1840s Prints

This is an illustration of a soldier from Venice, known as a "Soldat Vénitien." The image is likely from a historical or military costume book, detailing the dress and equipment of v...

Title: 19th-Century Hand-Coloured Lithograph of Medieval Plate Armor Components Description: This hand-coloured lithograph presents two meticulou...

Title: 19th-Century Hand-Coloured Lithograph of a Medieval Siege Tower in Action Description: This exceptional hand-coloured lithograph depicts a towering Medieval siege tower, a cr...

Hand-Coloured Lithograph of Ornate Medieval Horse Saddles and Stirrups This detailed and beautifully hand-coloured lithograph depicts ornately decorated saddles, stirrups, and e...

"1844 Persian Elegance: Exquisite Handcoloured Lithographs of Cultural Icons" Description: Delve into the opulence of Persian culture with these strik...

Handcoloured lithographs, heightened with Arabic gum on wove (vellin) paper. From the Asia volume of “Moeurs, Usages et Costumes de tous les Peuples de Monde” by Auguste Wahlen. Thi...

Antique print, titled: 'Histoire Sainte. - Ancien Testament. Vision des trois Anges' - This plate shows a scene from the Old Testament; The vision of the three Angels. From a Rare set of 60 plates showing scenes from the Old Testament of the Catholic Bible...

The print portrays a Kurek, likely a member of a Siberian ethnic group. This print, part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" from 1844, high...

Great image of a whale. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publish...

Title: Handcolored Engraving of African and Charrúa Men, Paris 1849, from d'Orbigny's 'Dictionnaire Universel d'Histoire Naturelle' This rare and striking handcolored engraving, c...

Title: "Regal Bearing: Emperor Maximilian on Parade" Description: This historical illustration depicts Emperor Maximilian arrayed in full regalia, mounted on a proud and well-groome...

Title: "The Italian Archer: A Study in Renaissance Military Fashion" Description: This print showcases the garb of an Italian military archer, likely from the Renaissance period. Th...

The lithograph titled "Mingrelien" depicts a man from Mingrelia (historically part of Western Georgia), showcasing traditional attire and daily activities typical for the region. Here are some insights: This 1844 handcoloured lithograph captures a Mingrelian man engaged in daily activities, part of Auguste Wahlen’s "Moeurs, Usages et Costumes de tous les Peuples de Monde." Published in Paris, the print vividly illustrates the traditional dress and lifestyle of Mingrelia, a region known for its rich cultural heritage within Georgia. The man is depicted carrying a basket of grapes, suggesting involvement in viticulture, which is a significant aspect of Georgian agricultural practices. His outfit is practical yet colorful, with a combination of a red tunic...

This original antique lithograph for sale depicts a historical figure known as a "Doyen," which typically refers to the senior member of a body or group. This individual is portrayed...

Vibrant Depictions of 19th Century Japanese Costumes from Auguste Wahlen’s Masterpiece These prints depict various figures from Japanese society, ranging from a humble fisherman's family to a nobleman, a ceremonial samurai, and infantry musicians. Each figure is intricately dressed in traditional attire, reflecting their status and roles. The prints were created by the artist Auguste Wahlen as part of his celebrated work *"Moeurs, Usages et Costumes de tous les Peuples de Monde"* (Customs, Manners, and Dress of All the Peoples of the World), published in 1843. The vibrant colors and fine detailing were achieved using lithography, a printmaking technique that involves drawing on a flat surface with a grease-based medium and using a chemical process to transfer the image. The accuracy of the costumes and lively scenes make these lithographs especially appealing. The contrast between the vivid costumes and soft shading adds depth, capturing the essence of Japanese life during this period. Attraction of the Prints: The appeal lies in their historic and ethnographic value, showcasing detailed attire and customs from another era, accompanied by the richness of the lithography technique. The vibrant colors, clean lines, and the representation of both nobility and common folk offer viewers a rich visual experience, portraying a distant culture with authenticity and grace. Keywords: 19th-century prints, Japanese costume lithographs, traditional Japanese attire, Auguste Wahlen prints, "Moeurs, Usages et Costumes," ethnographic art, historic lithographs, ceremonial Japanese dress, Japanese fishermen prints, samurai art...

Great image of hummingbirds Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Pub...

Title: "Dignified Poise of a Spanish Noblewoman: A Lithographic Study from 'Costume du Moyen Âge'" Description: This striking lithograph from the historic 1847 anthology "Costume du Moyen Âge" portrays a Spanish noblewoman in traditional attire, captured with an essence of nobility and refined grace. The noblewoman is depicted in a three-quarter stance, her gaze gently directed towards the viewer, which creates an intimate connection with the audience. Her dress is a harmony of practicality and elegance, characterized by a full-length, tan cloak that wraps around her figure, edged with a subtle blue stripe that adds a touch of color to the otherwise muted palette. The noblewoman's headdress, a distinctive feature of her ensemble, is a beautifully patterned headscarf, its intricate design suggesting a status of wealth and sophistication. The scarf is secured around her head and beneath her chin, framing her face and highlighting her serene and composed expression. Beneath the cloak, glimpses of a dark undergarment can be seen, suggesting layers that were typical of the era's fashion. Her right hand extends gracefully, perhaps in a gesture of communication or to display her ring, indicative of her marital status and her family's coat of arms. The lithograph demonstrates an exquisite attention to textile and pattern, which not only conveys the fashion of the period but also the cultural identity and social stature of the noblewoman. As with other pieces in the collection, the background is deliberately left blank, focusing all attention on the subject and her costume. This lithographic work serves as both an artistic and historical document, offering insight into the lifestyle and status of noblewomen in medieval...

Title: 19th-Century Lithograph of Early Stone Tools from 'Der Rittersaal' Series Description: This unique monochromatic lithograph showcases a collection of early stone tools, met...

The original antique print shows a seated figure labeled "Muger plebeia," which translates from Spanish to "Plebeian Woman" or "Common Woman." The woman is dressed in a simple yet elegant manner, indicative of the common people of the time. She is wearing a long dress in a pinkish hue with a red overdress or tunic, which drapes gracefully around her. On her head, she wears a blue hood that covers her hair, which was typical for women during various historical periods to denote modesty or as a fashion statement. Her seated position and the presence of the cane suggest rest or perhaps age. The simplicity of her clothing, without elaborate jewelry or adornments, signifies her status as part of the lower social class, although her clothing is neat and well-kept. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

Title: "Traditional Kamchatdale Portraits: Engravings from 19th-Century Exploration" These two prints showcase individuals from the Kamchatka Peninsula, illustrating the rich cultur...

Title: "Exquisite 19th-Century Lithograph of a Siamese Man by Auguste Wahlen" Description: This handcolored lithograph from Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners and Dress of All the Peoples of the World) features a Siamese man dressed in traditional attire. The print showcases the individual in vibrant colors, donning a distinctive pointed hat and ornate pants, with a palm plant in the background. Created by an anonymous engraver after Wahlen's design, this lithograph was published in Paris by Poiree, Pilout, Duterte, and Martinon in 1843. The technique used, handcolored lithography, enhances the visual appeal, bringing life and depth to the portrayal. These prints captivate viewers with their detailed and colorful representation of cultural attire from around the world, providing a window into the diversity of global traditions in the mid-19th century. Keywords: 19th-century lithographs, handcolored prints, traditional Siamese clothing, historical ethnic dress...

Great image of a Herefordshire bull. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph with original hand color. Published 1...

Title: "Renaissance Herald: The Messenger of News" Description: This print depicts a trumpeter from the 15th century, known as a herald, who served the crucial role of conveying mes...

Antique print, titled: 'Poissons Plate 6 - Le Merlan Commun (Gadus merlangus) - Le Gade Verdatre (Gadus virens).' This rare plate shows the Merlangius merlangus, commonly known a...

This hand-colored engraving, titled "Jongleur," portrays a medieval entertainer, a precursor to modern-day musicians and performers. The term "jongleur" denotes a versatile artist commonly seen in medieval courts and public spaces, engaging audiences with music, poetry, and storytelling. In this print, the jongleur is shown playing a flute-like instrument, focused intently on his performance. His attire is strikingly colored, with a blue tunic that falls above the knee, allowing for ease of movement during his performance. The tunic is cinched at the waist by a darker belt, which helps to secure his garment during his active profession. Over his shoulders, he wears a red cape, which may symbolize his role as an entertainer, often brightly dressed to stand out in a crowd. He wears tight red hose, a common element of medieval clothing...

Title: "Traditional Korean Attire in 19th Century Lithograph" This hand-colored lithograph, enhanced with Arabic gum on vellum paper, depicts a man in traditional Korean attire, lab...

This work is a hand-colored toned lithograph, likely created by Théodore du Moncel around 1840. It depicts a picturesque view of a fortified hill with a bustling waterfront and a var...

These two antique handcolored lithographs are colored prints from the book "Costume du Moyen Âge" published in 1847. The prints depict detailed ecclesiastical items from the Middle A...

The print is a detailed anatomical illustration of the skeletal structure of a large animal, likely a mammal based on the bone structure. The main focus is on the axial skeleton, sho...

Pair of John Gould hand colored framed lithographs family of toucans. "Pteroglossus Inscriptus" and " Pteroglossus Hypoglaurus" Each signed in plate. Printed by Charles Hullmandell. ...

This original antique print of the butterfly "Urania prometheus" is a detailed illustration that served as a plate in "Dictionnaire Classique des Sciences Naturelles" by Pierre Augus...

Antique print titled 'Religieuse Chartreuse'. Print of a Carthusian Nun. This print originates from 'Histoire et Costumes des Ordres Religieux'. The Carthusians, also known as the...

This original antique print depicts a young Venetian man, as indicated by the caption "Jeune Vénitien," which translates to "Young Venetian" from French. The young man is dressed i...

An antique hand-colored print by Pierre Auguste Joseph Drapiez, a Belgian naturalist and artist. The print contains depictions of various insects and microorganisms: 1. **Forficule crocipenne:** This refers to a species of earwig. "Forficule" is an old term used for earwigs, and "crocipenne" might indicate a particular species or feature of an earwig. 2. **Mante chlorophée:** This refers to a praying mantis ("Mante religieuse...

Title: "The Stature of a Milanese Noble: An Artistic Depiction from 'Costume du Moyen Âge'" Description: This finely detailed lithograph is part of the 1847 seminal work "Costume du Moyen Âge," which portrays a Milanese nobleman, attired in the fashion of the Middle Ages. The nobleman stands in a dignified pose, with a slight turn to the side that suggests movement or the commencement of an address. His garment is a robust, terracotta-hued robe, which falls in heavy folds to the ground, indicating the weight and quality of the fabric. The robe features elegant blue cuffs and a blue collar, which provide a contrast to the warm primary color and are adorned with diamond-shaped embellishments, implying a subtle yet unmistakable wealth. Atop his head sits a distinctive chapeau with a jaunty feather, adding a touch of personal flair to his ensemble. This hat, along with his full, neatly groomed beard, contributes to the air of wisdom and experience that the nobleman exudes. His expression is one of contemplation and sagacity, with eyes that appear to be observing or assessing the scene before him. As in other plates from the collection, the background is left intentionally plain, directing the viewer’s focus to the subject and his elaborate attire. This lithograph not only captures the fashion and dignity of a nobleman from Milan but also serves as a cultural and historical record, revealing the meticulous attention to detail in costume design and social hierarchy of the time. The lithograph serves as a visual study of the mores and attire of the period, crafted with reverence for the historical accuracy and an appreciation for the aesthetics of medieval clothing...

Title: "Traditional Attire of a Man from Mardin in 19th Century Lithograph" This lithograph, titled "Turc de Mardin," features a man from Mardin, a city in what is now Turkey. The i...

The print for sale is an original antique and hand-colored print and shows a figure labeled "Jeune Italien," which translates to "Young Italian." The individual is depicted in profi...

The image is labeled "Juge criminel anglais," which translates to "English Criminal Judge." The figure depicted is wearing a long, flowing robe with a blue undergarment and a red cape, which is indicative of the traditional robes worn by English judges, especially in higher courts. The judge also wears a white coif, which was a typical head covering for English judges and serjeants-at-law. He carries a staff, which may symbolize authority or the office of the judiciary. His belt is richly decorated, suggesting the importance and high status of his position within the legal system. The robes and coif show significant detail, such as the fur lining on the cape and the gold fastening on the belt, which alludes to the formality and solemnity of the judicial office. The judge's expression is stern and somber, reflecting the serious nature of his role in adjudicating criminal matters. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

Wonderful image of Montreal Fine steel engraving Published by Thomas Kelly, London circa 1840 Unframed.

Yakut People in Traditional Attire, 1844 Handcolored Lithographs These 1844 handcolored lithographs feature individuals from the Yakut community, part of Auguste Wahlen's extensive ...

Title: "Striking 1844 Lithograph of a Formosan Warrior in Traditional Attire" This print is a handcolored lithograph from the "Moeurs, Usages et Costumes de tous les Peuples de Mond...

Traditional Archery and Infantry Gear: Kirghiz and Kalmouk Warriors in 1844 The two tribesmen depicted in the prints are from distinct ethnic groups: 1. Kirghiz - The individual la...

"Indostan People's Traditional Attire Depicted in Auguste Wahlen's 19th Century Prints" This lithograph represents a man from the common people of Hindustan, captured in his traditi...

Title: "Striking 19th-Century Lithograph of a Cochin Soldier by Auguste Wahlen" This colorful lithograph, part of Auguste Wahlen's renowned work "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners and Dress of All the Peoples of the World), depicts a Cochin soldier standing guard. Dressed in a vividly colored uniform with an ornamental hat, this image captures the unique military attire and stance, highlighted against a backdrop of traditional architecture. The lithograph was skillfully created by an unknown engraver, published in 1843 in Paris by the collaborative efforts of publishers Poiree, Pilout, Duterte, and Martinon. Utilizing handcolored lithography, the technique vividly portrays the textures and colors, making the figure nearly lifelike. These prints are sought after for their artistic quality and their detailed portrayal of historical costumes and settings, which appeal to collectors and historians alike. Keywords: 19th-century lithographs, Cochin soldier, military prints, Auguste Wahlen, cultural heritage, antique military uniforms...

Title: "Maid of Orléans: A Symbol of Valor" Description: This original handcolored antique print portrays an iconic historical figure, the Maid of Orléans, known for her pivotal rol...

Description: This original antique print, labeled "Jeune Italien, No. 2," which translates to "Italian Youth, No. 2," depicts a young man in what appears to be a Renaissance-period a...

Title: "Ecclesiastical Splendor: The Archbishop's Regalia in 'Costume du Moyen Âge'" Description: This historically rich lithograph from the 1847 edition of "Costume du Moyen Âge" d...

Title: "Chinese Merchant with Sail Cart from Wahlen's 1844 Lithographs" This hand-colored lithograph titled *Marchand Chinois – Voiture à voile* (Chinese Merchant – Sail Cart) is fr...

Title: "Charles VI: The Well-Beloved Monarch" Description: This print depicts Charles VI of France, known as Charles the Well-Beloved, later nicknamed Charles the Mad due to his per...

The image shows a figure labeled as "Lord Beaumont," depicted in medieval attire. He is wearing a blue overcoat with a fur trim and a gold-patterned undergarment that extends to his ...

The image depicts a man identified as a "Gentilhomme de la cour de Sigismond, empereur d'Allemagne," which translates to "Gentleman of the court of Sigismund, Emperor of Germany." This individual is portrayed in a profile stance, dressed in attire that is indicative of the high-status courtiers during the time of Emperor Sigismund, who reigned in the early 15th century. He is wearing a turban-like headgear, which reflects the influence of Eastern fashion on European court attire, possibly due to the Ottoman influence or the general exchange of culture during the Crusades and subsequent interactions. His doublet is richly patterned and he has puffed sleeves in red, which were fashionable among the nobility during the period. The garment is accented with a decorative belt that holds what appears to be a purse or a pouch. He also sports tight blue hose and pointed shoes, which complete the ensemble typical of a nobleman or a high-ranking court official in the Holy Roman Empire. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

The image depicts two medieval peasants, as indicated by the caption "Paysans," which is French for "Peasants". The figure on the left is wearing a simple tunic with leggings and a...

Title: "Stylish Swagger: A Young English Gentleman in 'Costume du Moyen Âge'" Description: This lithograph from the 1847 publication "Costume du Moyen Âge" captures the confident st...

Title: "Vibrant 1844 Handcolored Lithograph of Siberian Tschuktsches Family" This print is a handcolored lithograph from the 1844 collection "Moeurs, Usages et Costumes de tous les ...

Title: "Charge of Valor: The Medieval French Knight" Description: This vibrant antique print captures the dynamic energy of a French knight in full gallop. ...

Title: "The Medieval Herald: A Portrait of Authority and Message" Description: This print depicts a medieval herald, an essential figure in times of war and peace for communication ...

Title: "Civilian Costume at the End of the 15th Century" Description: The image is a print from a series the "Costume du Moyen Age" dated 1847, and titled "Costume Civil de la Fin du XVe Siècle," which translates to "Civilian Costume at the End of the 15th Century." It showcases a man of status, possibly a noble or a wealthy burgher, standing in a poised and confident manner. He is attired in an ornate cloak covered in a complex pattern of fleur-de-lis and cross motifs, indicative of wealth and possibly a connection to royalty or high social rank. The cloak is open at the front to reveal a blue doublet with a belt, and he wears red hose—a fashion staple of the late medieval period. His footwear is also red, which stands out against the more subdued tones of his outfit. On his head, he sports a fur-trimmed hat, adding to the luxuriousness of his attire. In one hand, he holds a long staff, which serves as both a walking aid and a symbol of authority. His other hand rests on the hilt of a dagger, further indicating his readiness to defend his status or engage in the political or civic matters of his time. The artist has skillfully rendered the textiles and accessories with great care, emphasizing the fashion and social cues of the late 15th-century European society. The colors have a nice glow over them. Historically, egg whites, known as glair, and sometimes egg yolk were indeed used in illumination and painting, particularly in manuscripts, to give colors a brighter appearance and to add a sheen or gloss to the work. This technique was quite common during the Middle Ages...

Title: "French Youth in Traditional Medieval Attire" Description: This hand-colored engraving, titled "Jeune Français," which translates to "Young Frenchman," is part of the histori...

Three Japanese Soldiers: From Auguste Wahlen's 1844 Lithographic Collection These three hand-colored lithographs, created for Auguste Wahlen's renowned 1844 work "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners and Dress of All the Peoples of the World), depict Japanese soldiers. Each figure showcases different attire and weaponry from Japan during that period, rendered with incredible attention to cultural detail. The lithographs are heightened with Arabic gum on wove paper, giving them a vivid, appealing finish that enhances their attractiveness to collectors. Why Attractive: The prints are admired for their striking color contrast, meticulous details in costume and weaponry, and their representation of historical accuracy. Collectors are particularly drawn to the elegance and craftsmanship of the lithographic technique, making these prints both visually captivating and historically significant. Keywords: Japanese soldier prints...

Title: "Tartar Family in Traditional Dress: 19th Century Ethnographic Illustration" Description: This captivating print depicts a Tartar family enga...