"Two Women with Peony Blossom, " Superb Art Deco Painting, circa 1939

One of the most exotic and gorgeously colored Art Deco paintings we have ever seen, this scene of an elaborately robed Chinese couple, clearly of royal blood, conversing by a pool su...

A color-rich reimagining of the mythological tale of Ceres, the Goddess of fertility and agriculture, this marvelous Art Deco painting shows a modern Ceres holding a pineapple in one...

This lovely, high style Art Deco painting depicts a pale female figure in blond ringlets, an elaborate mid-19th century dress and a straw hat dangling from her arm, holding a lovely bouquet with lilies of the valley and roses. Approaching her from the left is an exotic turbaned figure holding a tray laden with more flowers. The entire scene is painted in pale violet and yellow...

Brilliantly executed in jewel tones of sapphire, garnet and emerald, this superb enamel painting, though executed in 1963, is strongly reminiscent of WPA paintings...

Oil on canvas signed F.MOLINA lower-left, located in Paris on 5 June 1925. Very beautiful, almost Fauvist atmosphere, portraying two nude women lying on a bed, a richly embroidered c...

A vibrant color palette power florals still life painting of peonies in a blue vase cup on the table with a glitwood frame. Oil on composite panel - platex. Signed ‘A Ferrand’ on l...

Vivid and striking, classic French Art Deco watercolor of an exotic woman holding a flower in one hand was painted by Chasquest, perhaps as a costume design for a Hollywood productio...

Painting by Bela Kadar Bela Kadar was born in Hungary in 1877. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwarth Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden's gallery with other artists of Der Sturm, Kadar met Katherine Dreier whose Société Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of which in September 1928 Kadar travelled from Europe to attend. Bela Kadar incorporated themes of Hungarian folklore...