Belgium - Decorative Objects

Black Marble Ashtray by Angelo MANGIAROTTI, Italy

Richly carved hardwood Indian box for storage of fans in a fine quality Late 19th century length 38 cm, width 6.5 and 12.5 cm, height 7 cm Aged patina

Vase in monochrome peach-colored version with gold-colored ornaments and oriental figures.

Disk tray small black by Arno Declercq Dimensions: D 27 x W 27 x H 9 cm Meterials: Burned and waxed oak Signed by Arno Declercq Arno Declercq Belgian designer and art dealer w...

Neapolitan nativity scenes are very different from those seen in churches due to the importance of secular settings. They are not limited to staging the child Jesus surrounded by the holy family. Still, they managed to reproduce the daily life of the Neapolitans of the seventeenth and eighteenth centuries. The elegance of the figuration and the fineness of the execution of these santons also reveals the quality of the know-how of the Neapolitan artisans. The markets, hotels, dances, itinerant vendors, beggars, taverns, various trades, guarding herds, the royal procession and all that was within reach of everyday life or fantasy had their place in the Neapolitan crèches...

Large modern abstract design vase sculpture. Second half of the 20th century. Dimensions: Height 40 cm. Diameter 14 cm. In good condition.

Vintage brass Frog Animal decoration - clipboard Measures : 6,5x11cm H:3cm Wear consistent with age and use.

Attractive vintage vase with handles by Kaiser, Pavillon, Germany. Baluster-shaped vase made of white high quality porcelain with gilding ...

Small Metal Elephant Ornament - 1980s Vintage - Decoration - Home Decor Measures : 7,5x2cmH:6,5cm Material: Metal

Midcentury Sculpture signed Émile Gilioli, numbered 2/5, France, 1950s.

Unique Roots Candle Medium by Jeremy Descamps Unique piece Dimensions: 20 x 20 x 80 cm Materials: Candles in solid oak from the country burned in flam, inserts in brass, support o...

Great patination on this fish sculpture, mounted on iron base, found in Spain.

Sculpture in translucent glass whose interior has a "cavity" in blue sommerso glass. The blue color causes a slight exterior reflection. The entire exterior of the piece is wheel engraved. Giorgio Vigna...

Nude Wax Lady in Plexiglass Art Piece. This exceptional sculpture features a wax figure of a lady, gracefully encased within a transparent plexiglass box.

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Very big antique ceramic vase pitcher hand painted with ornament and flowers in a green ground and finished with gilded accents. Belgium 1930s...

Vintage Acrylic Lucite Paperweight Encased tennis ball Wear consistent with age and use 1970s - Desk decoration - vintage Measures : 8cmx8cm H:8cm

A set of handblown early 18th century Oil and Vinegar Flacons. Following the French Court etiquette rules and a taste for luxury spreaded around Europe in the 18th century. Eating be...

Medium Sodalite Flower Vessel by Studio DO Dimensions: D 23 x W 16 x H 24 cm Materials: Sodalite, brass. 15 kg. Flowers are intrinsically connected with composition and earth. Influenced by varied vessels from past to present such as the dutch tulip...

A large scale of a nude exotic woman. Possibly an Indonesian woman because of the colonial past of the Netherlands with Indonesia. Oil on hardboard signed Gerard Westerman, 1880-1971. Gerardus Bernardus Josephus Westermann Leeuwarden, December 25, 1880 - Amsterdam, February 2, 1971 was a Dutch painter. Westermann was a student of Johannes Hendricus...

Victor Joseph Ghislain Demanet (1895-1964) "The Hammerer". We are delighted to present a work of rare emotional and technical power: "The Hammerer" by Victor Joseph Ghislain Demanet...

A large carved oak tondo, measuring 73 cm in diameter, representing Maria Magdalene as a penitent, contemplating on a skull and with her attribute: The ointment pot. Flanders, 18th c...

Diane De Gabies, Bronze After the Antique, Black Patina 19th Century

Untitled No. 56 Vase by Marea Hildebrand Handmade Dimensions: D 44 x W 44 x H 51 cm Materials: Stoneware with slip. Marea Hildebrand (b. 1989) is a Zurich-based ceramic artist with...

50's mirror photo frame with engraved flowers and glass buttons, salmon pink color. photo dimensions are 17cm x 23cm high.

Two beautiful large ceramic vases. Measures: Height 51 cm.

Long neck ceramic vase by Faina. Design: Victoriya Yakusha. Materials: ceramic. Dimensions: L 10 x W 5 x H 38 cm. In search of new-old design messages,...

Beautiful candlestick made of transparent crystal, from Germany.

 Dating to the 60s of the 20 century.

 The candlesticks have an exclusive design, handmade, real high-quality lea...

Very decorative Vintage set of 3 wooden planters in Palmtreewood, beautiful dark tinted brown color, great shine and patina of the wood, Asia, Indonesia,1...

Exceptional antique wooden frame from Italy, 17th century, made in a black patinated Fruitwood, simple design and simple decorations, beautiful patina...

Lovely vintage Zsolnay (since 1858) porcelain set vase and two lady’s ashtrays with floral gold accents, Hungary, 1950s. Gorgeous ivory porcelain with ...

Mid-Century Modern Brass and Exotic Wood Playing Card Box

Iron mortar with its original pestle end 15th beginning 16th century Gothic period, France Beautiful original object with a beautiful patina and in good condition   

Superb pair of rams in polychrome carved wood from Scotland-19th century Very elegant and unique pair of rams which are almost carved at life size which come from a Manor in Scotl...

Back aprons (negbe, pl. egbe) such as these were particularly popular among upper-class Mangbetu women at the turn of the 20th century. This distinctive kidney-shaped ornament pad wa...

Venini Egg by Ludovico Diaz De Santillana, Italy, 1960s

Very beautiful pair of bronze candlesticks from the 17th century from France Very beautiful pair in bronze Claw feet Beautiful filming

Untitled No. 54 Vase by Marea Hildebrand Handmade Dimensions: D 38 x W 38 x H 32 cm Materials: Stoneware with slip. Marea Hildebrand (b. 1989) is a Zurich-based ceramic artist with...

A set of 5 late 18th century wooden pigment jars. The softwood lidded jars are made in a baluster shape and decorated with the original black paint and hand painted color names in Du...

great object to bring some humor into your interior, children love these papier maché objects ...

Art Deco bronze bust of two deer signed by Georges H. Laurent. Green patinated bronze on a wooden base. France, 1930. This bronze is illustrated on page 424...

Cup on foot in cut agate with solid gold setting rings (no hallmarks) Height 9.5 cm Diameter 7.7 x 11.3 cm 19th century

Mid-Century Modern Brass Wastebasket, circa 1960

Fountain with Noir Belge by Pierre De Valck. Dimensions: W 70 x D 70 x H 90 cm. Materials: Patinated brass with Noir Belge. Weight: 65 kg. Each pie...

Hard wood with rests of polychromy.

20th Century Crystal Art Deco vase by Val Saint Lambert att. to Charles Graffart Wear consistent with age and use Belgium Decoration - Cristal - Vintage Measures : Ø16cm H:22,5cm

Sculpted floor decor vases by FAINA Design: Victoriya Yakusha Material: clay, wood Dimensions: tall: H. 150cm small: H.90 cm Weight: 40 kilos. M...

A cut crystal inkwell inserted in a massive architectural beige marble base. Probably Italy around 1890.

Very decorative item this darkgreen glazed terracotta urn.

Pair of large silver candlesticks Antique - Table decoration - 19th century Measures : Base : 13cmx13cm H:36,5cm Material : Silver Resting ...

Beautiful midcentury enameled silver decorative box, Spain, 1960.

niche in gilded wood from the 17th century from Italy Lovely niche with a carved wood in its center from the Italian Renaissance Beautiful original gild wood Dimensions excluding ba...

This Shiwan ware oil lamp from the Mid-20th century features a green glaze. Shiwan ware is a style of Chinese pottery from the Shiwanzhen district near Guangdong, China. A elegant de...

Rare Brutalist copper wall art bird by M. J. Francois. Measures: Height 65 cm. Width 53 cm. Depth 3 cm.

A patinated brass giraffe objet. France, c1960s. Ideal as shelf decor or perhaps for a children's room. Patina commensurate with age. Internal ref: 5/9/23/017. Location: Belgium...

Italian porcelain sculpture. Measures: Height 56 cm. Width 26 cm. Depth 22 cm.

Vintage Ceramic Bottle vase "PV" stamp Wabi Sabi Style - Decoration - Brutalist Measures : Ø 10,5cm H:21cm Material : Ceramic

Flint IX Sculpture by Pol Quadens Unique Piece. Dimensions: Ø 10 x H 40 cm. Materials: Polished stainless steel. Dimensions may vary. Please contact us. Pol Quadens was born in Br...