivility and ugliness, where only dreams, wild music and homages to fruitful nature were allowed. In the present painting widespread figures of shepherd children trace the same intent to the sublimation of earthly life, gathered in pairs, while children on the model of the ancient cherubs cheer the field with flowers and petals. The games of these and the sweet affections of the other characters are rendered through liquid and vibrant brushstrokes, flickering with a white light that opposes the dark shadow of the undergrowth. In the distance, the sky tapers with a silvery and flat brushstroke, while the vertical development of the promoters with architectures helps to introject a bright beam of light into the grassy clearing. The foliage and the turf of the landscape piece are rendered through a digital brushstroke, betraying the Italian brand of the present, influenced at the same time by the seventeenth-century European influences that then conveyed to the capital. The evocative culture of the city attracted many artists from the city of Bologna, from the Italian north but also from the territories beyond the Alps, such as Claude Lorrain and Nicolas Poussin. The historical-artistic heritage of the Italian pastoral scenes was thus able to fill up with the more functional and particular formalisms of the charms coming from elsewhere, such as the expressive tremor of the present, similar to the contemporary French lexicon. The typological restitution from pastoral idyll, in accordance with the intrinsic stylistic qualities of the work, allows us to specify the solid belonging of the present to the Italian hand, similarly to what was then emerging in the pictorial sphere within the Emilian school. In this regard, we should recall the latent influences of two decisive foreign landscape painters who passed through the Emilian belt, such as Claude Lorrain (1600-1682) and Nicolas Poussin (1594-1665); before them, Giovanni Battista Viola...

Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754) Head of St. Peter Oil on canvas applied on cardboard, 36.5 x 34.5 cm With frame 42.5 x 41 cm The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery. The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...

Max Ernest Clart, large oil on canvas signed and dated 1969.

Motif: Palace of the Queen of Naples. Venetian coastal landscape in the sunset. Evening mood on the Mediterranean coast with a picturesque town betwe...

This painting is a copy of the "Gallant Shepherd" painted by François Boucher for the audience room of Prince Hercule-Mériadec, Duke of Rohan, on the first floor of the Hôtel de Soub...

An original oil on canvas of a society lady by John Strevens (1902-1990). Painted circa 1950 it is signed to the bottom left corner by the artist. Framed dimensions : 16" x 13.5" Ca...

This Modernist Bucolic Oil Painting, created in 1946 by Portuguese artist Agostinho de Mello Júnior (signed Melo J), offers a captivating glimpse...

Italian Landscape in Grisaille - Oil on Board from the 1700s A work of great chromatic elegance This striking 18th-century oil on wood panel, made in the grisaille technique, is a ...

Circle of Antonio Amorosi (Comunanza, 1660 - Rome, 1738) Portrait of young people Oil on canvas, 87 x 67 cm The painting depicting this portrait was made by an artist activ...

Interior territory - Elodie Huré Oil on paper mounted on linen stretcher 200x250cm 2016 Visual artist, videographer and collagist, also trained at ...

Talking to rocks 1 - Elodie Huré Oil on canvas 60x60cm 2020 Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré expresses herself mai...

Hypnos and Thanatos - Elodie Huré Oil on paper mounted on linen stretcher 195x250cm Visual artist, videographer and collagist, also trained at the t...

Spring Circle 3 - Elodie Huré Oil on wood Diameter: 34cm February 2021 Signed on the back Visual artist, videographer and collagist, also trained at the theater school, ...

Ophelism - Elodie Huré Oil on canvas mounted on wood Measures: 56 x 150cm August 2021 Signed on the back Visual artist, videographer and collagist, ...

Spring Circle 2 - Elodie Huré Oil on wood Diameter: 34cm February 2021 Signed on the back Visual artist, videographer and collagist, also trained at the theater school, ...

The song of the Amazons - Elodie Huré Oil on canvas Measures: 200 x 140cm 2017 Signed on the back. Visual artist, videographer and collagist, also trained at the the...

Very colorful modern oil-on-canvas painting of North African village scene (in smooth finished dark brown frame). Isabelle Del-Piano, French,...

Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793) Lying Female figure Oil on canvas, cm 46 x. 31 - With frame, cm 56 x 42 The present painting is connected by style and treated subject, in this case a young girl lying in an idyllic landscape, to the production of small pictures of pastoral subject of the Piedmontese painter Giovanni Domenico Molinari (Caresana, 1721 - Turin, 1793). Molinare was born in Caresana (Vercelli) on 19 July 1721 but after losing both his parents he moved to Turin. Here he became, from 1736, a pupil of the Academy of Drawing founded by the painter Claudio Francesco Beaumont (Turin, 4 July 1694 - Turin, 21 June 1766) where he remained as a pensioner until December 1755. Molinari was immediately engaged in the translation of the master’s sketches on cardboard used for the Regia manufacture of tapestries. His early success on the Turin art scene is confirmed by the fact that he joined the Compagnia di San Luca in 1756. In 1751 he married Margherita Peiroleri, whose brothers Pietro (engraver) and Nicolò (painter) also attended the school. Remained widower count two other marriages first with Lucrezia Elisabetta Burzio and then in 1770 with Domenica Maria Ferrero. On the death of the master in 1766 Molinari, considered by his contemporaries to be the most faithful interpreter of the master and for his elegant and Arcadian style, which clearly interprets the aesthetic taste of the court, was called to finish the works that remained unfinished, such as the altarpiece for the church of Santa Maria della Scala in Moncalieri depicting the Assumption venerated by Blessed Bernard of Baden and Saint Anthony. Molinari was also well praised by critics and Abbot Lanzi highlighted the quality of the production of historical and mythological subject for the rigorous post-marattesco classicism. In Turin he worked for Vittorio Amedeo III of Savoy as a portrait painter, executing for him eleven canvases (between 1774 and 1775), but, since 1745, he also supplied tapestry cartoons to the local Fabbrica, of which, in 1766, he became director. The production of paintings of sacred subjects is also lively, especially used in the decoration of the churches of the capital as the Assumption for the Hotel of Virtue and San Pietro Regalado and San Benedetto il Moro for Santa Maria degli Angeli ( Torino) He also painted tempera and oil cartoons for the same church, on the occasion of the beatification of Pacifico da San Severino (1787) and, for that of San Francesco di Paola, when Gaspare de Bono...

Antique oil painting in the manner of French artisan Julien Dupré of a woman with cows. Signed on the bottom although the artist is unknown, this was most likely done as a study piec...

A vintage boho abstract figurative oil painting features stylized or abstract human figures—possibly in fluid, organic poses, surrounded by bold, earthy colors or textured layers. It...

Important Painting Of Hard Stones XIX TH LARGE PAINTING OF HARD STONES OF DIFFERENT COLORS THAT REPRESENTS THE: VIA APIA DE ROME. THIS IS A VERY CO...

Oil on canvas, mythological painting of Satyr (pan depicted with goat horns) and woman portraying the Classic eternal theme of Eros and the struggle against it. European (Italian ...

Giacomo Francesco Cipper, known as il Todeschini (Feldkirch, July 15, 1664 - Milan, October 17, 1736) was an Austrian painter, active in Italy in the first half of the 18th century. ...

Oil painting on canvas medical theme, home treatment of a chiropodist, Dutch school of the late eighteenth century - early nineteenth century. There ...

Friedrich Carl Werner Ebel also known as Fritz Ebel, Lauterbach (Hasse), 1835 - Dusseldorf, 1895 Idyllic scene in a beech grove, 1868 oil on canvas Signed and date lower right: F. ...

This early 20th-century French oil painting captures a moment along a canal. A painting for lovers of French art and canal scenes. A wooden barge glides across the water, reflecting...

Oil on canvas; ships in Ischia's Harbor, Guillermo Rodrigues, Italy, 1915.

Wonderful oil painting View from a sea with restless waves and shining clouds Oil of canvas, circa 19th century The frame is very Fine and detailed carved and gilded.  

The present painting comes from the hand of the painter Walther Firle. It was created circa 1884 after a stay of the artist in Holland. In The Hague he s...

Manuele Vonthron Oil on Paper France (1962-) Discover the refined world of Manuele Vonthron, a distinguished French artist born in 1962, whose life and creative endeavors unfold i...

O/5504 - Elegant pair of antique European portraits oil paintings, with a strong personality. Original frames - Signed Carl (o...

Size with frame: 12 x 89 x 117 cm Size of the painting: 3 x 83,5 x 55 cm Little damage on the frame as you can see on the photo. Franz Roubaud (1856–19...

Painting oil on panel by Frank Edwin Scott (1863-1929). Dimensions With frame : 27.5 x 21.5 x 2.5 cm Without frame : 22 x 16 cm.

18th century, Piedmontese, School Scene with spinner Measures: Oil on canvas, 50 x 60 cm Frame 70 x 80 cm.

19th century Castel Sant'Angelo Oil on canvas, 49 x 58.5 cm The analyzed painting portrays a pleasant view of the city of Rome. Taken from the bank of the Tiber, Castel Sant'A...