The Church's Defender: Advocate in Arms on a Hand-Colored Lithograph, 1847

The image portrays a figure labeled "Chanoine," which is French for "Canon," referring to a clergy member who is part of a cathedral or a collegiate chapter. The individual is depicted in ecclesiastical robes that reflect his status within the church hierarchy. The canon is shown wearing a long, pink robe with a decorative stole over it, which is adorned with Christian symbols and patterns indicating his religious office. Over the robe, he wears a black mozzetta, a short cape that is typically worn by higher clergy in the Roman Catholic Church. He also has a white almuce, a fur-trimmed hood or shoulder cape worn by canons, draped over his left arm, and he is holding what appears to be a book of scripture or liturgy. His head is adorned with a biretta, a square cap with three or four peaks...

This print represents King Henry VI of England, depicted in a regal and contemplative pose with hands clasped in prayer. He is dressed in a blue robe with a pattern that suggests opu...

Title: "John Sitsylt, the Heraldic Knight: An Illustrated Plate from 'Costume du Moyen Âge'" Description: This 19th-century lithograph, part of the "Costume du Moyen Âge" collection...

The illustration features two court officers from the reign of Richard II, displaying the rich and ornate clothing typical of English courtly fashion at the end of the 14th century. ...

Title: "Renaissance Youth: The Italian Page" Description: This print depicts a young Italian page, a common figure in Renaissance courts, whose duties often included serving nobilit...

This print from "Costume Di Moyen Age" (Costumes of the Middle Ages) published in Paris in 1847, depicts a scene from the medieval era. The image features a group of individuals in an indoor setting, likely a part of a noble class, given the richness of their attire and the elegant interior. A central figure in a blue cape with a red lining is in a dialogue or exchange with a person wearing a green and yellow patterned garment. They both are in the foreground and appear to be the primary subjects of this interaction. Behind them, there are other individuals who seem to be part of the scene, including a person in red robes who is possibly a clergyman, given the context and attire, which resembles ecclesiastical clothing. The background is adorned with Gothic architectural elements such as pointed arches and intricate detailing. Statues or figures are set within the architectural framework, suggesting a church or a similarly important building. The use of bright, primary colors is notable, and the attention to the detail in the clothing suggests a significant event, possibly a ceremony like a marriage, as indicated by the word "Casamiento" (meaning marriage in Spanish) at the bottom of the print. Overall, the print is rich in historical clothing...

A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...

Pair American hand-colored bird lithographs. Pair framed bird lithographs under oval mats by artist J.W. Hill and publisher George Endicott, NY. United...

Group of Four Hand Colored Egypt Lithographs, after David Roberts, English, circa 19th Century. These were originally purchased at Ursus Gallery in...

Vintage Hand colored lithograph by artist Swankar Hanumann of a kachina (Katsina) Doll standing on a pedestal holding a rattle and bow. Presen...

Group of Four Hand Colored Egypt Lithographs, after David Roberts, English, circa 19th Century. These were originally purchased at Ursus Gallery in...

Group of six hand colored Egypt Lithographs, after David Roberts, English, circa 19th Century. These were originally purchased at Ursus Gallery in ...