California - Portrait Paintings

America Martin "Clam Shovel" Oil & Acrylic on Canvas 71 x 48 in Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from her Co...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

This artwork, created by the multi-talented artist Serj Tankian, is a captivating self-portrait rendered in a vibrant and eclectic mix of media. Executed on paper with a blend of col...

Itzchak Tarkay (1935 -2012) "A la mode magnifique" ...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

"Popeye" Painting 20" x 20" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Acetate Image size: 13" x 13" inch Size framed: 20" x 20" inch Artist Antonio Pelayo, born in Glendale, California, and yet raised for most of his childhood in the Mexican countryside, has never had his own country. Moving from an American suburb to a tiny village has kept his world unstable, yet that very instability has made him an artist. Antonio was born in 1973 in a comfortable, quintessentially American suburb: close neighbors, picket fences, movie theatres, malls, and English all around. At nine, his family sent him back to his father’s village in Mexico, where the environment radically changed: old broken down adobe churches replaced galleries and the trappings of suburbia. Some adjustments were difficult, like dealing with outdoor plumbing and the transition to a Spanish-speaking environment. Teased and ostracized by other kids, and unable to communicate with the adults, Antonio looked elsewhere for, if not companionship, at least solace. He found it with a pencil and in the pews. He snuck into the village church and stared up at the murals of martyrdom. He hid in the dark corners and sketched the artwork that covered the walls and altars. Antonio sought out the work of other Mexican artists, making them his mentors; his friends. Diego Rivera, Frida Kahlo, and Orozco, all revealed to Antonio the depth of Mexican art and its movement from the shadows of the Catholic Church into the modern world. He learned Spanish. He strove to master it, hoping to communicate with the folks of the village. Still, there was a gap; the language barrier between poor farmers and the middle class kept him from meeting people on an intimate level. Nevertheless, he now had three languages: English, Spanish, and his drawings. Years later his family brought him back to Glendale, which he now saw through the lens of Mexico. It looked unreal; it did not look like home. Nothing looked like home anymore; not Mexico, not Southern California. The one home he had was his art. Though his mastery of pencil and paper began in the nave of an old country church in Mexico...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Rebecca Jack "Aldalgisa" Oil & Acrylic on Canvas 24 x 20 in. 25.25 x 21.25 in. Framed __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative w...

Vibrant fauvist portrait of a woman by Sarena Rosenfeld (American, b. 1940), 1995. Signed and dated lower right hand corner and on verso. Titled "Smoke and Mirrors." Gallery wrapped ...

Mid century Native American portrait by B. Shepard (American, 20th Century). Signed "B. Shepard" lower middle. Unframed. Currently on a mat, ...

Innocent Chikezie (Nigerian, born 1982) "Her Eyes" 2022 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Her Eyes", Innocent Chikezie’s ...

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

Portrait of a woman with green eyes that are highlighted by the light green background by Monterey California-area artist Patricia Gillfillan (American, 192...

Shana Wilson (Canadian, born 1966) "Woman with Brown Hair" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the top left of the painting. About the Artist: Shana Wilson, bor...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

‘Amaryllis', by artist Frédéric Choisel, who lives and works in Paris, France, painted this dramatic, creamy white, amaryllis flower bursting full bloom on green stalks against a dar...

Initialed lower right 'A.H.'; signed verso, "Alfred Helberger", inscribed "Gertrúd" and dated 1914. Bearing the original 1962 exhibition label from the Senator fur Folksbildung, Ber...

Portrait, Original oil Painting, Ready to Hang Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Portrait Art, Subject: Childhood Size: 36" x 24" x 1'' inch, 92x61x3 cm, Unframed, Stretched on Wooden Bar, Gallery Wrapped, Ready to Hang. Tigran Hovoumyan was born on November 8, 1969, in American Armenia...

America Martin "Woman with Wreath of Asters" Ink on Cotton Paper 31.5" x 28.5" Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

Signed center right, in the 53 stub, 'Childers' for Robert Childers (American, 1924-1984) and dated 1954. Robert Childers first served in the U.S. Navy for six years after graduating from Medford High School in 1941. Following World War II, he studied at the Philadelphia Museum School of Art where he was the recipient of a gold medal and, upon graduating from the Museum's school, was the recipient of a Cresson scholarship and attended the Pennsylvania Academy of Fine Arts, where he received his Masters degree. Childers continued his education with classes at Fleisher Memorial and performed for two years with the Philadelphia Dance Theater. Following his studies, he worked in fabrics, film production, toys and illustrations for publishers with du Pont in New York City. At the same time he maintained a studio and old twine factory over the Cherry Lane Theater. He lived in Greenwich Village for 19 years before accepting a position developing new products for American Greetings Inc. While there he designed the Hobbie Holly cloth doll...

Attributed to Charles Edward Hallé (British, 1846-1914) "Mother and Child" oil on canvas. The Victorian era artwork depicting a young mother holding her joyful infant child, within a...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Portrait of a Man Smoking a Pipe in Oil on Masonite Detailed portrait of a man with a pipe by Heinz Robert Schubert (German, 1912-2001 approx.). A man wearing a short-brimmed hat is...

"Sensory Release" Pop Art Figurative in Acrylic on Canvas Bold pop art portrait by Hilary Druley (American, b. 1982). A person is depicted in a hard-edg...

Scandinavian School, early twentieth century. Inscribed, verso, on stretcher bar, 'Anna Ancher' with indistinct inscription and painted circa 1910. A psychologically-penetrating portrait of a young woman shown in profile, wearing a gold earring and a polychrome silk headscarf...

Portraits of a man and Woman Circa 1850-1860 Original Oil on Paper Early American portraits in the style of and possibly by Henry Bryan Hall (English/American, 1808-1861) Later in hi...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Ferdinand Heilbuth: 1826-1889. Well listed very important 19th century French painter. He was born in Germany but lived and painted mostly in France becoming a French citizen in 1876...

Mid century portrait of a clown by Marjorie Blake (American, 1920-1994). Signed "Blake" in the lower left corner. Unframed. Marjorie May Gulley Blake w...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Initialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from 1903-1910, in Italy and Paris. He was awarded numerous stipends and scholarships including the Larssen (1902-3) and the Akademie Scholarship in 1908. In 1906, he had exhibited for the first time at the Charlottenborg where his submitted entry was purchased by the leading Danish painter of the time, Kristian Zahrtmann, for his personal collection. Schouboe continued to exhibit both domestically and internationally for over thirty years and was the recipient of a variety of prizes, medals and juried awards including the purchase of his 1908 Charlottenborg entry, 'Young Couple in a Landscape', by the State Museum of Art for inclusion in the Danish national collection. Schouboe's work is held in the permanent collections of numerous museums including Copenhagen, Aabenraa, Maribo and the Aalborg Art Museums. We are pleased to offer a delicate and psychologically penetrating portrait of this beautiful and determined girl on the cusp of womanhood. Reference: Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 30, p. 269; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 12, p. 520; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Dansk Kunst (Charlottenborg), 1927: Taf. 27, 1928: Taf. 38, 1929: Taf. 46; S. Michaëlis i: Art VII, 1905-06; Vilh. Wanscher i: Kunstbl. 1909-10, 71f; Harald Giersing...

Gorgeous contemporary impressionist figurative portrait of Annie, a reclining woman in a one-piece bathing suit reading on a couch, with a California license plate tucked behind her,...

Wonderful mid century portrait of Carmel artist Doris Estelle Rohr by listed California artist Abel George (Buck) Warshawsky (American, 1883-1962). Signed "A.G. Warshawsky Dec. 22 52...

A portrait of a man. Acrylic on paper 14 x 11 inches unframed and 15 x 12 inches framed, Part of the artist's new Face to Face series started in 2017 and featuring real and imagined ...

A sensitively drawn pastel study of a young woman with red hair shown wearing a blue dress and gazing to the viewers right. Signed lower left, 'Sarah H. Hobson' and painted circa 19...

Midcentury impasto landscape of Sierra Mountains with stream in foregrounds snow-covered mountains in background. Signed "Lorie '65". Clown is painted on verso. Presented in carved a...

Signed center right, 'Ketcham' for Hank Ketcham (American, 1920-2001) and dated 1990. Hank Ketcham, the creator of Dennis the Menace, was born in Seattle...

Southern California native Courtney Simone seamlessly blends her passion for abstract art with the exploration of everyday beauty, resulting in exuberantly inspired abstract figurati...

Wonderful turn of the century oil portrait of old civil war soldier circa 1900, by an unknown artist. Soldier is depicted wearing the Medal of Honor...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Portrait of a Woman in Purple - Parisian Art Deco Female Figurative Colorful and quirky art deco style figure painting of a seated Parisian woman dressed in light purple with decora...

Girl with the Gold Sash, Late 19th Century Large-Scale Female Figurative Late 19th century Romanic portrait of a young girl by Eduardo Tojetti (American/Italy, 1851-1930), c.1880. T...

Signed verso, 'Ant McNaught', (American, born 1952), titled 'Camille VI', and dated 2018-2020. This California Post-Impressionist and Abstract Expressionist artist has studied at the Esalen Institute with Erin Gafill...

Boldly colored portrait of a the artist sketching by California artist Richard "Don" Klopfer (1920-2009). The seated figure is juxtaposed to a fun and vibrant two-toned background of...

Classic Paul Marigny (1922-1998, French) painting of 2 young ladies with flowers. Oil on canvas Canvas dimensions 24" x 36" Frame dimensions 30" x 42"

Mid Century portrait of a woman wearing red by Jon Blanchette (American, 1908-1987). Signed by the artist in the lower right corner. Canvas has been mounted on fiberboard. Unframed. ...

'What Did I Say?'' 2019 is a portrait of a lady. Acrylic on paper 25.5 x 20 inches unframed and 25.5 x 20 framed, Part of the artist's new Face to Face series started in 2017 and fea...

Modernist Portrait of St. Francis Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe painted wood frame. Signed "Tarmo Pasto" bottom right, and titled "St. Francis" bottom center. Image size, 25.5"H x19.5"L. Dr. Pasto was a long-time contributor to the California art scene, as well as an art teacher and psychologist to many successful artists. He also authored a book on art, "The Space-Frame Experience in Art", published in 1964. He, however, was mainly known to the world for introducing the works of one of his patients, Martin Ramirez...

America Martin "Under The Trees" Acrylic on Paper 46 x 43 in. Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America is...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1923. In a later, giltwood swept frame. Framed dimensions: 34.25 x 1.75 x 24.75 inches An early-twentieth century figural gouache showing Joan prior to her execution, kneeling and holding the communion chalice. She seems oblivious to the jostling crowd of captors and weeping supporters that surround her. An armored soldier stands at right, firmly grasping his scabbard and the hilt of his sword. A second solder draws aside the tent door...

Vintage Portrait of 1940's Noir Writer Cornell Woolrich Pencil portrait of famous 1930's 40's noir/crime writer Cornell George Hopley-Woolrich, circa 1980. Cornell George Hopley-Woolrich is one of America’s best crime and noir writers who sometimes wrote under the pseudonyms William Irish...

"I'M NOT TIRED" (FRAMED) Painting 30" x 24" inch by Antonio Pelayo Medium: Marker on paper Size: 30" x 24" inch Size framed: 34" x 27.5" inch From Pelayo VS Pelayo exhibition: The...

"LONGOSTA" Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 43.5" x 33.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash...