Early 2000s Photography

Streets of Malta right after rain captured in limited edition photography which is part of the "Above H2O" series by Michael Zaimov taken in 2009. The image is 130 x 210 x 4 cm. sign...

Presented is a photograph of the Phoenix Lander on Mars, signed and inscribed by Apollo 16 moonwalker Charlie Duke. In the inscription, Duke shares his thoug...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Presented is an autographed collage celebrating the women golfers of the 2009 Solheim Cup U.S. and European teams. The 11th Solheim Cup Matches were held Au...

Vintage Large Photograph "The Elephants Meet". Framed and matte. Signed by Bob Wallace.

An original one-off large format Polaroid photograph of Andreas Kronthaler (Vivienne Westwood's husband as well as creative director and design partner) for the Vivienne Westwood Active Resistance limited edition book produced by Opus. By photographer Zenon Texeira. Signed by Andreas Kronthaler in marker pen. Large-format polaroids are extremely rare and unique and as the name suggests, they are of a large scale, the visible image dimensions being 52 cm x 67 cm. It is a one-off, unreproducible photograph, as there is no negative. Large Format Polaroids: The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal 20 by 24 inches. Throughout its history, it has been used by many famous photographers, including Robert Rauschenberg and Andy Warhol. Ansel Adams also used the camera, notably to make the first official photographic Presidential portrait, of President Jimmy Carter in 1979. To celebrate Lady Gaga's new role as Creative Director of Polaroid, a portrait of her was shot with the 20×24 camera on June 30, 2010, at the Massachusetts Institute of Technology. This is the actual one-off Large Format Polaroid Photo taken on one of three of these cameras in existence which are soon to be obsolete because no more of the photographic paper can be made. The rare Polaroid 20 x 24 camera was brought from Prague to Paris and London for three separate photo shoots for The Official Vivienne Westwood Opus. Featuring Vivienne Westwood’s family and friends wearing clothes from her stunning collections, 97 selected Polaroids, shot by Zenon Texeira in black-and-white, colour and sepia, are displayed in the Opus. The photos were shown in various venues including the Serpentine Gallery in London on a worldwide tour to promote the book. Participants included: Vivienne Westwood, Pier Vittorio Aureli, Hilary Koob-Sassen, Ingo Niermann & Zak Kyes, Rasheed Araeen, Peter Cook, Richard Wentworth, Gilbert & George, Ben Vautier, Jonas Mekas, Jean-Jacques Lebel, Tom Mccarthy, Mark Wallinger...

A framed photograph by Italian artist Paolo Ventura (b. 1968), No 59 from the series Winter Stories and created in 2009. The current digital chromogenic print on offer is presented f...

Photogram by Enrico Garzaro from the Flora serie, 2015, with an old frame included.

Our gallery is proud to represent the noted photographer Nicola Majocchi. This work is titled as follows: Birth of Venus (Two) Limited edition of ten (10) Measures: 20” W x 20” H ...

This is a series of THREE (3) - all of which is MONA, the photographer's Muse and Model. Mona painted in black and white. Original framing in white.

Valérie Belin, who studied at the École Beaux-arts de Versailles, the École Nationale Supérieure d’Art de Bourges, and the Université de Paris Panthéon-Sorbonne, first took up photo...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is stretched and framed in a natural wood fre...

Yoshida Kimiko (Japanese, b. 1963) The Golden Bride from Fez, 2005 C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso...

This is a series of three (3) - all of which is Mona, the photographer's Muse and model. This is a fully painted body in black and white. Original framing in white.

Cette Photographie est superposition de chrome et impression à l'encre pigmentée minérale sur papier Hahnemühle Photo Rag Baryta 315 gr. Selon les mots de l'artiste Claudia Andujar:...

This brass trimmed framed photo print with details of wood grain and wonderful black print with excellent clarity. A wonderful piece of wall art. The LeVeque Tower is a 47-story s...

"Sexual Trepidations" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price ...

Yoshida Kimiko (Japanese, b. 1963) The Berber Bride, Morocco, early 20th century; self-portrait C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso Edition 2/10 Size: 47.25 x 47.25 in. Kimiko Yoshida...

Carole Bouquet by Just Jaeckin signed and numbered 21/100 lower left print on glossy paper excellent condition Circa of the print : 2009 Size : 80...

Sylvia Kristel by Just Jaeckin signed and numbered 21/100 lower left print on glossy paper excellent condition Circa of the print : 2009 size : 80 x 60...

Rodney Smith (1947-2016) Archival Print ‘Superslow Exercise’ Edition 10/25 Signed and dated NYC 2001 Rodney Smith was a prominent photographer whose whimsical work invited compa...

Chronotopia 2, 2003 C-print 24 × 30 in 61 × 76.2 cm Edition 8/10 Simon Norfolk is a well known British landscape photographer who has regularly worked w...

Thierry Henri One of a series of photograph by photographer Marc Quinn from the FIFA 100 Exhibition held at the Royal Academy of Art in 2004. Pele was asked to select 100 of the grea...

Michael Stuetz "Theban" C-print 2000 Edition 2/3 Signed and dated on back Frame dimensions: 22.75 in. x 26.75 in. x .75 in. Condition notes: In very good condition. Newl...

James Billings (British) A large and striking fine art photograph of an abandoned amusement park in Berlin, Germany. A chromogenic print mounted under plexiglass sheet, floated in wo...

Sanna Kannisto (Finnish, b. 1974), "Act of Flying Portfolio", (3) c-prints on Fujifilm paper, each signed and numbered 4/25 verso. This is a lovely triptych showing a gloriously colo...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Jean-pascal Bredenbac, photo on sheet metal, mounted on wooden panel, Dated 2000.

A framed behind glass and matted panorama photograph titled "Wildflower Coast" by the talented artist photographer Robert Knight. This captivating piece showcases a breathtaking coastal landscape adorned with vibrant wildflowers. It is a limited edition print, numbered 9, and personally signed by the artist. Robert Salisbury Knight...

Javier Vallhonrat “ETH # 12 (Columna)”, 2000 Color photography Edition 3/3 Javier Vallhonrat: Born in Madrid in 1953. Bachelor of Fine Arts and Psychology, Gestalt Therapist and Integrative Humanist Therapist, this artist chooses photography as his privileged means of research. During the last years he has worked in particular geo climatic environments, carrying out projects of prolonged duration that he continues to develop at present. The work of this artist has been exhibited in numerous museums and institutions around the world, and is found in collections such as the Reina Sofia Museum in Madrid, the Grand Duc Jean in Luxembourg or the Museum of Modern Art in Philadelphia, among others. 17 monographs of his work have been published, his work having been recognized with numerous awards, among which include the National Photography Prize, the Photography Prize of the Community of Madrid, the Photography Prize of the Madrid City...

Introducing a breathtaking framed behind glass and matted panorama photograph titled "Fall Lake Reflections" by artist photographer Robert Knight. This captivating artwork showcases the serene beauty of a lake during the fall season, with its vibrant colors and tranquil reflections. The photograph is a limited edition print, numbered 108, and personally signed by the artist. Robert Salisbury Knight...

Chronotopia 2, 2003 C-print Measures: 24 × 30 in 61 × 76.2 cm Edition 5/10. Simon Norfolk is a well known British landscape photographer who has r...

Archival pigment print by Chris Austin. Untitled (Night #33), 2008. Edition 1/5.

This early original photography by the late Brian McKee (1977-2018) of a war-torn Castle in Northern Afghanistan. This is a chromogenic print mounted on aluminum - Series 1 of 5, from 2002. Provenance: This amazing piece was purchased at Art Basel (Switzerland) in 2002 from Galerie Ernst Hilger (Vienna). Paperwork to be provided at time of purchase. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MIAMI, FLORIDA SHOWROOM. Biography Brian McKee was born in 1977 in Excelsior Springs, Missouri and attended the Interlochen Arts Academy and Bard College. While at Bard College he studied photography with Stephen Shore, Larry Fink and Barbara Ess as well as writing under John Ashbery whose assistant he was for more than three years. For five years he was the assistant to the photographer Lynn Davis. He lived and worked in New York City/USA, Vienna/Austria and Istanbul/Turkey. Brian McKee called himself “a visual historian” who ventured to “convey a unique and important view of select aspects of World History” with his photographs. “Within architecture and landscapes I find my true subject, the detritus of civilization, and seek to explore the way we define and relate to its existence. Although creating precisely composed and executed images I carefully chose projects that have a conceptual meaning and importance beyond their visual interest or beauty.” For the past 15 years McKee had focused on examining and visualizing a body of work that explored both the current and past social and political atmospheres of countries around the world. Photographing with an 8x10 inch Deardorff plate camera he composed poetic images, which conveyed a complex untold narrative embedded in an immaculate concept, which didn’t only exist for aesthetic purposes. He was fond of ”the idea that houses, buildings, towns and cities provide us with a true understanding of the cultures that inhabited those spaces. At the same time they are a reflection of the social, political and personal atmosphere that created them.” His signature subject of the rise and fall began 1999 when he photographed Soviet military...

Photography of Paula Anta "Seul 01" serie "Artificial Paradise", 2008. Paula Anta Education 2015 European PhD in Fine Arts, Complutense University of Madrid. 2004 Professional Piano Degree (1966 Academic Programme). Exhibitions 2018 “Kanzel”, Pilar Serra Gallery, Madrid. 2017 "Rêver le noir, rêver une absence“, La Laboral Ciudad de La Cultura, Gijón Photography Encounters. R&P Legal Collection, Frankfurt, Germany. 2014 “In Black” (In Schwarz). PHOTOALC Festival, Aural Gallery, Alicante. “Readers” (Lectoras). Women’s Outlook Festival, Blanca Soto Gallery, Madrid. 2013 “Saints” (Santos). Spanish College, International University City of Paris. 2011 Modern Art Centre “Hospital del Rey”, Melilla. 2010 “Holy Cow...

Photography by Paula Anta “Busano 02” from the series “Paraísos Artificiales”. 2008. Artificial Paradises pretends to be an own and very concrete paradise, in a very specific place....

Photography of Paula Anta "Busano 03" serie "Artificial Paradise", 2008. Paula Anta Education 2015 European PhD in Fine Arts, Complutense University of Madrid. 2004 Professional Piano Degree (1966 Academic Programme). Exhibitions 2018 “Kanzel”, Pilar Serra Gallery, Madrid. 2017 "Rêver le noir, rêver une absence“, La Laboral Ciudad de La Cultura, Gijón Photography Encounters. R&P Legal Collection, Frankfurt, Germany. 2014 “In Black” (In Schwarz). Photoalc Festival, Aural Gallery, Alicante. “Readers” (Lectoras). Women’s Outlook Festival, Blanca Soto Gallery, Madrid. 2013 “Saints” (Santos). Spanish College, International University City of Paris. 2011 Modern Art Centre “Hospital del Rey”, Melilla. 2010 “Holy Cow!” (Heiliger Bimbam). Heike Strelow Gallery, Frankfurt am Main. “HomeMade”, video exhibition “Sonate No. 1 Augenmusik (Eye Music) K505”, Davis Museum, Barcelona. 2009 “Bring me a leaf of grass from the Edge of the image- Chapter II”. Atelierfrankfurt, Frankfurt am Main. 2008 “Palmehuset” (House of Palms). Photoespaña XI, International Festival of Photography and Visual Arts, Blanca Soto Gallery, Madrid. 2007 “Sunset Delux-Art”. Residency at Linklaters Art Association, Frankfurt am Main. Awards and scholarships 2016 Estampa 2016, Regional Authority of Madrid Award. 2015 VIII Biennial International Competition of Contemporary Photography “Pilar Citoler” Award. 2012-2013 FormARTE Scholarship for Visual Arts and Photography, Spanish College in Paris. Combat Prize. City of Livorno. Honourable Mention. 2011-2012 Scholarship from Spanish Ministry of Foreign Affairs, Spanish Academy in Rome. 2010 Aena Foundation Photography Award. 2009 Iniciarte scholarship for the creation and dissemination of contemporary art. Andalusia Regional Authority. 2008 Art Creation Award, Regional Authority of Madrid. 2007 Shortlisted in the “El Cultural” photography competition, El Mundo, Madrid. Artist in Residence Scholarship, Atelierfrankfurt, Frankfurt am Main. 2004 Juan Gris chair, Jannis Kounellis course. 2002- 2005 Honorary Research Scholarship, Fine Arts College, Complutense University of Madrid. 2002 Scholarship for Workshop Claude Closky, DFSSU Management of IT Projects, Paris. 2001 Scholarship for doctoral tuition overseas, Paris 8 University. 2000 Internship, Audio-visual Media section, Fine Arts College, Complutense University of Madrid.   Artificial Paradises Paradise is an enclosure created by man. It is a place of perfection in nature, of reconciliation with our origin, of serenity towards our near reality. Paradises are there, waiting for us. We earn them sometimes, and some other times we are expelled from them and then their very existence becomes a reproach. Paradises are not ephemeral, though. All that belongs to Nature is ephemeral and boundless at the same time. It remains until the infinite and returns to the beginning to wither again and so on, over and over. Paradise escapes us, it slips out in our imagination of what it is. It disappears and then, just like everything we cannot hold, like everything vanishing away from our desire for grasping, it must be replicated, frozen in time, imitated at best, never to be lost again. We contemplate it in all its confines, we study it and scrutinise all its forms, line by line, each with different colours and nuances. We thus hold on to the ephemeral, we stop its decadence, we perpetuate beauty in our urge to negate its own death. The paradise reverts to the logic of the quest. Maybe the last voyage ever to be undertaken is that of defining a paradise through sheer technical mastery, through the use of an apparent wisdom, a meticulous ability to reproduce reality: to create some sort of artificial paradise, a world where everything is reproducible and interminable, and so all appears at last to be perfectly docile and tame. To believe in the absolute harmlessness of such a paradise. And very likely to open up an abyss afresh, a new irony (tragic o comic or perhaps both at the same time) about each petal of each of its artificial flowers, made in the image and according to the likeness of reality. Artificial Paradises intends to be a very own and concrete paradise in a very specific location. The tradition of reproduction/imitation in Asia forms part of its culture. The tenacious aim for perfection, or for the idea of perfection held about things, blurs the confine between what is and its perfect imitation. In Asia the electric colours of the artificial plants...

"Sandstorm in the library" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition P...

"Champagne" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 2/9 Size : 40 x 60 cm Very good condition Price : € 490

"The ghost ship" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price : € 490

"Stellar Influence" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price : ...

"Turbulences of mechanical energy" Francis Apesteguy Inkjet photograph on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Perfect ...

"Hallucinations" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price : € 490

"Alternative movements on the Seine" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good c...

"The Red Mill" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good...

Photograph by John Steinbeck. Roy Schatt Photo by Elia Kazan ( Roy's photography student ) Print by Roy Schatt photography With frame L 41 cm x 51 cm W...

Fabrice Vallon. La Tour Eiffel. photographie de 2007 papier photographique numérotée et signée 2/100 petit accident en bas à gauche dimensions : 70x50...

One of a series of photograph by photographer Marc Quinn from the FIFA 100 Exhibition held at the Royal Academy of Art in 2004. Pele was asked to select 100 of the greatest current a...

“Urban Paris V” Paris, 2008 Mónica Sánchez-Robles Printing on photographic paper with white margin and frame wood. Edition 5 copies and one P / A 2/...

Artwork by Juan Carlos Martinez Jiménez “Gibbiflora” Mexico 2008. C-Print on RC paper, foam and wooden frame. Edition 1/5. Juan Carlos Martinez´s work is all about recreating a spac...