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Item Ships From: Berlin
Graphic portfolio for E. T. A. Hoffmann ‘Miss of Scuderi’, 2003
Located in Berlin, DE
Rainer Ehrt (*1960 Elbingerode), Graphic portfolio for E. T. A. Hoffmann ‘Miss of Scuderi’, 2003. Seven color aquatint etchings, 53 cm x 38 cm in linen folder, each signed in lead lo...
Category

Early 2000s Realist Berlin - Prints and Multiples

Materials

Paper

Chief John Winston Ono Lennon! / - Chief of the Pop -
Located in Berlin, DE
Fred Tiger (*1976), Chief John Winston Ono Lennon!, 2020. Hand-finished canvas print, 60 cm (height) x 40 cm (width), signed “Fred Tiger” lower right and dated “2020”, on the reverse...
Category

2010s Pop Art Berlin - Prints and Multiples

Materials

Canvas

Kufi poses
Located in Berlin, DE
Willibrord Haas (*1936 Schramberg), Kufi poses, 2012. Etching, 44 cm x 32 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by the artist, dated “2012”,...
Category

2010s Realist Berlin - Prints and Multiples

Materials

Paper

Agony - The architecture of decay -
Located in Berlin, DE
Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...
Category

1980s Realist Berlin - Prints and Multiples

Materials

Etching, Paper

Salvador Dalí, LES DAMES DE LA RENAISSANCE, 1971 Hand signed and numbered.
By Salvador Dalí­
Located in Berlin, DE
Salvador Dalí, LES DAMES DE LA RENAISSANCE, 1971 Hand signed and numbered. Etching on Japanese paper. Signed "Dalí" lower right and numbered "21/120" left. Dimensions are with fra...
Category

20th Century Abstract Berlin - Prints and Multiples

Materials

Etching

Color lithograph for Derrière le Miroir no. 203 I / - Real Imagination -
By Joan Miró
Located in Berlin, DE
Joan Miro (1893 Barcelona - 1983 Palma), Color lithograph for Derrière le Miroir no. 203 I, 1973. Printed by Arte Adrien Maeght and published by Maeght Editeur, Paris, 38 cm x 56 cm....
Category

1970s Abstract Berlin - Prints and Multiples

Materials

Paper

Four Young Women and the Boy Cupid / - Mysterious Virtuosity -
By Francesco Bartolozzi
Located in Berlin, DE
Francesco Bartolozzi (1728 Florence - 1815 Lisbon), Mythological Scene with Four Young Women and the Boy Cupid, 1764. Crayon engraving on laid paper after a drawing by Guercino, 22 c...
Category

1760s Realist Berlin - Prints and Multiples

Materials

Paper

Zwischen Schwarz und Rot
Located in Berlin, DE
Signed in pencil 'G.Hoehme' lower right, dated and inscribed 'Probedruck 1959' lower left. On wove paper, with full margins.An exceptionally richly printed proof impression of the pl...
Category

1950s Berlin - Prints and Multiples

Materials

Etching

At the pond / - The longing of the landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....
Category

1890s Realist Berlin - Prints and Multiples

Materials

Paper

Half-length portrait of a man with beard - A Rembrandt of the 18th century -
Located in Berlin, DE
Johann Friedrich Bause (1738 Halle a. d. Saale - 1814 Weimar). Half-length portrait of a man with beard and cap after a drawing by Christian Wilhelm Ernst Dietrich. Etching and coppe...
Category

1780s Baroque Berlin - Prints and Multiples

Materials

Etching

View of a coastal town / - The Pilgrim's View -
Located in Berlin, DE
Albert Ernst (1909 Fronhofen - 1996 Hamburg), View of a Coastal Town, etching, 30 x 37 cm (picture), 45 x 50.5 cm (frame), signed in pencil lower right "Albert Ernst", framed under g...
Category

Mid-20th Century Realist Berlin - Prints and Multiples

Materials

Etching

Indistinct Clear - Fluctuating ambivalence -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Undeutlicher deutlich, 1982. Color etching, e.a. (Epreuve d'artiste) 4/9, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm ...
Category

1980s Abstract Berlin - Prints and Multiples

Materials

Etching

Threatening to defeat me once and for all / - A Christmas Pietà -
Located in Berlin, DE
Johannes Heisig (*1953 Leipzig), "Threatening to defeat me once and for all" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with wate...
Category

1980s Abstract Expressionist Berlin - Prints and Multiples

Materials

Lithograph

Three Herons - At the flaming lake -
Located in Berlin, DE
Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print". - A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting. About the artwork In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism. In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...
Category

Early 20th Century Realist Berlin - Prints and Multiples

Materials

Color

Balaclava - The target in sight -
Located in Berlin, DE
Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...
Category

Early 19th Century Realist Berlin - Prints and Multiples

Materials

Etching

Decorative, abstract lithograph, signed and numbered, 67/90, MANRIQUE.
Located in Berlin, DE
Decorative, abstract lithograph, signed and numbered, 67/90 MANRIQUE Dimensions with frame.
Category

20th Century Abstract Expressionist Berlin - Prints and Multiples

Materials

Lithograph

Allen Jones 1984 "High Society" Lithograph 43/45
By Allen Jones
Located in Berlin, DE
Original lithograph. Allen Jones "High Society". From first owner. Numbered and signed. Dimensions including original frame.
Category

1980s Modern Berlin - Prints and Multiples

Materials

Lithograph

My treasure, my sanctuary / - A Tortured Treasure -
Located in Berlin, DE
Johannes Heisig (*1953 Leipzig), "My treasure, my sanctuary" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with watermark, 53 x 39.5...
Category

1980s Abstract Expressionist Berlin - Prints and Multiples

Materials

Lithograph

Joan of Austria / - The luminosity of the print -
By Gerard Edelinck
Located in Berlin, DE
Gérard Edelinck (1640 Antwerp - 1707 Paris), Joan of Austria, 1707. Copperplate engraving, 51.2 cm x 29.8 cm, inscribed below the image: "Jeanne d'Autriche Grande Duchesse de Toscane...
Category

Early 1700s Realist Berlin - Prints and Multiples

Materials

Paper

Gladioli / - The figurativeness of abstraction -
Located in Berlin, DE
Klaus Fußmann (*1938 Velbert), Gladiolen, 1983. Color etching, WVZ 116.5, 14.5 cm x 18.5 cm (depiction), 20 cm x 21 cm (sheet size), signed “Fuß[mann]” in pencil lower right and insc...
Category

1970s Abstract Impressionist Berlin - Prints and Multiples

Materials

Paper

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