Three Italian 18th Century Hand-Colored Engravings on Paper of Vatican Loggias

This Italian 18th century Neoclassical period folding screen consists of six panels with antiques etched and engraved copperplates on paper reproducing the frecoes painted by Raffaello Sanzio in the Vatican, known as ' The Vatican Loggia'. Each engraving - boasting a fantastic variety of black and grayscales - is applied to paper and set in frame flanked by a sage green fabric. At the bottom each panel is finished with an ink painted cartouche, completing the screen like a faux paneled boiserie...

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

It’s a joy for the eyes and soul to admire the countless details of this village overlooking the sea of Naples’ bay with the mount Vesuvius on the background depicted in this old mas...

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

18th Century French Revolutionary Hand Colored Engraving During The Revolution. Very Ornate Gilt wood Frame. Beautiful piece purchased in France. Age appropriate wear, see detailed p...

Pair of hand colored engravings by Jacques Grasset de Sainte-Sauveur, 1797 Paris publication, 'Costumes de Different Pays', (Costumes of Different Countries). This pair depicting two...

From: 'Costumes of Various Countries' by Jacques Grasset de Saint-Sauveur, circa 1797. Hand colored engravings on paper. 'Hollandie', showing a mother and child in native costume fro...

Pair of hand colored engravings of the Royal Palace and Brussels Park by Balthasar Friedrich Leizelt (also spelled Leizel, active 1750–1800) a German artist and copperplate engraver working from Augsburg. These are beautiful and evocative renderings of architecture, open space and perspective. 1- Place Royal A Bruxelles 2- Vue Du Parc A Bruxelles 22 inches wide 18 high Leizelt produced a series of European and American scenic views at a time when pictures of foreign countries and people were popular and designed for use in optical viewers. As is normal for these prints the series title is a mirror image because optical viewers made use of mirrors which reversed the image. The Age of Enlightenment sparked a great interest in science, so that optical toys...