Berkshires - Paintings

Sigfredo Chacon Venezuelan, 1950. Painting. Acrylic on canvas. Dimensions: 23-3/4 in. by 23-3/4 in. Sigfredo was born in Caracas in 1950. He studied at the School of Fine and Applied Arts Cristóbal Rojas (1963-1966) and Design Institute Neumann-INCE, Caracas (1966-1970). He continued his training as a designer at the Chelsea School of Art and the London College of Printing, England. In the early seventies he participated in the Young confrontations Venezuelan News, Gallery Current Study Hall Arturo Michelena...

George-Henri Tribout French, Cubist 1884-1962 “Female Nude” Large Oil on canvas Signed & Dated 1911 Lower Left 51 ¾ by 38 ½ in. W/frame 55 ¾ by 42 ½ in. George Henri Tribout w...

RICHARD HENNESSY AMERICAN, b. 1941 "Abstract, Untitled" Oil on canvas Signed and dated 1975 on verso 48 by 36 in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS: ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS: 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS: 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS: 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND�S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF G��N��RATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF G��N��RATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...

Oil on Canvas 40 by 50 in. w/ frame 48 by 58 in. Esther exhibited at the Boston Museum of Fine Arts School; in Paris and Philip Hale. She was a member of the Rock Port Art Association, Copley Society and The New York Women...

Donald Raymond David. American, 1906-2006. Abstract. Oil on canvas 30 by 24 in. Donald Raymond David was born in Springbrook, Oregon in 1906. He attended Fresno State College in 1927 and studied with Alexandra Bradshaw. By the 1930s Don David was in Los Angeles, where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. From the mid-1930s to the early 1940s he lived in Sacramento and exhibited at Sacramento’s Kingsley Art Club from 1934 to 1943. Throughout the 1940s David also exhibited at the San Francisco Museum of Art, the Oakland Art Gallery, the Glendale and Laguna Beach Art Associations, and the California Water Color Society. David had a solo exhibition at Los Angeles’ Francis Webb Galleries in 1946, and exhibited with Milford Zornes...

Robert Gallon British, 1845-1925 “Waiting for the Catch” Oil on canvas 30 by 50 in. W/frame 36 by 56 in. This artist, well known, and justly appreciated by the British Pu...

Impressionist white study. Oil on canvas by Columbian artist, Carlos Nariño, who lives and works in Paris since 1985. This was painted while visiting and working in the US in 2009 ...

Figurative, oil on canvas by Columbian artist, Carlos Nariño, who lives and works in Paris since 1985. This was painted while visiting the US in 2009 ...

Treescape. Oil on canvas with brush strokes to create and suggest dense foliage. Columbian Expressionist artist, Carlos Nariño, who lives and works in Paris since 1985. This painting...

Abstract expressionist contemporary painting by American artist Sidney Thomas Guberman. Singed. Hanging instructions on the back of the canvas provided by the artist. Please see det...

Walter Firle German, 1859-1929 “La Lecture” Oil on canvas 40 ½ by 53 ½ in. W/frame 44 ½ by 57 ½ in. Studied: With A.Dressler in Breslau, then at the M...

Joseph Boston American, 1860-1954 Large “Impressionist Landscape” Oil on canvas 40 by 42 in. w/ frame 48 by 60 in. ...

Gertrude Partington Albright American, 1874 – 1959 “Our Garden” Oil on canvas Signed and titled on the back, Circa 1935 24 by 28in. w/frame 31 by 35 ¼in. Provenance: Perlmutter Fine Arts Gertrude Partington Albright was born in Heysham, England on September 11, 1874. At the age of six she came to America with her parents. Her artistic career began with studies under her father J. H. E. Partington who was well known in San Francisco as a portraitist. At the turn of the century she was an illustrator for the San Francisco Examiner doing society and court room...

Vladimir Ilich Teniaev Russian, Born 1965 “Gone Fishing” Oil on canvas Circa 1995 32 ½ by 56 ½ in. W/frame 38 by 62 in. Vladimir Ilich Teni...

This exquisite pair of hand-painted Wedgwood porcelain plaques, painted by Thomas Allen, is a beautiful example of the Aesthetic Movement. The delicate, intricate designs and vibrant...

Nobumitsu Fukui Japanese/American, 1942- Abstract, Untitled Acrylic on canvas 60 ¼ by 48 in. W/frame 61 by 48 ¾ in. Signed & dated 1964 Provenance: ...

Henri Verge Sarrat French, 1880-1966 “Port Vendres” Oil on canvas Signed & dated 1930 24 by 29 in. W/frame 32 by 37 in. Henri exhibited often in Paris at the Salons ...

James Everett Stuart American, 1852 – 1941 “The Storm Castle Rock” Oil on canvas 24 by 42 in. W/frame 37 by 55 in. Inscribed and signed on reverse: “The Storm C...

Oil on canvas Signed and dated 1888 32 by 48 in. w/frame 44 by 60 in. Niss won the gold medal at the Universal Exhibition in Paris in 1882 and again silver medals in ...

Ronaldo de Juan Argentina, 1930-1989 “Untitled, New York” Large Acrylic on canvas 72 by 50 in. W/frame 73 by 51 in. Signed and dated 1971 on reverse Titled New York on reverse S...

Louis Sola French, 1928-2011 Still life Oil on canvas 25 by 31 in. with frame 31 by 37 in. Signed & dated 58 lower right Louis Sola was born in Genoa in 1929 and studi...

Eugenie Baizerman   American, 1899-1949 Reclining woman Oil on canvas 16 by 22 in. W/frame 22 by 28 in. Dated 1927 on reverse Originally from Poland, Eugenie Baizerman was ...

“Untitled” "Large" Oil & Acrylic on Canvas Dated 1967 63 ¼ by 51 in. W/frame 64 by 51 ¾. Joël Kermarrec moved to Paris in. H...

Virginia Webb American, B. 1920 “Narayama II” Large Pastel on Paper 49 by 37 in. W/frame 60 by 48 in. Art N9

Michael Gloeckner American, 1915-1989 Pale Flower Oil on canvas Dated 1971 20 by 18 in. W/frame 25 by 23 in. Michael lived in NYC, he also had a home and studio in West Cornwall, ...

Theodore Alexander Weber German, 1838-1907 “Harbor Scene” Oil on canvas 22 by 36 in. W/frame 28 by 42 in. Studied: Under Wilhelm Krause in Berlin, 1854; Eugene Isabey, P...

Emory Ladanyi, Hungarian, 1902-1986, Urban Tensions. Mixed-media on canvas. Signed lower right. Inscribed and titled on verso. Dimensions: 48 by 36 in. Born November 8, 1902 in Kecskemet, Hungary, the child of Mihaly and Maria Ladanyi, Emory Ladanyi moved with his family to Eger, a town famous for its good wine. He studied at the High School of Science and Art. At fifteen, he discovered anatomy in a textbook and began to consider a career in medicine, and was accepted into the Medical School of The University of Budapest to become a medical student. He received his doctoral degree in 1927 and did his residency in dermatology in the largest hospital in Berlin, then one of the most prominent dematology centers of Europe. In Berlin, he was especially impressed by the works of Edvard Munch, forerunner of German Expressionism, who exerted a lasting influence on his work. Following medical residency in Vienna, he was also impressed by the works of Gustav Klimt, Egon Schiele, and Kokoschka. In 1928 he returned to Budapest to continue postgraduate studies, also advancing his art education. His many friends were among the avant-garde poets and writers of that time. In March 1929, he arrived in New York. June of that year, he passed the medical boards, and in September received his license to practice medice in the State of New York. Outside of the medical profession which enabled him the livelihood to continue to paint, he moved exclusively in avant-garde circles of New York City. He was a close friend of the composer Edgar Varese. Others of his circle were poet Kenneth Patchen...

Robert Brackman American, 1898-1980 “A Still Life in the Morning Light” Oil on canvas Signed Brackman lower right 15 1/2 by 19 1/2 in. w/frame 22 by...

Myron Barlow American, 1873-1937 “Woman with Strawberries” Oil on canvas 29 by 29 in. W/frame 35 by 35 in. Unsigned Myron studied at the Art In...

Oil on canvas
Signed on back of canvas
64 by 51in. w/frame 65 by 52in.

Daniel Argimon painted for the French Government from 1965-1966 and for the Inte...

Sigfredo Chacon Venezuelan, 1950. Paysage. Acrylic on canvas. 23-3/4 in. by 23-3/4 in. Sigfredo was born in Caracas in 1950. He studied at the School of Fine and Applied Arts Cristóbal Rojas (1963-1966) and Design Institute Neumann-INCE, Caracas (1966-1970). He continued his training as a designer at the Chelsea School of Art and the London College of Printing, England. In the early seventies he participated in the Young confrontations Venezuelan News, Gallery Current Study Hall Arturo Michelena...

Mario Dubsky. American, 1939-1985. Firebrand. Oil on canvas. 84 by 84 in. Dated 1973. Painter and teacher, born in London. He studied at Slade School of Art, 1956-1961, where his work was heavily influenced by fellow painter Dorothy Mead...

Jay Rosenblum American, 1933-1989 "Gradus ad Parnassum," Oil on canvas 20 x 20 in., with frame 20¾ by 20¾ in. Signed and dated 1970 Jay Rosenbl...

RICHARD HENNESSY AMERICAN, b. 1941 ?Abstract, Untitled? Oil on canvas Signed and dated 1976 on verso 32 1/2 by 30 in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND?S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF GÉNÉRATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...

Michael Young American, 1952-1993 “Site Terra Firma” Soil, sand, acrylic, resin on canvas 32 by 32 in. Circa 1990 Michael Young Biography: 1952...

Rene Couturier French, b. 1933 “Le Pom Pom Rouge” Oil on paper Signed ‘R. Couturier’ LR and titled LL 30 by 22 ½ in. w/frame 43 by 35 in. Rene Couturier is a worl...

Oil on canvas Dated 1964 18 ½ by 24 ½ in. W/frame 23 by 29 in. Michael lived in NYC, he also had a home and studio in West Cornwall, CT. He painted under Otto Dix and was ...

Elie-Anatole Pavil French, 1873-1948 “La Promenade” Oil on canvas Signed ‘E.A.Pavil, lower right 14 by 23 in. w/frame 22 by 31 in. E...

The Cliffs by Balcomb Greene painted in 1978. Signed on the front titled and dated on the reverse. Paintings of the Montauk coast by Balcomb Greene are few and far between. This painting likely created at his Studio in Montauk New York. Painting is in excellent original condition and retains the original gallery frame. provenance: Estate of Gertrude B. Pascal / Gifted from the previous in 1987, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY / Christie's, New York 2012 / Private Collection, New Jersey Public collections: Baltimore Museum of Art, Baltimore, MD Brooklyn Museum, Brooklyn, NY Cleveland Museum of Art, Cleveland, OH The Art Institute of Chicago, Chicago, IL Corcoran Gallery of Art, Washington, D.C. Guild Hall, East Hampton, NY Wadsworth Atheneum, Hartford, CT Museum of Fine Arts, Houston, TX Indianapolis Museum of Art, Indianapolis, IN Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY National Museum of American Art, Washington, D.C. Joslyn Art Museum, Omaha, NE Pennsylvania Academy of the Fine Arts, Philadelphia, PA Norton Simon Museum, Pasadena, CA Portland Museum of Art, Portland, OR Neuberger Museum, Purchase, NY Solomon R. Guggenheim Museum, New York, NY Parrish Museum, Southampton, NY Whitney Museum of American Art, New York, NY Walker Art Center, Minneapolis, MN Butler Institute of American Art, Youngstown, OH Boca Museum of Art, Boca Raton, FL Over a lifespan of 86 years, Balcomb Greene followed his muse wherever it led, unfettered by what had come before, unafraid of where the future might lead. Despite a series of different pathways explored, his purpose remained ever constant: to express truth as he found it and communicate it to a broader audience. In the 1930s, Greene was a young artist committed to abstraction as his expressive language. Greene’s paintings and collages of the 1930s reflect the influence of Pablo Picasso and Piet Mondrian and put him in the company of fellow Americans, including Ibram Lassaw, Josef Albers, Ilya Boltowsky and George L. K. Morris, all among the founding members, in 1936, of American Abstract Artists. John Wesley Greene, his christened name which he never legally changed, was born in 1904 in Millville, New York, the third child and only son of Methodist minister The Reverend Bertram Stillman Greene (1864–1929) and Florence Stover Greene (1876–1911). His family on both sides were Revolutionary-era colonists, originally living in Connecticut and Vermont before joining the Yankee migration to the western frontier of New York State. In 1922, John Wesley Greene enrolled at Syracuse University aided by a scholarship for the sons of Methodist ministers and intending to fulfill the promise of his name and follow his father into the ministry. As with so many before and after him, the liberal education he absorbed at Syracuse broadened his horizons and reshaped his life plan. Studying philosophy, psychology, and literature, along the way he separated himself from organized religion. During his senior year, on a visit to The Metropolitan Museum of Art in New York City, Greene was introduced to Gertrude Glass (1904–1956), an art student and the Brooklyn-born daughter of Latvian Jewish immigrants. Following Greene’s graduation, the two married in 1926 and went to Europe. They stopped briefly in Paris but spent most of their time in Vienna where Greene had a fellowship to study psychology. When they returned to New York in 1927, Greene enrolled in a master’s program in ‘English literature at Columbia University. When his thesis advisor rejected his essay topic on the “fallen woman” in seventeenth-century literature as inappropriate, he left without a degree. From 1928 until 1931, Greene taught English at Dartmouth College in Hanover, New Hampshire. At some point, he stopped using his given name, John, and began to call himself, more distinctively, Balcomb, the family name of his paternal grandmother. While Greene wrote three novels (all unpublished) during his teaching years at Dartmouth, his wife was a working artist, and he eventually developed an interest of his own in painting. In 1931, Greene gave up his teaching position and he and Gertrude went to Paris, determined to immerse themselves in the modern art ferment they had briefly experienced in their earlier visit. For young Americans with no prescribed agenda, a receptiveness to innovation, and wide-open eyes and minds. Paris, in 1931, offered a rich stew of approaches to modern art. The city absorbed and transmuted an international mélange of styles—cubism, orphism, futurism, dadaism, constructivism, neoplasticism, suprematism, de Stijl, Bauhaus—France encountering Holland, Germany, Italy, and Russia with Pablo Picasso from Spain, Constantin Brancusi from Romania, and Jacques Lipchitz from Lithuania. As a sculptor, Gertrude Greene...