1840s Prints

Title: "Seigneur de la Cour du Roi Henri VI" (Lord of the Court of King Henry VI) Description: This hand-colored engraving from the 1847 "Costume du Moyen Age" series represents a nobleman from the court of King Henry VI. The title "Seigneur de la Cour du Roi Henri VI" identifies the subject as a lord or high-ranking individual within the royal court of the 15th-century English monarch. The lord is portrayed in a long, ornately patterned robe that falls gracefully to the ground, indicative of the elaborate fashion of the high nobility during the time. The garment is colored in a rich teal hue, with a detailed pattern that suggests luxury and status. The robe is trimmed with a contrasting color at the neck and cuffs, and a red belt cinches the robe at the waist, highlighting the layered aspect of medieval...

Title: "Armorial Elegance: Crests of Chivalry" Description: This captivating print showcases a selection of medieval helmets and crests, each symbolizing the power and prestige of c...

Title: "Dutch Peasant Woman of the Middle Ages: A Portrait of Rural Life" Description: This delicate print depicts a Dutch peasant woman from the Middle Ages, evoking a sense of sim...

Title: "German Nobleman of the Middle Ages: Elegance in Profile" Description: This vibrant print, original antique and hand-colored, presents a German nobleman from the Middle Ages,...

Title: "Louis the Bavarian: Sovereignty Enthroned" Description: This sepia-toned print from the "Costume du Moyen Age" series likely dating from 1847, features a figure known as Lou...

Title: "Herald Announcing the Death of Charles VI" Description: This 1847 hand-colored engraving is titled "Héraut Annonçant la Mort de Charles VI," translating to "Herald Announcin...

Title: "Anne d'Auvergne: Nobility in Heraldic Robes" Description: This print represents Anne d'Auvergne, a figure of nobility, depicted in a stately and refined manner. She is clad ...

This print appears to portray a figure named Arthur MacMurrough, a historical or legendary figure associated with medieval Ireland. The warrior is mounted on a spirited white horse, which is captured in mid-gallop, its mane and tail flowing with the movement. The rider is attired in vibrant and contrasting colors, with a yellow cloak billowing behind him and a pink tunic covering a chainmail armor...

Antique print titled 'Religieuse Feuillantine'. Print of a Nun of the order of Feuillantines, Congregation of Our Lady of the Feuillants, Cistercian. This print originates from 'Histoire et Costumes des Ordres Religieux'. The Feuillants were a Catholic congregation originating in the 1570s as a reform group within the Cistercians in its namesake Les Feuillants Abbey in France, which declared itself an independent order. In 1630 it separated into a French branch (the Congregation of Our Lady of the Feuillants) and an Italian branch...

Antique print titled 'Trappiste'. Print of a Trappist Monk reading a Bible. This print originates from 'Histoire et Costumes des Ordres Religieux'. The Trappists, officially known as the Order of Cistercians of the Strict Observance and originally named the Order of Reformed Cistercians of Our Lady of La Trappe, are a Catholic religious...

Description: Antique print titled 'Madrid'. View of the city of Madrid, Spain. Source unknown, to be determined. Artists and Engravers: Engraved by S. Davenport. Published by ...

Antique print titled 'Japanesisches Fussvolk Musiker'. Original antique print of Japanese infantry musicians. This print originates from 'Die Volker des Erdballs (..)' by H. Berg...

Description: Antique print, titled: 'Mammiferes Plate 10 - Crane de Chiens des Esquimaux, Crane de Chien d'Islande.' This rare plate shows the skulls of the Eskimo dog and the Ic...

Antique costume print titled 'Jésuite missionnaire à la Chine'. Original antique print of a Jesuit in China. This print originates from 'Moeurs, usages et costumes de tous les pe...

Antique print titled 'A Suit of Genoese Armour, in the possession of Sir Samuel Meyrick K.H.'. Old print of Genoese armour. The Genoese crossbowmen was ...

Antique print titled 'Japanese von Stand und sein Diener'. Original antique print of a Japanese nobleman and his servant. This print originates from 'Die Volker des Erdballs (..)' ...

19th-Century Hand-Coloured Lithograph of Medieval Horsemen with Festive Standards This original hand-coloured lithograph, produced in 1842, provides a fascinating window into the ce...

19th-Century Hand-Coloured Print of Jousting Gentlemen in Vibrant Attire This exquisite original hand-coloured lithograph, dating from 1842, presents a vivid and engaging scene of t...

19th-Century Hand-Coloured Print of Medieval Musicians on Horseback This captivating original hand-coloured lithograph, dating to 1842, offers a vivid glimpse into the ceremonial an...

Title: 19th-Century Hand-Coloured Lithograph of Chainmail Hauberk and Plate Leg Armor Description: This hand-coloured lithograph features a detailed depiction of essential compone...

19th-Century Hand-Coloured Lithograph of Medieval Gauntlets and Arm Defenses This finely detailed hand-coloured lithograph showcases a variety of medieval gauntlets and arm defens...

Title: 19th-Century Hand-Coloured Lithograph of Ornate Spiked and Circular Shields Description: This exquisite hand-coloured lithograph features two striking examples of medieval...

Title: 19th-Century Hand-Coloured Lithograph of Medieval Siege Engines and Catapults Description: This meticulously detailed hand-coloured lithograph illustrates a series of medie...

19th-Century Hand-Coloured Print of Armed Horsemen Bearing a Heraldic Banner This original hand-coloured lithograph, produced in 1842, provides a captivating glimpse into the marti...

A set of 3 lithographs of French actors signed by the actors, circa 1843. Clotilde Ballauri, Alfred Harmant and another without printed name. sight: 9 ½ by 12 ½ inches frame: 13 ...

Title: "Traditional Dress of Lou-Tohou Island Inhabitant, 1844 Lithograph" Description: This hand-colored lithograph titled "Habitant de l'Ile Lou-Tohou" (Inhabitant of Lou-Tohou I...

Title: "Traditional Eleuth Warrior Attire in 1844 Lithograph" Description: This hand-colored lithograph titled *Eleuthe* (Eleuth) portrays a man from the Eleuth tribe, a subgroup of the Oirat Mongols. The image is part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners, and Dress of All the Peoples of the World), published in 1844. The print was created by an anonymous engraver after Wahlen's designs, with notable contributions from artists such as Evrard Duverger, L. Markaert, and R. King. The lithograph is enhanced with Arabic gum on vellum paper, adding a bright gloss and deepening the colors. Notable Features of the Attire: - Helmet: The warrior wears a distinctive helmet, possibly crafted from metal or leather, which suggests a readiness for battle. The helmet design is typical of Mongolian and Central Asian tribes, providing protection while maintaining mobility. - Coat: The long, fur-lined coat is characteristic of the Eleuths, suited to the cold climates of Central Asia. The coat is intricately patterned, showcasing both practicality and status. - Sword: The sword hanging by his side is a symbol of his warrior class. The hilt appears to be ornately decorated, hinting at a higher social rank or experience in battle. Cultural and Historical Insight: The Eleuth people were part of the broader Oirat confederation of nomadic Mongols who lived in what is now Xinjiang and parts of Central Asia. Their warrior culture was highly developed, and this lithograph captures the essence of a soldier's dress during the 19th century. The attire shown here reflects both the harsh environment and the martial lifestyle that characterized their existence. Keywords for Searching: People searching for prints like this might use terms such as "Eleuth warrior lithograph," "Wahlen 1844 Mongolian print...

Title: "Japanese Cavalryman and General from 1844 in Wahlen's Historical Lithographs" Description: These hand-colored lithographs feature a *Cavalier Japonais* (Japanese Cavalryman)...

William Henry Simmons (British, 1811-1882) Hand-tinted engraving after a painting by Anson Ambrose Martin. sight: 29 ½ by 20 ½ inches frame: 37 by 28 inches

The illustration is a collection of various shells, likely representing both gastropods and bivalves: 1. **Télescope vulgaire** - Possibly named for its elongated, tubular shape, re...

Title: "Armaments of Yore: A Study of Medieval Helmets and Armor" Description: This pair of prints presents a detailed study of medieval combat gear, showcasing the intricate design...

Title: "Civic Pride: A Podestà's Robe in 'Costume du Moyen Âge'" Description: This detailed lithograph from the 1847 "Costume du Moyen Âge" collection features a Podestà, a chief ma...

Title: "Medieval Discourse: A Moment Between Officials in 'Costume du Moyen Âge'" Description: This vibrant lithograph, extracted from the 1847 publication "Costume du Moyen Âge," i...

Title: "Chevalier" (Knight) Description: This 1847 hand-colored engraving from the "Costume du Moyen Age" series depicts a "Chevalier," the French term for a knight. The image illus...

This hand-colored engraving, titled "Sergent d'Armes," depicts a Sergeant at Arms from the Middle Ages, a role that historically combined duties of law enforcement, security, and ceremonial functions within the royal court. The figure stands in a poised and authoritative stance, dressed in a rich blue doublet with full sleeves, edged with a yellow patterned trim that denotes his official capacity. The doublet is belted at the waist, accentuating the length of the garment which falls to the mid-thigh, a typical fashion of the period for men of status. Over the doublet, he wears a cape that drapes over one shoulder, suggesting readiness for action. The cape, matching the doublet in color and trim, reinforces his dignified position. His hose are golden, fitting snugly and shimmering in contrast to the matte finish of the doublet, indicative of the esteem of his office. The sergeant...

Title: "Le Chevalier Gifford de Léchampton: The Gallant Knight" Description: This print portrays the knight Gifford de Léchampton in full regalia, stand...

Title: "Isabeau of Bavaria: The Queen's Regalia" Description: This print is a depiction of Isabeau of Bavaria, Queen Consort of King Charles VI of France. She is shown in an ornate ...

This print presents a dignified portrait of Louis XII, King of France, known for his prudent and just reign. Standing in profile, the king is depicted in royal attire that is both la...

The illustration features two court officers from the reign of Richard II, displaying the rich and ornate clothing typical of English courtly fashion at the end of the 14th century. ...

This illustration depicts three English soldiers from the reign of King Henry III, as indicated by the title "Soldats Anglais du Regne de Henri III." Each soldier is shown wearing di...

This original antique print portrays a medieval nobleman, identified as "Guillelmo Beauchamp," which may refer to William de Beauchamp, a prominent figure in English history. The nob...

This original antique print for sale shows a figure labeled "Plebeien," which is French for "Plebeian," indicating that this individual is a commoner. The person is depicted in a long, bright yellow robe with a hood, which drapes in wide folds to the ground, a style that might have been worn for warmth or work by common people during certain periods in history. The individual is gesturing outward with his right hand, perhaps in conversation or pointing towards something of interest. The expression on his face appears engaged and animated. The simplicity of the robe, despite its vibrant color, suggests practical clothing rather than the more ornate attire of the upper classes. The color could signify a particular role within the community, a trade, or simply be a choice of personal attire. The title suggests the active role of the plebeian within the community and the everyday setting in which he belongs. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

The image portrays a figure labeled "Chanoine," which is French for "Canon," referring to a clergy member who is part of a cathedral or a collegiate chapter. The individual is depicted in ecclesiastical robes that reflect his status within the church hierarchy. The canon is shown wearing a long, pink robe with a decorative stole over it, which is adorned with Christian symbols and patterns indicating his religious office. Over the robe, he wears a black mozzetta, a short cape that is typically worn by higher clergy in the Roman Catholic Church. He also has a white almuce, a fur-trimmed hood or shoulder cape worn by canons, draped over his left arm, and he is holding what appears to be a book of scripture or liturgy. His head is adorned with a biretta, a square cap with three or four peaks...

This original antique image for sale depicts a group of figures labeled "Juges Diseurs, 2," which translates to "Judges Speakers, 2." This likely refers to a continuation of the them...

An original hand-colored lithograph showing the "Avocat des Eglises," which translates to "Advocate of the Churches." This title likely refers to a legal position within the church,...

The image depicts a figure labeled as "Noble Allemand," which means "German Noble." The nobleman is shown kneeling on one leg, with his hands raised in what could be a gesture of exc...

This handcolored original antique print features a figure labeled "Gunther de Schwarzbourg, roi des Romains," which identifies him as Günther von Schwarzburg, a German king. He is depicted in a traditional gothic archway that frames the illustration, reminiscent of a church's stained glass window. In the illustration, Günther is clad in armor, with a chainmail coif and a helmet adorned with a crown, indicating his royal status. The blue tunic worn over his armor is embellished with a pattern of fleur-de-lis, a symbol often associated with royalty. He also has golden arm and leg guards, and his red belt stands...

This print from "Costume Di Moyen Age" (Costumes of the Middle Ages) published in Paris in 1847, depicts a scene from the medieval era. The image features a group of individuals in an indoor setting, likely a part of a noble class, given the richness of their attire and the elegant interior. A central figure in a blue cape with a red lining is in a dialogue or exchange with a person wearing a green and yellow patterned garment. They both are in the foreground and appear to be the primary subjects of this interaction. Behind them, there are other individuals who seem to be part of the scene, including a person in red robes who is possibly a clergyman, given the context and attire, which resembles ecclesiastical clothing. The background is adorned with Gothic architectural elements such as pointed arches and intricate detailing. Statues or figures are set within the architectural framework, suggesting a church or a similarly important building. The use of bright, primary colors is notable, and the attention to the detail in the clothing suggests a significant event, possibly a ceremony like a marriage, as indicated by the word "Casamiento" (meaning marriage in Spanish) at the bottom of the print. Overall, the print is rich in historical clothing...

Cape Barren goose, Cereopsis novaehollandiae, and Snowy Sheathbill, Chionis albus. Handcoloured copperplate stipple engraving from Dumont de Sainte-Croix's "Dictionary of Natural Sci...

Great images of an owl and a hoopoe Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Great image of a bat. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depict...

Great image of a bat. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Great images of bats Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Great image of Couroucoui Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publi...

Great images of toucans and woodpeckers Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

The collage for the catalogue features a curated selection of antique naturalist illustrations, each finely detailed and precisely hand-colored, celebrating the diversity of aquatic and arthropod species: 1. One illustration depicts a **lobster**, easily recognizable by its large claws and segmented body, a classic subject of marine biology due to its complex anatomy and commercial significance. 2. There's also portrayal of a **squid**, its elongated body and tentacles depicted with scientific accuracy, capturing the essence of this mysterious and intelligent cephalopod. 3. The third picture showcases a **crayfish**, with its characteristic pincers and armored exoskeleton, an important creature both ecologically and gastronomically. 4. Finally, the far right features a **sea slug...

Set of Four Hand-Colored Botanical Prints from Book of Worlds, 1848 This elegant set of four hand-colored botanical lithographs originates from the 1848 German natural history publi...

Great images of monkeys Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Great image of parrots. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. Brown with original hand color. Publish...