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Item Ships From: Bay Area
Girl Sipping Coffee
By Michael Schwab
Located in Burlingame, CA
Iconic 'Girl Drinking Coffee; floats on a museum mat and is professionally framed in black, with an outer dimension of 17 x 24 inches. Artwork is Green,...
Category
21st Century and Contemporary Contemporary Bay Area - Figurative Prints
Materials
Archival Pigment
La Tauromaquia, Plate #10
By Francisco Goya
Located in San Francisco, CA
This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category
Early 19th Century Realist Bay Area - Figurative Prints
Materials
Photogravure
"Then Said Samuel to the people" from the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "Then Said Samuel to the people" from the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-1987...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Etching
Zuni Rain Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Zuni Rain Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 14.5 x 27.25 inches.
Sheet siz...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
La Tauromaquia, Plate #31
By Francisco Goya
Located in San Francisco, CA
This artwork titled "Banderillas de Fuego" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category
Early 19th Century Realist Bay Area - Figurative Prints
Materials
Photogravure
Les Petit Rats, Ballerinas II
By Graciela Rodo Boulanger
Located in San Francisco, CA
This artwork titled "Les Petit Rats, Ballerinas II" c.1980 is an original color lithograph on Japan paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered XLII/C in pencil by the artist. The image size is 22.5 x 18 inches, framed size is 36 x 30.75 inches. Custom framed in a wooden gold leaf frame, with off white matting and gold color spacer. It is in excellent condition.
About the artist:
Born in La Paz, Bolivia in 1935, Graciela Rodo Boulanger was raised in an artistic environment. Her mother, a concert pianist, and her father, a businessman and art connoisseur, nurtured her talents. She studied the piano and at age 11 enrolled in the School of Fine Arts. At 17 she went to Vienna to study both art and music, and at 22 shetravelled to Argentina for the stimulating artistic environment of Buenos Aires. Continuing to study both piano and painting...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category
Early 18th Century Academic Bay Area - Figurative Prints
Materials
Engraving
Only the Dreamer Can Choose the Dream
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Only the Dreamer Can Choose the Dream
Year: 1980
Medium: Lithograph
Sight size: 20.75 x 29 inches.
Sheet size: 22 x 30 inches.
Signature: Signed lower right
Edition: 110. This one: 34/110
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
Kabalat Shabbat
By Zamy Steynovitz
Located in San Francisco, CA
This artwork titled "Kabalat Shabbat" c.1990 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-200. It is hand signed and numbered 170/300 in pencil by the artist. The image size is 27.5 x 19.5 inches, framed size is 43.5 x 34 inches. Custom framed in a wooden gold frame, with gold color bevel and black fabric matting. It is in excellent condition.
About the artist:
Zamy Steynovitz was born in Liegnitz, Poland in 1951 and at a very early age he aspired to be a painter. He won first prize in an art competition for children before immigrating to Israel in 1957.
Formally educated at the Art School in Tel-Aviv and the Royal Academy in London, he completed his studies and began artistic pursuits in earnest. Zamy established his place in the art world after displaying his work in one-man exhibitions around the world.
His art subjects has been strongly influenced by Jewish tradition and folklore. Additionally, his work presents general themes such as Paris cafes, still lives, flowers, circuses and landscapes.
In the early stages of his work, he used rich pastels and light brush strokes. When he visited South America in the early 1980’s, his work reflected his new surroundings and were further enhanced by local brightness and colorfulness.
His paintings are a reflection of his Eastern-European Jewish heritage, and they are enhanced by a rich choice of warm tones and colors
He became known in the circles of the Nobel Institute for Peace in Norway, and consequently was acquainted with many Nobel prize winners, such as Anwar Sadat, Menahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu, Oscar Arias Sanchez, as well as many of the world’s greatest leaders and artists.
He tragically passed away in September of 2000.
The work of Zamy Steynovitz is held in numerous collections worldwide.
Selected exhibitions
1970 – Museum – Ramat – Gan
1973 – Brussels – gallery L’Angle Aigu
1974 – London – International Gallery
1974 – Paris – Grand Palais Gallery
1975 – Milan – Brera Gallery
1976 – N.Y. Valentino Gallery – N.Y. Hilton
1977 – N.Y. Valentino Gallery – N.Y. Hilton
1978 – Basel - Aactual Gallery
1978 – Geneva – Bohren Gallery
1978 – Oslo – Nobel Peace Prize Exhibit
1979 – London – Hamilton Gallery
1979 – N.Y. – Canty Art Gallery
1979 – Amsterdam – Schipper Gallery
1979 – Washington – International Art Fair
1980 – Cleveland – Jewish Museum
1980 – Tel-Aviv – Habima National Art Fair
1981 – Abraham – Goodman House N.Y.
1981 – San Lucas Gallery – Bogotá
1981 – Petach-Tikva – Israel – Shelanu Gallery
1982 – Pedro Gerson Gallery – Mexico City
1983 – Simon Bolivar...
Category
Early 20th Century Impressionist Bay Area - Figurative Prints
Materials
Screen
Les Petit Rats, Ballerinas III
By Graciela Rodo Boulanger
Located in San Francisco, CA
This artwork titled "Les Petit Rats, Ballerinas II" c.1980 is an original color lithograph on Japan paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered XLII/C in pencil by the artist. The image size is 22.5 x 18 inches, framed size is 36 x 30.75 inches. Custom framed in a wooden gold leaf frame, with off white matting and gold color spacer. It is in excellent condition.
About the artist:
Born in La Paz, Bolivia in 1935, Graciela Rodo Boulanger was raised in an artistic environment. Her mother, a concert pianist, and her father, a businessman and art connoisseur, nurtured her talents. She studied the piano and at age 11 enrolled in the School of Fine Arts. At 17 she went to Vienna to study both art and music, and at 22 shetravelled to Argentina for the stimulating artistic environment of Buenos Aires. Continuing to study both piano and painting...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Parc Monceau, Paris
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Parc Monceau, Paris
Year: c.1985
Medium: Color lithograph
Edition: Inscribed H.C. (Hors Commerce) ...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Horses #III
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #III" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand si...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Woman with Cat
By Linda Le Kinff
Located in San Francisco, CA
This artwork "Woman with Cat" c.1990 is an original color serigraph by noted French artist Linda Le Kinff, born 1949. It is hand signed and numbered 12...
Category
Late 20th Century Contemporary Bay Area - Figurative Prints
Materials
Screen
A Burro Train, New Mexico
By Peter Moran
Located in San Francisco, CA
This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163.
About the artist:
The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer.
Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs.
In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...
Category
Late 19th Century American Realist Bay Area - Figurative Prints
Materials
Etching
"Mine Shaft", Soviet Union: An Early 20th C. Woodcut Engraving by Abramovitz
By Albert Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...
Category
1930s Bay Area - Figurative Prints
Materials
Woodcut
Rainbow Dancer
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Rainbow Dancer
Year: 1980
Medium: Lithograph
Sight size: 29 x 14.75 inches.
Sheet size: 30 x 22 inches.
Signature: Signed lower right
Edition: 150 This one: 113/150
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
Christmas Lithograph Poster After James Thurber "God Rest Ye Merry Gentlemen"
Located in Alamo, CA
This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...
Category
Mid-20th Century Minimalist Bay Area - Figurative Prints
Materials
Lithograph
Horses #I
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #1" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand signed and numbered 32/275 in pe...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Mystic Rose
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Mystic Rose
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 22 x 21 inches.
Sheet size: 30 x 22...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
Cyclamen
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Cyclamen" 1985 is a original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 64/225 in ...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Harvest Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Harvest Dancers
Year: 1980
Medium: Lithograph
Sight size: 20.5 x 29.25 inches.
Sheet size: 22 x 30 inches.
Signature: Signed lower right
Edition: 100. This one: 8/100
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Lithograph
Taos Corn Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Taos Corn Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 20.5 x 22.25 inches.
Sheet size: 21.75 x 27.5 inches.
Signature: Signed lower right
Edition: 90. This one: 77/90
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Lithograph
Joy of the Eternal Now
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Joy of the Eternal Now
Year: 1980
Medium: Lithograph
Sight size: 17.75 x 28.75 inches.
Sheet size: 22 x 30 inches.
Signature: Signed lower right
Edition: 105 This one: 57/105
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
Horses #IV
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #IV" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sig...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
"La Lettre" Large color lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "La Lettre" 1990 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and Inscribed E.A. (Epreuve d'Artist) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #23. The image size is 29.75 x 22 inches, framed size is 42.5 x 32.75 inches. Custom framed in a wooden silver frame, with fabric matting and silver color spacer. It is in excellent condition. Please note that the color of the frame on picture #1 is more gold that it is in reality, refer to picture # 7 for exact color.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Saul Kovner "Bronx Park" Etching
Located in San Francisco, CA
Saul Kovner: 1904-1981. Well listed American artist. He was born in Russia, but studied and lived in NYC and California. This is a rare etching, as I can n...
Category
1930s American Realist Bay Area - Figurative Prints
Materials
Etching
Murmures
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Waiting Game
Located in San Francisco, CA
This artwork titled "Waiting Game" 1991 is a color offset lithograph by noted African/American artist Yvonne Cole Meo, 1923-2016. It is hand signed, da...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Horses #II
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #II" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand signed and numbered 32/275 in p...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category
1640s Academic Bay Area - Figurative Prints
Materials
Engraving
Landscape
By Carson Gladson
Located in San Francisco, CA
About the artist:
Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...
Category
21st Century and Contemporary American Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Union Street, San Francisco
By Edith (Mark) Milsk
Located in San Francisco, CA
This artwork titled "Union Street, San Francisco" is an original etching on creme wove paper by American artist Edith (Mark) Milsk, 1899-1982. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 5.5 x 3.65 inches, framed size is 16.5 x 13.40 inches. Custom framed in a red Oak frame, with beige matting. It is in excellent condition.
About the artist:
Edith Milsk...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Etching
Happy Birthday Liberty, 100th Birthday of the Statue of Liberty. Large serigraph
By Hiro Yamagata
Located in San Francisco, CA
This artwork titled "Happy Birthday Liberty, 100th Birthday of the Statue of Liberty" 1986 is an original color serigraph on thick paper by renown artist Hiro Yamagata (Japanese, b. ...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Screen
Sea Spirit
Located in San Francisco, CA
This artwork titled "Sea Spirit" 1965 is an original stonecut on thin paper by Eskimo artist Egevadluq (Eegyvudluk) Ragee, 1920-1983. It is hand signed, titled, dated, described and numbered 20/50 in pencil by the artist. With the blind stamp of the artist at the lower right corner. It is in excellent condition. it has a minor thin crease at the middle center, at the edge of the sheet, barely visible, see picture #4
About the artist:
Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920.
When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper.
In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds.
"I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978.
Exhibitions
Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts
ART ESKIMO, Galerie de France
Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton
Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier
Art/Facts, McMaster Art Gallery
Art/Facts, McMaster Art Gallery
Canadian Eskimo Art...
Category
Mid-20th Century Folk Art Bay Area - Figurative Prints
Materials
Other Medium
Heidelberg Terrace, Germany
Located in San Francisco, CA
This artwork titled "Hidelberg Terrace, Germany" c.1930 is an original color etching on watermarked Kasimir Vienna wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist's estate at the lower center. The image (plate mark) size is 8.5 x 11.5 inches, sheet size is is 15 x 19 inches. It is in excellent condition, has never been framed
About the artist:
Tanna Kasimir...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
La Plage Normande
By Maurice Brianchon
Located in San Francisco, CA
This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/...
Category
Mid-19th Century Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Nocturne
By Robert Hoppe
Located in San Francisco, CA
This artwork titled "Nocturne" 1987 is an original color lithograph by American artist Robert Hoppe, 1943-1989. It is hand signed and numbered 172/390 in ...
Category
Late 20th Century Art Deco Bay Area - Figurative Prints
Materials
Lithograph
Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants res...
Category
1640s Academic Bay Area - Figurative Prints
Materials
Engraving
Alexandria
Located in San Francisco, CA
This artwork titled "Alexandria" 1991 is an original color serigraph by noted American artist Susan Rios, b.1950. It is hand signed and numbered H.C 50/70 in pencil by the artist. With the blind stamp of the publisher Martin Lawrence Editions, Printed by American Serigraph, Los Angeles, CA. The image size is 27 x 22 inches, sheet size is 34 x 27.85 inches. It is in excellent condition.
About the artist:
Susan Rios was born in Terre Haute, Indiana, and spent her early years nurturing her natural artistic talent, eventually earning an art scholarship to California State University, Northridge in Los Angeles. Upon graduating, Rios began working for an advertising agency and later became a floral designer. This influence can be seen in her unique artwork, which does not ring true of any particular artistic style; instead, Rios blends realism and impressionism to her own personal techniques, creating something novel that appeals to all kinds of people. “No heart is so hard that it doesn’t respond to flowers,” Rios explained. Her warmth and gentle also touch countless people because her creations depict “the private times. They’re the details that people remember. Her beautiful, delicate creations are collected worldwide and her fans include Walter Matthau, Patty Duke Astin, and Priscilla Presley...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Screen
New Orleans, Pirate's Alley
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "New Orleans Pirate's Alley" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the arti...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
String of Pearls
By Robert Peak
Located in San Francisco, CA
This artwork titled "String of Pearls" 1988 is an original color serigraph by noted American artist Robert (Bob) Peak, 1927-1992. It is hand signed an...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Screen
Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
A hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engraving entit...
Category
Early 19th Century Academic Bay Area - Figurative Prints
Materials
Engraving
Crying Mask with Unicorn, Variant #1
By Michael Bowen
Located in San Francisco, CA
This artwork titled "Crying Mask with Unicorn" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 21.85 x 17.5 inches, sheet size is 30 x 20.75 inches. It is in excellent condition, has never been framed.
About the subject:
Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy.
About the artist:
Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Etching, Aquatint
Vintage Framed Lithograph by Honore Daumier
By Honoré Daumier
Located in San Francisco, CA
Vintage Framed Lithograph by Honore Daumier
Signed in the plate
Numbered - Possibly estate signed
Vintage framed lithograph
Dimensions 9" x 12"
Th...
Category
Mid-20th Century Impressionist Bay Area - Figurative Prints
Materials
Lithograph
"Concrete Mixer, Moscow": Early 20th C. Woodcut Engraving by Albert Abramovitz
By Albert Abramovitz
Located in Alamo, CA
This is a woodcut engraving entitled "Concrete Mixer, Moscow" by Albert Abramovitz created in 1935 after a visit to the Soviet Union. It depicts three Russian workers talking in front of a wooden structure housing a cement mixer...
Category
1930s Bay Area - Figurative Prints
Materials
Woodcut
Peintre au Travail (Painter at Work), 1963
By Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Peintre au Travail (Painter at Work), 1963 depicts three male figures conspicuously sitting beside each other. The contours of their bodies are highly irregular and alm...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Etching
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
1760s Old Masters Bay Area - Figurative Prints
Materials
Etching
"Daughters" Large color original serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Daughters" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 72/...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Screen
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Early 18th Century Old Masters Bay Area - Figurative Prints
Materials
Etching
Conversation
By Aldo Luongo
Located in San Francisco, CA
This artwork titled "Conversation" 1988 is a color lithograph on Arches paper by noted Italian/Argentinian artist Aldo Luongo, b.1941. It is hand signed and numbered 103/275 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 25 x 29 inches. It is in excellent condition.
About the artist:
Aldo Luongo was born in Buenos Aires, Argentina, of Italian heritage. Since as far back as he can remember, Luongo had two great passions: art and soccer. Shortly after his graduation from the Academy of Fine Arts in Buenos Aires, Luongo came to the U.S. to play professional soccer for the New York Generals. After his athletic career was cut short due to an injury, he arrived in New York City with a dream to pursue his artwork full time.
In the 70’s, he had his first major success with multiple reproductions of his black & white drawings. Not only were these prints released to great critical acclaim, they were a huge commercial success as well (hundreds of thousands of pieces sold within several years). Aldo had put himself on the map as a major international artist.
Aldo Luongo has continued his reign at the top of the contemporary art world for almost four decades – a distinction that puts him in a class of his own. He has received numerous awards and honors, including being named a 3-time official Olympic Artist (Summer 1988, Summer 1996, and Winter 2002); an official World Cup Artist (1998); an official U.S. Women’s World Cup Artist (1999); and the 1999 Sports Artist of the Year (U.S. Sports Museum). He also has twice been chosen to paint eggs for the White House Easter Egg Hunt which now reside in the Smithsonian Institute.
SELECTED PUBLIC EXHIBITIONS & COLLECTIONS
2018 Chloe Gallery Summer Art and Winemakers’ Dinner Exhibition Chloe Gallery, San Francisco, California
The Smithsonian Institute, Washington, D.C.
The Museum of Science and Industry, Los Angeles, California
The Juarez Museum, Juarez, Chihuahua, Mexico
The John F. Kennedy Museum, Boston, Massachusetts
The Olympic Museum, Lausanne, Switzerland
The Olympic Village Collection, Colorado Springs, Colorado
The Sports Museum, Daphne, Alabama
PRIZES, HONORS, & AWARDS
International Olympics, “Official Olympic Artist,”
(Summer 1988, Summer 1996, Winter 2002, Winter 2010)
World Cup of Soccer, “Official World Cup Artist” (1998)
U.S. Women's Soccer World Cup, “Official Artist” (1999)
1999 “Sports Artist of the Year,” U.S. Sports Museum
White House “Easter Egg Hunt,” commissioned painting
Smithsonian Institute, Washington, D.C.
FAMOUS COLLECTORS:
Giada De Laurentiis
Mary Kate & Ashley Olsen
Matt Leinert
Bob Arum
Geena Davis
Kevin Costner
Placido Domingo
Argentine President Menem
Luciano Pavarotti
Jose Carreras...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Golden Gate, San Francisco, California
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Golden Gate, San Francisco, California" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand sig...
Category
Early 20th Century Realist Bay Area - Figurative Prints
Materials
Etching
"A Great Man on The Turf": A 19th Century James Gillray Hand-colored Etching
By James Gillray
Located in Alamo, CA
This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...
Category
Early 1800s Bay Area - Figurative Prints
Materials
Etching
Brothers
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Screen
Femme Fatale
By Itzchak Tarkay
Located in San Francisco, CA
This artwork titled "IFemme Fatale" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 243/300 in pencil by th...
Category
Late 20th Century Art Deco Bay Area - Figurative Prints
Materials
Screen
RBG - Contemporary Print of Ruth Bader Ginsburg (Orange+Black)
Located in Gilroy, CA
Edition 8 of 20 "RBG," is one of DC-based artist, Samantha Viotty's most recent illustrations. This piece is a tribute to the late supreme court powerh...
Category
2010s Contemporary Bay Area - Figurative Prints
Materials
Digital
Horses #V
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #V" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sign...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
La Rosa
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "La Rosa" 1984 Is an original colors lithograph on Wove paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed, dated and numbered 29/200 in white pencil by the artist. With the blind stamp of the Publisher/printer, Houston Fine Art Press, Houston at the lower right corner. The size is 30 x 23 inches inches. It is in excellent condition, the colors are fresh and bright, Hanging tape remaining in the back across the upper sheet, and 2 small skinned area at the lower back of the sheet. all these not visible from the front.
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Lithograph
Dancer at Rest
By Alan Feltus
Located in San Francisco, CA
Artist: Alan Feltus– American (1943- )
Title: Dancer at Rest
Year: 1981
Medium: Color Lithograph
Sight size: 30 x 22 inches.
Sheet size: 30 x 22 inches
Framed size: 37 x 29 inches
Publisher: Editions Press. Blindstamp lower right
Printer: Editions Press. Printed on Arches paper
Signature: Signed lower right
Edition: 30 plus proofs. This one numbered 7/30
Condition: Good
This contemporary realist lithograph is by Alan Evan Feltus (1943-). The lithograph was printed and published in 1981 by Editions press in an edition of 30. It is printed on Arches paper. It is signed and dated in the lower right and numbered 7/30 in the lower left, both in pencil. It is in a very nice modern wood frame, fully floating on a linen mat and covered with and Plexiglas. The print and mat are in good condition. The frame is in fair to good condition with normal wear. The Plexiglas has some faint scratches.
About the artist:
Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph, Paper
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