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Item Ships From: Bay Area
Vivien in White Coat, 2021
By Alex Katz
Located in Palo Alto, CA
Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...
Category
2010s Contemporary Bay Area - Figurative Prints
Materials
Screen
Tulips in a Round Vase
By Gary Bukovnik
Located in San Francisco, CA
This artwork, titled "Tulips in a Round Vase" and dated 2000, is an original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is signed and numb...
Category
Early 2000s American Realist Bay Area - Figurative Prints
Materials
Lithograph
Le nid vert (The Green Nest), 1950
By Georges Braque
Located in Palo Alto, CA
The bird is Georges Braque's calling card. When the 70-year-old artist was commissioned to create monumental decorations for the Louvre, he chose the bird as his subject. This winged animal appears again and again in his oeuvre, but its representation is noteworthy in this print. To those who would say that Braque is not a draftsman, Dora Vallier writes, "for [him], drawing is not a means of giving outward appearance to forms but of showing what lies within." Along the same lines, Braque himself says, "Forget things, only remember their relationship." These two statements encourage thoughtful viewing.
Coming back to its nest and hatched egg, a great black bird is hardly visible against the dark green of its home and the brown leaves behind. Rather than spend time on the details, Braque emphasizes the spatial arrangement of the scene. Everything is compressed down to one level; the curtain of heart-shaped leaves blends together as it falls toward the nest. Braque sees how the tree, nest and bird interrelate, and this entwined relationship is what he chooses to show.
Created circa 1950, this original color etching is hand-signed by Georges Braque (Argentueil, Val-d'Oise, 1882 - Paris, 1963) in pencil in the lower right margin and numbered 281/300 in pencil in the lower left margin. The edition was printed by Atelier Krommelinck, Paris on Rives paper, and published by Maeght, Paris.
Catalogue Raisonné:
Georges Braque The Green Nest (Le nid...
Category
1950s Modern Bay Area - Figurative Prints
Materials
Etching
The Drummer
Located in San Francisco, CA
This artwork titled "The Drummer" 1993 is an original color lithograph on Wove paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 31/50 in pencil by the artist. The image size is 22 x 15.5 inches, sheet size is 30 x 22.5 inches, framed size is 39.5 x 31.5 inches. Custom framed in a dark wood frame, with off white backing. The artwork is in excellent condition, the frame has minor restorations and very light dents, barely visible.
About the artist:
Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer.
Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston.
Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak.
The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day.
Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation.
While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...
Category
Late 20th Century Other Art Style Bay Area - Figurative Prints
Materials
Lithograph
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Bay Area - Figurative Prints
Materials
Etching
Femme a l'ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Sophia Relaxes at the Cafe
By Itzchak Tarkay
Located in San Francisco, CA
This artwork titled "Sophia Relaxes at the Cafe" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed in black ink and number...
Category
Late 20th Century Art Deco Bay Area - Figurative Prints
Materials
Screen
Emehpylop (Cyclops), 1968
By Joan Miró
Located in Palo Alto, CA
Using his intuitive skill as a master artist, Miró combines dry-point with cement imprint to create a rich textural experience that is enhanced by beautiful and friendly visual image...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Etching, Drypoint
Cityscape
Located in San Francisco, CA
This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition,
About the artist:
Tanna Kasimir...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Landscape
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...
Category
Late 20th Century American Modern Bay Area - Figurative Prints
Materials
Lithograph
Untitled
By Stanley Whitney
Located in Palo Alto, CA
The color etchings that Stanley Whitney produced in 2017 are musical and improvisational with a spectrum of colors created in a grid that reinvigorate the mind and spirit. Each so un...
Category
2010s Contemporary Bay Area - Figurative Prints
Materials
Etching
Page 63 from Si je mourais la-bas, 1962
By Georges Braque
Located in Palo Alto, CA
Georges Braque Page 63 from Si je mourais la-bas, 1962, captures the heart of many with its poignant and inspiring shade of cobalt blue. Rendered on cris...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Engraving
An Engraving from the Series 'The Cries of London': "Turnips & Carrots"
By Francis Wheatley
Located in Alamo, CA
A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...
Category
Late 18th Century Naturalistic Bay Area - Figurative Prints
Materials
Engraving
Ceramics II
By Richard Thomas Davis
Located in San Francisco, CA
This artwork titled "Ceramics II" 1981 is an original colors screen print by Canadian artist Richard Thomas Davis, b.1947. It is hand signed, titled, date...
Category
Late 20th Century Realist Bay Area - Figurative Prints
Materials
Screen
Untitled (Fleur Tombe), 1962
By Georges Braque
Located in Palo Alto, CA
The rich blue color bursts from the page in Georges Braque Untitled (Fleur Tombe), 1962, overtaking the black lettering and white background. Drawn onto the title page of the book “Braque Le goût de notre temps” by Albert Skira this hand applied watercolor is striking. In several strong stokes, a flower is presented with its blue petals seeming to float down the page until almost reaching the bottom. The delicate blue touches the page which in turn lights up with brilliant flowers. The petals are slightly smudged, and you can see the brushstrokes that Braque applied to the page. PArt of what makes this unique watercolor so wonderful is that the viewer can so clearly see and feel the hand of the artist. Caught in between the flower and falling petals is the black hand...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Watercolor
Dancing Ducks in Red, Yellow, Green, Blue,
By George Chemeche
Located in San Francisco, CA
Artist: George Chemeche – Iraqi/American (1934-2022)
Title: Dancing Ducks in Red, Yellow, Green, Blue
Year: circa 1980
Medium: Screen Print
Image size: 19 x 27 inches.
Sheet size: 22 x 29 inches.
Signature: Signed lower right
Edition: 260 This one: 87/260
Condition: Very good
Unframed
This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube.
George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful.
George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist.
Selected Biography
1934 Born in Basra, Iraq
1947 Fled Iraq with his family
1947-49 Lives and attends school in Tehran
1949 Immigrates to Israel
1956-59 Studies art in Avni Art School, Tel-Aviv
1959 Gets American-Israeli Culture Foundation grant to study art in Paris
1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris
1961- Gets two years grant from Lady Francis Fergusson, Scotland
1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris
1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum
1972 Travels to New York, checks in the Hotel Chelsea
1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe.
1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY
2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy
2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins
2005 Reads his poems at the Bowery Poetry Club, New York
2010 Lectures about Ibeji art and cult at Iowa University
2011 Lectures about Ibeji Art and cult at Neuberger Museum
2011 Publishes, The Horse Rider in African Art” ACC, UK
INDIVIDUAL EXHIBITIONS
1978 Goldman Art Gallery, Haifa, Israel
1977 Louis K. Meisel Gallery, New York
1977 Alexandra Monett Gallery, Brussels
1977 Givon Art GaJIery, Tel Aviv
1974 South Houston Gallery, New York
1974 Ray Landis Gallery, East Brunswick, New Jersey
1973 Gala Gallery, Key Biscayne, Florida
1973 Art Asia Gallery...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Screen
La barque sur la greve (The Boat on the Shore), 1960
By Georges Braque
Located in Palo Alto, CA
In sharp contrast to the cubist works created in collaboration with Picasso, this work displays the mature aesthetic style that Georges Braque develope...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Lithograph
Cheveaux Tirant une Peniche (Horses pulling a Barge)
Located in San Francisco, CA
This artwork "Cheveaux Tirant une Peniche (Horses pulling a Barge)" c.1920 is an original color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943...
Category
Early 20th Century Impressionist Bay Area - Figurative Prints
Materials
Aquatint, Etching
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Category
1770s Old Masters Bay Area - Figurative Prints
Materials
Etching
Mascara Roja
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Le Char III (The Chariot III), 1955
By Georges Braque
Located in Palo Alto, CA
This fascinating and lively piece instantly captures the viewer's attention. Considered an ancient symbol of power and glory, the chariot is delved wit...
Category
1950s Modern Bay Area - Figurative Prints
Materials
Lithograph, Varnish
Ciel Gris I (Gray Sky I), 1959
By Georges Braque
Located in Palo Alto, CA
Utilizing straight lines and sharp angles, Braque creates geometric shapes reminiscent of folded origami. The true identities of these geometric forms elude us, though they vaguely r...
Category
1950s Modern Bay Area - Figurative Prints
Materials
Lithograph
Marching on a Butterbur Leaf, Offset Print by Yoshitomo Nara
By Yoshitomo Nara
Located in Hong Kong, HK
Marching on a Butterbur Leaf, 2019 by Yoshitomo Nara
Offset lithograph in colors, 2019,
on 80# Archival Quality Wove Paper, unframed
published by Dallas Contemporary
24.02 x 17.99 ...
Category
2010s Contemporary Bay Area - Figurative Prints
Materials
Offset
Sunrise Dahlia
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Mezzotint
Le Liseron vert from Lettera amorosa, 1963
By Georges Braque
Located in Palo Alto, CA
Famed printer Mourlot describes the years-long development of this collaboration between the poet René Char and the artist; the project grew from an "Understanding between Georges Br...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Lithograph
Flowers, very large lithograph
By Gary Bukovnik
Located in San Francisco, CA
This artwork "Flowers" .1996 is a large original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 13/200 in whi...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Some of 48 Tulips
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Mezzotint
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste."
Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category
1870s American Impressionist Bay Area - Figurative Prints
Materials
Woodcut, Engraving
Dancing Ducks in Red, Green, Blue, Purple
By George Chemeche
Located in San Francisco, CA
Artist: George Chemeche – Iraqi/American (1934-2022)
Title: Dancing Ducks in Red, Green, Blue, Purple
Year: circa 1980
Medium: Screen Print
Image size: 19 x 27 inches.
Sheet size: 22 x 29 inches.
Signature: Signed lower right
Edition: 260 This one: 77/260
Condition: Very good
Unframed
This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube.
George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful.
George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist.
Selected Biography
1934 Born in Basra, Iraq
1947 Fled Iraq with his family
1947-49 Lives and attends school in Tehran
1949 Immigrates to Israel
1956-59 Studies art in Avni Art School, Tel-Aviv
1959 Gets American-Israeli Culture Foundation grant to study art in Paris
1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris
1961- Gets two years grant from Lady Francis Fergusson, Scotland
1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris
1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum
1972 Travels to New York, checks in the Hotel Chelsea
1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe.
1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY
2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy
2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins
2005 Reads his poems at the Bowery Poetry Club, New York
2010 Lectures about Ibeji art and cult at Iowa University
2011 Lectures about Ibeji Art and cult at Neuberger Museum
2011 Publishes, The Horse Rider in African Art” ACC, UK
INDIVIDUAL EXHIBITIONS
1978 Goldman Art Gallery, Haifa, Israel
1977 Louis K. Meisel Gallery, New York
1977 Alexandra Monett Gallery, Brussels
1977 Givon Art GaJIery, Tel Aviv
1974 South Houston Gallery, New York
1974 Ray Landis Gallery, East Brunswick, New Jersey
1973 Gala Gallery, Key Biscayne, Florida
1973 Art Asia Gallery...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Screen
Le Signe (The Sign), 1954
By Georges Braque
Located in Palo Alto, CA
Braque Le Signe (The Sign), 1954 is an intricate and mysterious piece. This work comes from a period in Braque’s life in which he became considerably more in...
Category
1950s Modern Bay Area - Figurative Prints
Materials
Lithograph
Landscape with Trees
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape with Trees" c.1980 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand si...
Category
Late 20th Century American Modern Bay Area - Figurative Prints
Materials
Lithograph
Calla Lily
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Calla Lily" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, ...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Iris
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Iris" 1996 is a original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 131/135 in penci...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Maroon Lake, Colorado
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
A hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engraving entit...
Category
Early 19th Century Academic Bay Area - Figurative Prints
Materials
Engraving
Rothenburg, Germany
By Hans Figura
Located in San Francisco, CA
Artist: Hans Figura (Austrian, 1898-1978)
Title: Rothenburg, Germany
Year: Circa 1950
Medium: Color etching with aquatint
Edition: Unknown
Paper: Printed on silk
Plate mark ...
Category
Mid-20th Century Realist Bay Area - Figurative Prints
Materials
Etching
Listen
Located in San Francisco, CA
This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...
Category
Late 20th Century Surrealist Bay Area - Figurative Prints
Materials
Lithograph
Woman Sitting
By Barbara A. Wood
Located in San Francisco, CA
This artwork "Woman Sitting" c.1990 is an offset lithograph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 222/975 in penc...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
L'Etang from Lettera amorosa, 1963
By Georges Braque
Located in Palo Alto, CA
As black remnants of flora float on top of green patches of murky water, a sense of frenzied movement overtakes this small composition. Stark black lines crisscross as if done in cha...
Category
1960s Modern Bay Area - Figurative Prints
Materials
Lithograph
Paroles Dans un Parc
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Paroles Dans un Parc (Words in the Park)" 1989 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A. (Artist Proof in French) in pencil by the artist. The image size is 22.15 x 30.25 inches, sheet size is 24.75 x 32.85 inches. It is in excellent condition, has never been framed.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Les Montgolfieres, Place de la Concorde, Paris
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition.
About the artist:
Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America.
His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail,
In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Furungle 1, 2021
Located in Palo Alto, CA
Kenny Scharf Furungle 1, 2021 is a vibrant and whimsical composition rendered in tones of black and pink. In the foreground, an enchanted tree si...
Category
2010s Contemporary Bay Area - Figurative Prints
Materials
Screen, Archival Pigment
"And Put on the Eyes of Zedekiah" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-198...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Etching
"La Conversation" Large original lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
Zuni Rain Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Zuni Rain Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 14.5 x 27.25 inches.
Sheet siz...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
Three Dancers
By Alan Feltus
Located in San Francisco, CA
This artwork "Three Dancers" 1980 is an original color lithograph on Arches paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 32/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 18.5 x 24.5 inches, sheet size is 22.5 x 30 inches, framed size is 33.5 x 39.75 inches. Custom framed in a wooden silver frame, with off white matting and silver color spacer. It is in excellent condition
About the artist:
Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...
Category
Late 20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
"And Deborah, A Prophet" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Deborah, A prophet" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-1987. It is ...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Etching
Golden Gate Bridge, San Francisco
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Golden Gate Bridge, San Francisco" 1988 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 26 x 19.5 inches, framed is 37.25 x 31.25 inches. Published and printed by Art Estampes, Paris. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition, the frame has a minor restoration at the lower right side corner, practically invisible.
About the artist:
Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America.
His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail,
In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interiorscapes" or "interior visions...
Category
Late 20th Century Modern Bay Area - Figurative Prints
Materials
Lithograph
Amaryllis
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Amaryllis" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 95/200 in pencil by the artist. The image size is 10 x 9.75 inches, sheet size is 14.75 x 13.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist.
Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity.
Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles.
In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide.
Selected Museums
Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum
Brooks Museum of Art, Memphis
The Butler Institute of American Art, Youngstown Dallas Museum of Art
Fine Arts Museums of San Francisco
Frye Art Museum, Seattle
Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh
Hunterian Art Gallery, University of Glasgow
Library of Congress, Washington, DC
The Metropolitan Museum of Art, New York
The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston
The Museum of Modern Art, New York
The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library
Oakland Museum of California
Philadelphia Museum of Art
Phoenix Art Museum
Portland Art Museum, Oregon
Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art
University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum
Selected public collections
ALZA Corporation, Mountain View
ART In Embassies Program, U.S. Department of State
AT&T, New York
Atlantic Richfield, Los Angeles
BankAmerica Corporation, Charlotte
Citigroup, New York
Cleveland Institute of Music
Clorox Company, Oakland
Comerica Bank, Costa Mesa & San Jose
H.J. Heinz Company, Pittsburgh
Illinois Bell Telephone...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Christmas Lithograph Poster After James Thurber "God Rest Ye Merry Gentlemen"
Located in Alamo, CA
This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...
Category
Mid-20th Century Minimalist Bay Area - Figurative Prints
Materials
Lithograph
Dancing Ducks in Magenta, Forest Green, Brown, Slate Gray
By George Chemeche
Located in San Francisco, CA
Artist: George Chemeche – Iraqi/American (1934-2022)
Title: Dancing Ducks in Magenta, Forest Green, Brown, Slate Gray
Year: circa 1980
Medium: Screen Print
Image size: 19 x 27 inches.
Sheet size: 22 x 29 inches.
Signature: Signed lower right
Edition: 260 This one: 109/260
Condition: Very good
Unframed
This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube.
George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful.
George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist.
Selected Biography
1934 Born in Basra, Iraq
1947 Fled Iraq with his family
1947-49 Lives and attends school in Tehran
1949 Immigrates to Israel
1956-59 Studies art in Avni Art School, Tel-Aviv
1959 Gets American-Israeli Culture Foundation grant to study art in Paris
1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris
1961- Gets two years grant from Lady Francis Fergusson, Scotland
1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris
1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum
1972 Travels to New York, checks in the Hotel Chelsea
1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe.
1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY
2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy
2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins
2005 Reads his poems at the Bowery Poetry Club, New York
2010 Lectures about Ibeji art and cult at Iowa University
2011 Lectures about Ibeji Art and cult at Neuberger Museum
2011 Publishes, The Horse Rider in African Art” ACC, UK
INDIVIDUAL EXHIBITIONS
1978 Goldman Art Gallery, Haifa, Israel
1977 Louis K. Meisel Gallery, New York
1977 Alexandra Monett Gallery, Brussels
1977 Givon Art GaJIery, Tel Aviv
1974 South Houston Gallery, New York
1974 Ray Landis Gallery, East Brunswick, New Jersey
1973 Gala Gallery, Key Biscayne, Florida
1973 Art Asia Gallery...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Paper, Screen
Only the Dreamer Can Choose the Dream
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Only the Dreamer Can Choose the Dream
Year: 1980
Medium: Lithograph
Sight size: 20.75 x 29 inches.
Sheet size: 22 x 30 inches.
Signature: Signed lower right
Edition: 110. This one: 34/110
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style Bay Area - Figurative Prints
Materials
Lithograph, Paper
"Then Said Samuel to the people" from the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "Then Said Samuel to the people" from the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-1987...
Category
Mid-20th Century Expressionist Bay Area - Figurative Prints
Materials
Etching
Lise
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Lise" 1991 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 300/300 in pencil by the artist.. The image size is 10.75 x 19.75 inches, framed size is 24,5 x 32.5 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Figurative Prints
Materials
Lithograph
6 Camellias After An Unknown Japanese Artist
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...
Category
Mid-20th Century American Realist Bay Area - Figurative Prints
Materials
Lithograph
Portrait #1 from After Noon suite
By Richard Lindner
Located in San Francisco, CA
This artwork titled "Portrait #1" from the suite "After Noon" 1976, is an original color lithograph on Arches paper by artist Richard Lindner (German/American 1901-1978) It is hand s...
Category
Mid-20th Century Pop Art Bay Area - Figurative Prints
Materials
Lithograph
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
1760s Old Masters Bay Area - Figurative Prints
Materials
Etching
Parc Monceau, Paris
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Parc Monceau, Paris
Year: c.1985
Medium: Color lithograph
Edition: Inscribed H.C. (Hors Commerce) ...
Category
Late 20th Century American Impressionist Bay Area - Figurative Prints
Materials
Lithograph
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